(ES) @ClaraBrea nos ofrece esta pieza a modo de epílogo sonoro del festival En Pausa. La artista madrileña, especializada en grabaciones de campo, registró mediante un entramado de micrófonos lo acontecido durante las jornadas presenciales del evento celebrado en abril. Tras un particular trabajo de proceso y manipulación de todo ese material, nos presenta una pieza de una hora en la que podremos revivir las sensaciones de la cita.

El festival se articulaba en torno a la reflexión, la disidencia y la conexión a través de la escucha, y en la memoria resonante de Clara quedan representados estos parámetros ya que podemos reconocer partes de las actuaciones y del ambiente sonoro que vivimos esos días: La síntesis de Ylia y Jonathan Fitoussi el viernes en el patio, el concierto de clarinete y charla de Paweł Szamburski en la terraza la mañana del sábado y los conciertos de Menhir y Mecánica Clásica como broche esa misma noche.

Las técnicas empleadas por Clara, desde micrófonos de contacto situados en cristales y tuberías, a micrófonos 360, dotan al material capturado de una entidad propia, que sumada a la postproducción mediante sampling, efectos, filtrado y mezcla, generan una pieza que trasciende la mera documentación y nos adentra en el universo sonoro de una de las creadoras más originales del panorama local.

En Pausa, reflexión, disidencia y conexión a través de la escucha, comisariado por a_mal_gam_a, fue celebrado los días 16 y 17 abril de 2021, presencialmente en La Casa Encendida y virtualmente el domingo 18 a través de la plataforma de radio online 9128.live.

(EN) Clara Brea brings us this piece as a sonic epilogue to the En Pausa Festival. Brea is an electronic musician and sound artist with a focus on field recordings, for this occasion she registered, through a microphone system what happened during the on-site concerts of the event held in April. After a particular process and manipulation of the recorded material, she offers us an hour-long piece with which we can relive the sensations of that journey.

The festival was articulated around reflection, dissidence and connection through listening, all these concepts are represented in Clara's 'Resonant Memory' since we can recognize excerpts of the performances and also the sound environments that surrounded us during those days: The synthesis of Ylia and Jonathan Fitoussi on Friday in the courtyard, the clarinet concert and talk by Paweł Szamburski on the terrace on Saturday morning and the Menhir and Mecánica Clásica concerts that took place that evening to put an end to the on-site event and this piece itself accordingly.

The different techniques used by Clara to capture the event including contact microphones attached on glass windows and pipes or 360 microphones, already give the captured material its own entity, and after the post-production processes she made through sampling, effects, filtering, and mixing, we are left with a piece that transcends mere documentation and takes us into the sound universe of one of the most original creators on the local scene.

En Pausa, reflecting, dissenting and connecting through listening, curated by a_mal_gam_a, was held on April 16th and 17th, 2021 at La Casa Encendida and virtually on Sunday 18th through the online radio platform 9128.live .

En Pausa

En Pausa - Epílogo -  Memoria Resonante por Clara Brea

Rikka 02

Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com every Thursday and Friday.

Oceanic ╚═ Future Intel X Nous'klaer ═╗ 09 10 2021

Recorded on 24.09.2021

Artist: TET @enjoy_tet
www.instagram.com/enjoy.tet/

Kultura Zvuka Shkola:
shkola.kulturazvuka.ua/ru/
www.facebook.com/kulturazvuka.shkola
www.instagram.com/kulturazvuka.shkola/

TET — VITALNYA #01 | Kultura Zvuka Shkola Kyiv

GLYKMIX35

GLYKMIX35 / Mary Yalex - November strings

TRACKLIST: 

Suso Sáiz x Menhir - Alike
The Black Dog - Pho-kuss (featuring Oliver Ho)
Dialect - Rays of Light
Guy Contact - Feel The Feeling
The Black Dog - Norman Foster Knew
Zemög - Sailing Timbiquí River
Suso Sáiz x Menhir - Transit 1
Cherrystones - The Canal
Leif - Every Weather
Mikkel Rev - Dissolve To Evolve
Morpha - Memories
Zemög - Hiking In Chicaque
Marco Shuttle - Winds Of Cydonia
Saphileaum - Arif
Scanner - NightJam Remix (Si-cut.db)
Deadbeat x Om Unit - Leaf
Haramia Tapes - Shadows Blooming
Huerco S. - Plonk VI
Martinou - Absorption (Citywide)
Birds ov Paradise - Amanda
The Black Dog - Re-Pho-kuss (featuring Oliver Ho)
Priori - Winged
Dialect - Opal

Introspective Electronics w/ Avsluta x Netil Radio | January 22

EOS Residency 20220121

Bis auf die Betalounge Sessions wird das hier mein erster und auch letzter Mix online sein, versprochen!
Und sorry für die Knackser in Robert Leiner, die waren to much, aber auch nur die 😉

For the English speaking community: 
I Think, Therefore I Ambient

Here's my 3hours Mix for a Ambient Tent//  Sustain-Release 2017// NY/ US

http://www.sustain-release.com

Enjoy !

Thx to Graustufe for The Space …

Ralf Köster, Hamburg, 2020
www.mfoc.de
www.pudel.com

RAF@NY2017

graustufe Podcast: #004 Raf Köster

Ambient & Interieur 37 with @eauthermale
this was live on Radio F.R.E.I. 96,2 MHz

Beschreibung Eines Tauschs

tracklist

Vladislav Delay - Untitled
Pan-American - Starts Friday
Taylor Deupree - The Lost See
Alva Noto - Xerrox Ile
Vladislav Delay - Kohde
Thomas Fehlmann - Geworden
Burial - In McDonalds
Pan-American - Are You Ready?
Andrew Pekler - Description Of Rain (Over Frisland)
John Roberts - Eyeline Match
Jan Jelinek - Do You Know Otahiti?
Dean Blunt - As Long As Ropes Unravel Fake Rolex Will Travel

Ambient & Interieur 37 [Eau Thermale]

Ambient & Interieur 35 with @steffenbennemann
this was live on Radio F.R.E.I. 96,2 MHz

Ambient & Interieur 35 [Steffen Bennemann]

New Feathers
Text arranged by Lou Drago (@lou_drago)
Music and sound design by Valentino Mora (@valentinomora)
In conversation with Wanda Gaimes, ZD Harris, Mmakgosi Kgabi, 
Pedro Marum, Paul Mernagh, heather purcell and Camilla V. Barratt-Due

The intimacy of friendship, Derrida writes, lies in the sensation of recognising oneself in the eyes of another. But what chance do we have of truly seeing another in a world increasingly reduced to pixels, (binarised) swiping, and blocking? 
In a moment where societies are supremely polarised and fake-news permeates oft undetectable, it begs to question what has precipitated this shift. One speculation could begin with the way society is atomised into distinct family units and how increasingly, connecting is considered something done via social media. Hyper-connectivity and infinite information access give the impression of being able to know anything and anyone at once, and caught-up in the fast-pace of neoliberalism (the brainwashing endures the pandemic) we can suffer from the pressure to know more than is humanly possible as we skim-read headings in the same breath as friends’ posts.  

Capitalism both assumes intimacy to occur primarily between romantic partnerships and promotes the idea of success being attributed to a lone individual. Isolated and in competition with one another, capitalism thrives on the myth of the individual, attempting to negate that we are all entangled with the ideas and affects of others. In a society where friendship (like everything else) is co-opted by capitalism to be transactional, shallow, and disposable, subverting these conventions to create intimacy as well as acknowledging ones interconnectedness can be pivotal. “If capitalism works by dismembering transformative relationships” carla bergman and Nick Montgomery ask in Joyful Militancy, “can friendship be revalued as a radical, transformative form of kinship?” 

In the work for Spaces of Faux Intimacies, Drago troubles these capitalist assumptions by diving into intimate conversations with several of their close friends and comrades, exploring intimacy not only as the subject, but as a process by inviting discomfort, challenging social anxiety, and through broaching difficult topics to explore vulnerability. These conversations are later transcribed carefully keeping the voice of each speaker in tact, and fragments are woven together to create a dialogue.  Through the anonymity of the format and the intimacy provoked by the process, Drago’s confidants share their impressions of what it means to exist under digital-capitalism.

Lou Drago - New Feathers

Spaces of Faux Intimacies is the first part of a series of interventions unfolding over a year, exploring intimacy in the wake of socially distanced capitalism, digital technologies and the pandemic. 

Today’s neoliberal, hyper-connected society, has capitalised the very notion of intimacy. Screened semblances of emotional abundance are promised to us within only a few swipes away while corporate conglomerates are profiting from our desire for physical and emotional connections. As the pandemic and the accompanying social distancing measures are driving us even further apart, and amid the already existing turbulence around the world, how can we work together to produce new channels of care, social resilience, and affective solidarity? 

"Spaces of faux intimacies" brings together artists of various disciplines to contribute to the discussion with individually commissioned auditory works.

Curated by Katerina Gnafaki for Centrum

The exhibition is part of the Vorspiel program of the CTM and transmediale festival 2021 and made possible with the generous support of Musikfonds, by means of the Federal Government Commissioner for Culture and the Media.

Lou Drago - New Feathers

Spaces of Faux Intimacies

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