Did you notice this is the second track on my last mix? Lovely to mix with almost anything.
http://soundcloud.com/owenski/owens-spot-the-jingle-bells-mix

galaxy

waterfall

tunnel road

broken aelita improv

homeless AI

heliko

"Endless Process" is a music label established by Cristian Vogel in 2019. The music in the shows reflect a diverse range of influences and (mixed) styles, curated and presented in glorious and privileged freedom. Often - but not always - the show highlights label artists, and features unreleased material from affiliated sound artists and their archives.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Endless Process w/ Cristian Vogel @ Kiosk Radio 03.05.2025

This week’s show features a special guest mix from Stu Clark (Wolf Music). Serving up his signature blend of deep, soulful and underground house grooves ahead of our Rhythmic Addiction launch night.

🗓 Saturday 29 November 2025
📍 Bricks, Brixton
🎧 Line-up:
• Frits Wentink (Bobby Donny)
• Wolf Music (Stu Clark)
• 4Colours
• Braaks

A proper warm-up for what’s to come. Expect vinyl cuts, low-end warmth and rhythm-driven energy all night long.

🎟 Tickets available via Resident Advisor / Akiddle → https://ra.co/events/2204605

Braaks - Rhythmic Addiction Show #327 (Point Blank Radio) 12/11/25 *Wolf Music Guestmix*

Oh Kay

Too Tight

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

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Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Too Tight

Spandex

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