A musica de Lavender Town foi criada para criar uma certa sensação de desconforto, mas o efeito dela foi tão intenso que na versão final foi alterada para algo mais ameno. Imagine isso em um jogo que na época era mais voltado para crianças. Parece bobo, mas o som fora de tom causa desconforto. Só pode ser percebido com volume alto e de qualidade. Na medida em que a musica toca a sensação aumenta. A pausa no meio traz ansiedade. Não escute sozinho no escuro!

The music of Lavender Town was created to give a certain feeling of discomfort, but the effect of it was so intense that the final version was changed to something softer. Imagine this in a game that at the time was more focused on children. It sounds silly, but the sound out of tune cause discomfort. With high volume and quality gets really creepy. Insofar as the music plays the disconfort increases. The break in the middle brings anxiety. Do not listen to it alone in the dark!

Pokemon Green Beta Lavender Town Song (REAL VERSION)

The opening from the series “Alfred’s Playhouse” by Emily Youcis. This song is based off of the opening of PeeWee’s Playhouse.

Welcome to the Playhouse

♡─ Suki suki daisuki - Jun Togawa・⁠・⁠・💾

NOW SPELL INSANITY (CONCEPT RECOVERED)

Potato Knishes

DHMIS 1-6 (JW64 Remix)

Original Soundtrack for the game Scanner Sombre by Introversion Software. Amazing and underrated game with a perfect soundtrack originally composed by Alistair Lindsey.

Note from the original composer:

Just prior to commencing work on Scanner Sombre I had experienced an intensely busy and emotionally brutal couple of years in which I had lost, to terminal illness, all three of my cats, my dog, and finally my Father too. During this period I had designed sounds and composed music for several games most notably Ludeon's 'RimWorld', and Introversion's BAFTA Award winning 'Prison Architect'. 

To stay 'professionally positive', and therefore be able to write the (mostly) emotionally neutral or happy music that these games required was not easy but was nonetheless essential.  On many such occasions, alone in my studio, I could feel the proverbial thumbs of my own truth pressing remorselessly ever harder into the eyeballs of my soul, as I forced myself not to externalise (in my musical compositions) the pain and loss I was feeling inside. 

As it turned out we had just finished Prison Architect when my Father died.  What should have been a time for joy, jubilation, and a sense of pride and victory was instead usurped by feelings of nausea, anger, and devastating loss.
 
In all truth henceforth what I desperately needed most of all was to be authentic. I needed a new project to write for that could offer me a legitimate vessel into which I might pour all of that dark, rancid, despair and negative energy that I had bottled up inside for so long. 

What I needed was a bottomless pit of never-ending doom, where all hope must be abandoned, where only pain and grief can thrive. Somewhere that would need the kind of music I had wanted to give birth to for an entire year!

And that, ladies and gentlemen, turned out to be Scanner Sombre. 

All the best, and, er....enjoy the music?

Alistair Lindsay. 
Head Of Audio. Introversion.

Scanner Sombre Official Soundtrack Album

Don't Fall In

From an Alfred Alfer music video that has since been deleted from YouTube. I'm sure you can find it somewhere else. Mainly uploaded for personal use, I didn't have any part in creating this song.

NOW SPELL INSANITY (CONCEPT RECOVERED)

SPEAK AND SPELL

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