The first single from SINERAW's new album 'MIMETIC FAUNA' (G&P024), out August 6, 2023

We're pleased to introduce Francesco G. Gagliardi, also known as SINERAW. Hailing from the picturesque country of Italy, Francesco is a bold producer, a creative coder, a former sound design teacher, a devoted pasta connoisseur, and a very angry typer. Proving his fearless approach to music production, his Discogs diploma boasts a number of contributions to various comps, collab work with Noumeno for which the duo uses the name Hyter, a collab with Antonia TM from Ashida Park as well as solo stuff such as a game soundtrack composition, and a full-length album via CLAM. Our label is now presenting his latest auditory-meatus-bending release, which comes after we extensively relied on his tracks in nearly every DJ set we've played.

Step into the wild ecosystem of scientifically precise sounds that crawl around and gradually reveal themselves, entangled under the dim moonlight. MIMETIC FAUNA compellingly showcases Francesco's expertise in weaving together cutting-edge and groundbreaking sounds. He skillfully constructs pumpy build-ups and blends the invading melodies, sometimes with a touch of soundtrack-kinda opulence, other times with straight-forward trap swagger. The result is a collection of nine incredibly powerful tracks filled with crisp, haunting, and weighty goo, composed of digital and field recorded sound shards.

Written & produced by Francesco G. Gagliardi  (@sineraw)
f-9-9.com

Mastered by Fausto Mercier (@fausto_mercier)

Artwork by Jiri Macku
instagram.com/jiri_macku/

G&P024 🐉

Bandcamp

SINERAW - YOU WANT SOFT

CRYSTAL CASTLES - EMPATHY <3

125 BPM 

FREE DL ENABLED

CRYSTAL CASTLES - EMPATHY (TOOL)

w/ @pdaan
the prodigy - breathe
evian christ - on embers

THE PRODIGY X EVIAN CHRIST RECONSTRUCTED

⋆Track 07⋆  𓆩♡𓆪
@g_sv

Written/ Composed by Yuekai Miao
Produced by Yuekai Miao
Mastered by Lorenzo Targhetta

© ℗ 2023 Færies Records

[BUFFERING] VOL.1 CECILE

SUPPORT HERE

07 10_r3n — xingtian

PLUSHB4BY - MAYARI

The Shapeshift Spaceship universe is transfuturistic. Being at the boundary of states is not an anomaly in this universe, but a starting point.

Shapeshifting is a method of applied radical imagination that, in the manner of afro- and other emancipatory -futurisms, uses the spatiotemporal immensity of the future and intergalactic distances to declare a transfuturistic universe free from conventional gender and taxonomic reasoning.

The central motif of the Shapeshift Spaceship project – emancipation through the transformation of one's own shape – has an age-old parallel in music: it too uses the principle of constant ephemeral change, rhythmed by repetition, to create its own elusively passing beauty with the extraordinary capacity to transform human emotions along with its own change. The possible maximum of this intoxication with music is a state of ecstatic rapture, a transformation directly experienced through the moving body, accompanied with the awareness of the expanded nature of existence as an indivisible continuum of all its interconnected parts.

With the participation of following shapeshifters, queer, FLINTA, enby and LGBTQQIP2SAA artists: Anthr0morph & Oliver Torr, El Pelele, Evil M, Hihelga, Pope Sangreta, IDKLANG, Technopagan, HrrHrrHrrr, Dj Würm

The compilation is released as an editorial selection curated by Šimon Kadlčák in collaboration with MeetFactory and speedcoretrew.

The project was supported by the Prague City Hall, the Ministry of Culture of the Czech Republic, Prague 5 and the State Culture Fund.

Link of the whole project Shapeshift Spaceship meetfactory.cz/cs/program/detail/shapeshift-spaceship

released by MeetFactory and speedcoretrew in January 2025.

mastered by KōNcHi

track n. 6, El Pelele - NO QUERER PERDONAR
produced by El Pelele and Astrosuka
mixed and mastered by Astrosuka
previously released by TRRUENO (2019)

cover design by Veronika Žilinská

IDKLANG - Dagger

a good thing about music that sucks is that you can actually just turn it off and not listen to it. I keep forgetting.
https://soundcloud.com/asvanyviz2

asvany & AUX - TTSO

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

Born out of three years of displacement after the outbreak of war, Index_0 emerges as a sonic artifact — a fractured reflection of modern existence. It is a diary of dissolution, an intimate yet raw exploration of identity in a world where horror and beauty intertwine.

Carving through deconstructed club, noise, and spectral electronics, the album captures a personal eidos — a state of being filled with tension, love, regret, psychosis, warmth, and fleeting moments of joy. The sound textures, layered and evolving, serve as a means of reflecting on the present, shaping a deeper understanding of oneself and the surrounding world.

Forged on X-ray records, Index_0 is more than just an album; it is a relic of the future. Each copy is an unrepeatable anomaly, a ghostly imprint of lost vinyl cutting techniques, where frozen human shadows are reanimated into pulsing waves of energy. It is a bridge between the material and digital, past and unknown, a physical ritual inscribed onto fractured bones.

This is album as a time capsule, an echo from a collapsing reality, awaiting activation.

Produced, composed and mastered by WULFFLUW XCIV.
All art-works and visuals by Sophie Nakonechnaia.

x-ray vinyl LP 

Xingamento

Artist: https://soundcloud.com/htrx-official

https://hypeddit.com/htrxx/anomaly

IDKLANG - Dagger

SPEEDCORETREW

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