/
Building on the freeze, now we ride the wave—amplifying voices, sparking new energy.

STOP THE FEED – FREEZE the LOVE

The ever-flowing feed is both a blessing and a curse. It delivers fresh beauty from artists around the world, but only for a moment—blink, and it’s lost, buried beneath the tides of time and algorithm.

The Enigma’s Solution:
This new “play-playlist” is a masterstroke. By curating and freezing these moments in an ongoing journey, we transform ephemeral art into a living archive—a beacon that outlasts the fleeting feed.

STOP THE FEED – RISE THE WAVE – IGNITE the SOUND // July 15th, 2025” is not just a playlist; it’s a protest, a time capsule, and a celebration of artistic endurance.

A New Tradition Begins:
This is only the fourth of its kind. Each new playlist will chart the next leg of our voyage, evolving in spirit and intent. 

This sequence creates a narrative arc:
Freeze (capture) → Rise (amplify) → Break (liberate)
Each title is a call to action and a milestone in the ongoing journey.

Crew on Deck:
All hands are called to contribute, to rescue and preserve the gems that might otherwise vanish. This playlist becomes the ship’s logbook—a record of what truly moved us, unbound by the tyranny of the scroll.

Officer’s Salute:
Captain, you’ve turned a limitation into a legacy. The Enigma’s playlist will stand as a lighthouse for lost songs and overlooked voices.

Let the world know:
We do not let beauty slip away unnoticed. We freeze the love, ride the wave, and break the chains—the journey continues.
/
/
Inspired by all of you
/
/
/
- .... . / .--- --- ..- .-. -. . -.-- / -.-. --- -. - .. -. ..- . ...
/
Decode if you dare. The Enigma’s signal endures.
/
/

07-15-25 // STOP THE FEED – RISE THE WAVE – IGNITE the SOUND // Catch of the day and honoring

Leave Me On

Unorthadox Phantom- GORO

linktr.ee/unorthadoxphantom

GORO

CØLD CASE

the only 5 minute audio you ever need to lock in (real gym audio)

Herr Orlok, I presume?

Lyrics:

If a picture is a
Thousand words
No matter how it
Hurts I got a million
Sometimes you
Dig yourself at
That pain
To get that feeling,
I never grow 
Old I am healing,
Born torn
Secondhand a
First child 
Thrifting memories
Never planned 
To get rich
On life,
But here is a penny to the 
Thoughts of
Afterlife
I never really rolled it up
Cigar bars
Premium I got my stuff
Gaining on my life and I 
Think I am addeding up
Used to think I had enough 
You would think I had it tough
The diamond made from rough
I never had to bluff
So here is for the truth 
Can you hear it one time 
When you really want it 
Baby grind
In the end of day 
You will be prime 
Poor thoughts I 
Was taught 
Commoditize  my struggle
I am bought 
Mortgage these loans
Momma pay day
For we can’t afford 
Things we through
Away 
Interest wed rather give it
To the top,
Thinking back on what 
We watch in a box
Escaping that rainy 
Day living life cast away
On my block I never
Stray.
Middle class to 
Lower class,
I am feeling that 
Real life,
So when my voice on
You can hear it on the mic
You ever get the feeling like
They don’t hear the struggle 
And
When it’s broadcast it’s muffled

If they shut us down 
I am going down in 
A box a product of my
Thoughts over environment
Mind over matter
Abused losers risen it
Cause all the nights 
I ain’t shit 
We was never number two
Cause we wasn’t someone to you x2


You got to make it out,
glass shattered,
Who sees 20-20
I seen tatthered,
Visions and hues 
To say,
Your blue isn’t green,
Got sad,
Made a machine,
That’s art,
They don’t hear me 
On beats
That’s heart I
Bring it from the chess
And play that
Game a grand 
Master my disaster 
Collage broken
Shards cut our skin
Blood in ink I pen
Lines like cash 
I walk it,
East side pride 
I talk it,
They try to write me
Off,
Even in a lemonade
Stand I would rather be
My own boss,
What’s it cost.
Lost world integrity,
You ass it’s 
What I said I would be,
Bled and sweat I breathe
Measured
What’s brevity
When I say it I do it,
This ain’t music 
Spoken word is
Bond,
Til I break I am on,
Holding it down,
Six feet up when I’m
In the ground,
Cause they could 
Never hold us 
Down.
I seen through the system,
Mos-ilium 
All I am seeing,
I am above it 
Like blowing clouds
In public 
High nice to meet you
Though I been low
I was never beat to 
Not think 
I would do better 
I made it cause I
Had to what’s weather ?

Julius Stallone - Mind Over Matter (Prod. Julius Stallone)

Luigi

A relentless bassline blasts through haunting synth melodies and pads, punctuated by thunderous drums.

Trap Demon

Written and Performed by U.Poet & FellPeepz
Produced and Engineered by E.P Beats- @lala-land-361191160 ____________________________________________________________                                                           This Song Is Also Available On YouTube                    https://youtu.be/dye92QHTvqw?si=xsmqK5u93A67iXKQ

Harmony Feat. FellPeepz (Prod By E.P. Beats)

@h.gee and @fellpeepz back at it again w the real hip hop!

FellPeepz  - Inception Moves (Prod.by H.Gee)

Black Petals is about staying strong—even when life feels too heavy to carry. This track dives deep into some of the darkest moments I faced growing up, the kind that nearly broke me. But it’s also a reminder: there’s still beauty in the struggle. 🌑🌸

This beautiful beat was produced by the incredibly talented Eweezy, someone who’s believed in me since day one. He saw something in me I hadn’t even discovered yet—and for that, I’m forever grateful. 🙏🏽

Fun fact: The male adlib you hear in the second verse is my real brother—someone who literally saved my life when I no longer wanted to be here. Love you big bro… always. 🖤

Black Petals (Prod. Eweezy)

Urban contemporary

Tɔɔ Réo est une chanson traditionnelle Gurunsi en lyélé de Réo au Burkina Faso, chantée pour valoriser la parole des anciens et les rythmes Burkinabè de chez nous à Réo. C’est fait avec balafon, calebasse, tambours — pas de son moderne. Juste la voix d’un vieux père, les réponses du village, et le souffle du marché du 21. C’est la parole qui fait danser.

Tɔɔ Réo yé naaba. Tɔɔ yé zãã. Dɔɔr yé waali. Réo n’ba tɔɔ. Wɛrɛ, dundun, balafon — banga ka banga.

Tɔɔ Réo is a traditional Lyélé song from Réo, Burkina Faso. Sung in Lyélé with balafon, calabash, and hand drums — no modern instruments. Just the voice of an elder, the village's response, and the spirit of the 21 market day. It’s the word that makes us move.


Tɔɔ Réo

comedian (prod. 4_head)

LICK THE CHROME

Falsa esperanza.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀Ø

https://linktr.ee/limbo._

CØLD CASE

LIMBØ

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