https://machinone.bandcamp.com/album/parasol-boat

主に2006~2007年あたりに作った曲をまとめた作品でmachinoneを始める前に活動していたLow Parasolというポストロックバンドの影響もあり、エレキギターやベース、トイドラム、ピアニカも使用していて、これまでの発表した作品とは少し雰囲気の異なる感じもある。

Mainly a work that summarizes the songs made around 2006-2007, and was active before starting machinone
Due to the influence of a post-rock band called Low Parasol, electric guitars, basses, toy drums, etc.
I also use Pianica, and it feels a little different from the works I have released so far.
credits
released June 24, 2021

music by machinone

instrument by Guild Star fireⅢ sb, maxon franger, martin acoustic guitar, Toydrum, Pianica, Harmonica, Bass, Reed organ, banjo, maxon flanger,

Artwork by Daizo Kato

Fuori-B002

Parasol Boat3

2021/09/28 配信にてリリース予定

sphontik - Nice And Warm - EP (Preview)

◆A1. Seras verdad?: 0’00” //◆A2. Laura va: 0’32” //◆A3. Fui al rio : 1’04” //◆A4. Danza sin fin : 1’33” //◆A5. Hiroshi  : 2’09” //◆B1. Valsa [Bebel] : 2’41” //◆B2. Children's Playsong : 3’12” //◆B3. Children's Dance : 3’37” //◆B4. Preludio para una mariposa : 3’56” //◆B5. Andando. : 4’31” 
HP: www.resonancemusic.jp/
online store: www.rmusic.base.ec/

bar buenos aires

bar buenos aires essentials Vol.1 demo mixed by h.yoshimoto(bar buenos aires / resonance music)

9 coffees

Taken from the album 'niji', to be released worldwide on December 24, 2015 on Kitchen. Label

Order on 3CD here: 
http://www.kitchen-label.com/ki017-ironomi-niji/

Tracklist: 
1-1 風草 (Feat. 沢田穣治)
1-2 茜空 (Feat.今西玲子)
1-3 水藻 (Feat. hofli)
1-4 紫陽花 (Feat. ASPIDISTRAFLY) 
2-1 光旅 (Feat. haruka nakamura) 
2-2 舟月 (Feat. ARAKI Shin)
2-3 睡蓮 (Feat. Rie Nemoto) 
2-4 楓 (Feat. Coupie)
3-1 朝靄 (Feat. 中島ノブユキ) 
3-2 碧空 (Feat. 内田輝)
3-3 箒星 (Feat. 沢田穣治)
3-4 日向 (Feat. haruka nakamura)

Following 2010’s release of the Kitchen. Label classic “sketch”, ironomi returns with their long awaited seventh album, a 3CD 164 minutes collection entitled ‘niji’ (English Translation: Rainbow). Joining pianist Junya Yanagidaira and programmer Yu Isobe are a stellar line-up of their most loved collaborators and contemporaries. In ‘niji’, the record is marked by the same tranquility and fleetingness of their sound but also offers a slight departure from the traditions of ironomi’s previous recordings with the addition of other instruments (Saxophone, Contrabass, Koto, Violins etc) contributed by the guest musicians on each of the 12 tracks - Featuring Nobuyuki Nakajima, Jyoji Sawada (Choro Club) as well as members of the Kitchen. Label family ASPIDISTRAFLY, haruka nakamura, ARAKI Shin, Akira Uchida, Rie Nemoto among many others.

ironomi has a sound which is almost enigmatic to describe. One could listen to their albums on an ambient level and just let the music flow through. Or one could listen closer and find a detail in the sound that is intricate and palatable. ironomi’s impressionistic ripples of piano fragments generate the cumulative feel of a gently flowing river or the shifting play of light through the leaves of trees. ironomi is like nature, a sound of nature that has existed from the beginning and free from any judgement.

The duo’s music is distinctively less about conventional compositional structure than it is about the creating and sustain of mood. For each of the recordings in ‘niji’, improvised sessions were recorded and the best takes were kept intact with very minimal post production. The works showcase ironomi’s capacity to construct compelling music in real-time, their melodic-harmonic imagination as an improviser and ability to consistently find and shape new forms with each of their collaborators also sharing the same strong sense for the dialectics of sound and silence. A wishful charm imbues this entire recording of pieces which, though not written together, seem to have been predestined for each other in this album.

The latest album is highlighted by almost 40 minutes worth of music recorded together with haruka nakamura on classical guitar, whom he had spent his early formative years touring and collaborating with the duo on numerous occasions. In the collaboration with April Lee and Ricks Ang of ASPIDISTRAFLY, voices are striving to be heard and a song was unexpectedly born from the improvisational session. The result is perhaps the most strongly lyrical piece of ironomi’s releases to date.

“niji” is available on 3CD and digital formats on 24th December 2015. The physical CD copy comes in a customised letter-pressed folio. The cover is designed with a unique holographic foil which cause a refraction that creates constantly changing light reflections and prismatic colors. All linking back to the symbolic representation of the miraculous hues of ironomi’s sound world, trapping the listeners in a peaceful space of pure sound and sonic allusions.

Released & distributed by Kitchen. Label
Ⓟ & © 2015 Kitchen. Label

MORE INFO:
www.kitchen-label.com

KI-017 ironomi - niji (Album Excerpts)

Bedtime

Namaste

110515 (tsuji naoki "tooriame" remix)

Sakanoshita Norimasa

A GUITARIST living in Tokyo area.
Mainly playing own composed and arranged music 
based on Jazz, Classic, Bossa nova, and traditional folk songs.

1 Glacis From HORIZON

Tracklist:
01. EVENFALL
02. OBSCURE DUSK
03. SINUSOIDAL PIRR
04. SOLEMN SOLACE
05. NIGHTFALL
06. INTERMISSION I : HÆTU
07. ETHEREAL COSMOS (ft. Okamotonoriaki, Kent Lee)
08. ANDROMEDIDS
09. COSMIC INFLATION (ft. Flica)
10. INTERMISSION II : ARÊTE
11. DAWNFALL

EVERY SINGLE DAY, OUR LIVES REVOLVES AROUND A SPIRAL OF SYSTEMATICAL LOOPS OF ACTIVITIES THAT SEEMS TO STATE OUR EXISTENCE IN THIS EARTH. THE MUNDANE DAYS AND ROUTINES THAT WE ENDURE AWAITS THE ARRIVAL OF THE WEEKENDS, WHERE WE SEEK COMFORT AND REST. THE CYCLE REPEATS TO FULFIL ONE GOAL AFTER ANOTHER, WHICH WILL LAST THROUGHOUT THE YEAR. WE CONSTANTLY SEEK FOR LOVE, FILLING THE EMPTINESS INSIDE WHENEVER IT COLLIDES WITH SOLITUDE. IN THIS DAY AND AGE, IT IS INEVITABLE THAT SOCIAL MEDIA AND MATERIALISM HAS OFTEN PLAYED A PART IN THIS FACADE TO SHELTER OURSELVES FROM THE ABYSS OF THE INSECURITIES SCREAMING FROM WITHIN. AMONG ALL OF THESE CATASTROPHIC SELF-SEARCHING EVENTS, YET IRONICALLY AT TIMES A BLESSING IN DISGUISE, WE FIND OURSELVES SEEKING FOR SOLACE

And like anyone of us, a Korean born musician, Dae Kim fnds his comfort in his frst LP, entitled Solace. In the midst of his soul-searching voyage, it has occurred to Dae that there is no other way to fnd comfort in life than fulflling one’s mandate, which in this case for him is by making music. Just like the mechanism of nature in this earth, every element took place to serve its core purpose. Hence, throughout this album, Dae was able to portray his perspective of this expedition through a soundscape of the living world. The three main themes entitled “Evenfall”, “Nightfall” and “Dawnfall” acts as a mould to the album with it’s looping melody lines and thematic structure.

Working for more than two years for his album, Dae Kim has took the approach of combining acoustic instruments from rhodes, piano, guitars, accordion to analogue synthesisers and turntables to create sounds of many colours. After spending countless nights in his bedroom drafting from one melody line to an ensemble track, he was fearless in trying new sounds and arrangements. With a mixture of electronica, ambient and acoustic, he was able to create songs that carries strong messages with a heartfelt innocence. As you could find the profound usage of these instruments throughout the album, it is hard to deny that Dae’s core inspirations such as Vangelis, Ennio Moricone and A winged victory of the Sullen (just to name a few), has played a part in shaping the overall soundscape of this production.

Playing a signifcant part in bringing this album to its fruition, is a strong line-up of musician collaborators. Bassist Kent Lee has showed his ability as a versatile musician through songs like “Obscure Dusk”, “Solemn Solace” and “Hætu” which carries the weight of the album’s theme between its heartwarming bass lines. He also did an additional composition for the seventh track, providing the drive and thrust for the song. Besides that, renowned ambient/electonica musician, Flica added an eccentric touch to the track “Cosmic Inﬂation” with his overdrived keys and alluring melody lines. It is as though in the midst of these indentation, there is peace and calmness. Last but not least on the featured artist is the Japanese born composer, Okamotonoriaki. Through his simple and benign repetition of vocal and harmonies, Okamotonoriaki was able to bring forth a sense of resolution through his work on the track “Ethereal Cosmos”. The album was mastered by Chihei Hatakeyama from Tokyo, who brought the entire album to it’s life and fruition.

“Solace” is Dae Kim’s journey of fnding his comfort amongst his vagrancy and it has been a rewarding one thus far. In this 52 reminiscing minutes of music, it stands for something more for the listeners. A time to reﬂect or a moment of catharsis, it is Dae Kim’s biggest hope for everyone who stumble upon this album to fnd their own solace amidst the pandemonium of our generation.

Solace

mnc018

Solace / Dae Kim (album sample mix)

Concert - しぐさ ( sphontik remix )

Electronic,Ambient,Downtempo,Chillout Musician. Sound designer.
& Singer song writer.

Concert - しぐさ ( sphontik remix )

KENJI KIHARA / sphontik

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