was war wieder der schönste Zeitpunkt auf diesem festival ! 

TZECKNO

@gegenberlin at Harry Klein! This was live recorded during my closing set.

4th of February 2023

Alicea Closing @ Gegen Berlin x Harry Klein

Das Melodische Treiben startet in das Jahr 2023 mit dem neuen Resident Max Bambi.

Melodisches Treiben Ausgabe No. 27 [Januar 2023]

Checkt das Video-Set auf Youtube mit Interview

✰Melodisches Treiben (Instagram/Facebook/Youtube)
www.instagram.com/melodisches_treiben
www.facebook.com/MelodischesTreiben
www.youtube.com/@melodischestreiben2020

✰Max Bambi (Instagram/Facebook/Soundcloud)
www.instagram.com/maxbambiundvogel
www.facebook.com/maxbambimusic
www.soundcloud.com/max_bambimusic

Video-Set

Melodisches Treiben No. 27 mit Max Bambi

In 2017, I first heard of Vapourspace's 'Gravitational Arch of 10' as Adam Beyer opened his Time Warp set with an unreleased version of the track. The melody gave me goosebumps every time. It takes you on a journey through space and time and you feel like you're about to lift off the ground. I based my version on this intro and modernized it. For me it was important that this unique melody will accompany the whole edit and you create something new in parallel. When the original was released on Plus 8 Records in 1993, I wasn't even born yet. For me it is therefore incredible that such a melody is played until today by the greats of the scene and I can give my contribution to this classic. 

I am very curious about your feedback to this edit. Let me hear it in the comments!

Thanks again to @brainafterdeath for this super cool cover. Check out her page on Instagram :)

FREE DOWNLOAD

Vapourspace - Gravitational Arch Of 10 (Moritz Sachse Edit) FREE DOWNLOAD

In Margarine gebratenes Set, frisch von der Insel!

Clynez ist das zweite Pseudonym von @C7even und wurde geschaffen um sich in Richtung House Musik auszuleben. Von Deep, Tech, Chillout & Electronica ist alles mit dabei.

Live 005 Clynez @ Margarine Union 4.3.2023

Max Bambi @ Central, Erfurt [21.04.2023] - Club Edition 2.0

Unser Melodisches Treiben Resident Max Bambi ist mit seiner letzten live Recording, von unserer Club Edition 2.0 im wunderbaren Central Club, Erfurt im April, zurück auf auf dem Kanal.

Starkes Warm Up für den Headliner Marc DePulse mit einer tollen Trackauswahl, melodisch treibend Deep bis Tech.
Viel Spaß beim hören.

✰Max Bambi (Instagram/Facebook/Soundcloud)
www.instagram.com/maxbambiundvogel
www.facebook.com/maxbambimusic
www.soundcloud.com/max_bambimusic

✰Melodisches Treiben (Instagram/Facebook/Youtube)
www.instagram.com/melodisches_treiben
www.facebook.com/MelodischesTreiben
www.youtube.com/@melodischestreiben2020

Max Bambi @ Central, Erfurt [21.04.2023] - Club Edition 2.0

We are very happy to introduce @steiner0 as part of our podcast series with our personal interview and a hot mix. TY <3

• How did you get into DJing?
There are 3 moments that really clicked: the first was when my friend and DJ Fazee asked me what emotion I wanted to express when preparing a mix. For the first time, I was introduced to music via something other than technique (and mansplaining). The 2nd was when I started breaking down the elements of a track, allowing myself to explore this art. The 3rd was when I played for the first time in front of my friends. realising that I already had a pretty clear idea of the energy I wanted to convey. The last two were on psychedelics. Taken when I'm feeling good and with a clear intention, they have really helped me to overcome creative blockages.
• Where do you get inspirations?
I like to explore in a broad way, without limiting myself to one musical genre. What counts for me is the energy of a track, and how it sticks to my intention. I like looking at sets on Youtube, going through other people's buy lists on Bandcamp, watching other's artists tracklists. I never hesitate to ask for a track id. I also have a small job in a club here in Leipzig, as part of the mjut's awareness team. This exposes me to a lot of music that I might not have discovered on my own. My daily job has a sex & relationship therapist is also inspiring me. Music is a tool for getting messages across. It's a good thing I've got a lot of it!
• Where do you prefer to DJ or to make music in general?
I always feel much more comfortable in small room than in big ones, and I like being on the same level as the crowd. Being perched on a stage, with lots of lights, makes me quite uncomfortable and prevents me from feeling the vibe on the dancefloor. And the icing on the cake is when my friends are on the front line! I can feel pretty anxious, and seeing familiar faces reassures me.

• Did you have any specific thoughts about your podcast?
It's an opening set that I played at Kulturlounge last week, for the Technose collective. It was a challenge for me because I play pretty angry stuff and tend to get the peak time or closing timeslots. Setting up the mood, starting from nothing is quite challenging. I explored quite a few genres, like neoperreo and psytrance, with the kind of hard-hitting techno I cherish. Music really is a cathartic tool for me, especially when it comes to anger. It's an emotion that for a long time I considered negative, not to be expressed, even more so when you've been socialized and perceived as a woman. With my music, I explore the joy and sexiness of anger, how it unites us and how it has a healing power. It allows be to be calmer in the everyday life. 
• What would you like to change in the music scene if you could?
We need to facilitate access to DJing and production for people who are minorized in the sector: in other words, everyone except able-bodied white cis heterosexual men with money. It's all very well to say that we need diversified line-ups, but without the possibility of practising on professional equipment, we won't make it. It creates a gap. That's why we started the DJ workshops for FLINTA* and BIPOC people with my friends Two Dots. But we need more of them, everywhere. Another crucial thing is to train the staff and to hire an awareness team in order to make the club a safer space for the public, the artists and the workers.
• What was your first record?
Not a record but the 1st track I bought is Sin (Original Mix) from Rem Siman.
• What memories do you have of your music lessons? Would your
teachers consider you in the music/ club industry today? 
It was hell! I couldn't plug the holes in my flute and I found having to sing alone in front of everyone very distressing! The songs we were learning were just as boring (and problematic). I hated it so much that I did everything I could to be forgotten and I don't think any of the teachers remember me.

Feat.Fem Podcast 41 /// Steiner: Boom Boom Therapy

I can't even put into words what happened that night. 
Thank you to all the lovely dancers & special thanks to Waagenbau.
It was an great honor to play one last time before you close your doors forever. <3

PILEA Closing @Waagenbau 15.12.2023

Frau Voelker @ UKW Kraftwerk 30.01.2016

Last hour of my 3 hour feel festival set played at hohe düne on sunday
photo: (c) ariel spallek

Feel Festival 2018 - Sunday At Hohe Düne

Der dritte 60 Zoll.Cast kommt von Lax Morenz und Gustje. Zusammen spielen sie als Teil der Klatschkurs GMBH einen tiefen, treibenden aber stets abwechslungsreichen Sound, der uns mit Schwung auf die erste Veranstaltung von 60 Zoll einstimmt!

https://soundcloud.com/terminalmg-offical

60 Zoll.Cast - Terminal MG

Der Berliner Philipp Maier begann 2010 unter dem Namen Spinoza seinen Weg in der Welt der elektronischen Tanzmusik und der urbanen Clubkultur.
Seit 2015 ist Spinoza Resident bei Factory Berlin.

Feel Festival 2018 - Sunday At Hohe Düne

Spinoza

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