One of my earliest tracks composed on V.M.S using various VSTs, serving as the introduction to the album Black Flower.
A narrative and immersive sonic journey, where electronic layers slowly unfold to create a floating and progressive atmosphere.
My style is still evolving, in full exploration mode. Abyss marks one of my first clear directions: a blend of Jean-Michel Jarre, Mike Oldfield, and Tangerine Dream, halfway between Berlin School, progressive ambient, and narrative instrumental music.
Here, there are no format constraints: the music is built like a story, with textures, soundscapes, and natural progression.
🎧 Close your eyes… Abyss begins
2025 Reissue
My albums, including Black Flower, are now available in the 2025 reissue on Bandcamp.
Discover my entire sonic universe in remastered quality and carefully crafted versions for the best immersive experience.
https://spisfire.bandcamp.com/
https://www.youtube.com/@spisfire

Abyss

From the album LIGHT, this track blends ambient, electro, and luminous sensuality.
A mesmerizing, almost otherworldly female voice rises through a dreamy, vibrant soundscape. Hypnotic, sexy, and delicately electrifying.
> “The music just swept me away… with a gorgeous female singer.” – @orangeupurplea
“Excelente mezcla de electro-ambient… la voz en Dazzle es muy sexy.” – Kikesurfer Enrique
“Harmonious, colorful, filled with light, fluid, airy… the voice coming out of nowhere fits perfectly in this scenery.” – @daisylis.artistea
Bandcamp : spisfire.bandcamp.com
YouTube : www.youtube.com/@spisfire
Instagram : www.instagram.com/spisfire

Dazzle "edit"

“Sparkle in the Sky was so ethereal and wispy yet with such a powerful beat, as to move me like that bubble in the sky... beautiful! I felt as if I was floating up through the sky to the stars... I really loved that one. My favorite.”
— orangeupurple
“Sparkle in the Sky is one of the most beautiful tracks. I read that it was actually one Spisfire liked the least. I think it's so successful because it escaped him. That often happens to writers — the story writes itself, and the creator struggles to recognize themselves in it… or simply doesn't want to.”
— Balthaz
 A track that seems to float on its own — delicate, haunting, and carried by a magnificent female voice. One of Spisfire’s most moving pieces.
🎧 Full track on Light
Bandcamp : https://spisfire.bandcamp.com
YouTube : https://www.youtube.com/@spisfire
Instagram : https://www.instagram.com/spisfire

sparkle in the sky


As if SpisfiRe had found the perfect balance between control and spontaneity — a matter of intuition at its peak in 'Give Up'. The sounds give rise to images, the form perfectly matches the meaning. A journey to the other world, carried out with an exquisite sense of transition

Very spacey, ambient... music that carries you away… and then gets you dancing. Beautiful and entrancing. Perfect for dreaming, relaxing, or reflection.

Give Up

Another extract from my album Black Flower, available on all platforms.
YouTube 👉 https://www.youtube.com/@spisfire

 Spotify 👉 https://open.spotify.com/artist/7KTONnVMKgvazLsUBQng92?si=GDHfDZ6aQQSCfUu0aA1gpw
I’m still sharing pieces of this project with you before moving on to the promotion of my second album Light.
In September, my third album Gaya will also be released on Bandcamp.
Plenty of new music ahead – this page won’t get boring!

On"Off  "edit"

The Hoard Board is not just a racing boat: it’s a proper name, a symbolic character. On the ocean, it chases a whale… but not just any whale. This whale represents the spirit of Gaya, an immaterial, precious, and elusive treasure for humanity.
The boat embodies speed, modernity, and human desire, the tension between trying to reach something and realizing that this treasure cannot be possessed. The name Hoard directly refers to the treasure, while Board reflects the vessel and the quest itself.
This musical composition mirrors the chase:
fast percussion evoking speed, and sparkling synth layers representing the treasure, over a dynamic rhythm, creating an atmosphere that is both intense and luminous.
#Electro #Percussions #Tribal #Synthé #Progressive #Ambient #Trance #BigBeat

Hoard Board (édit)

Bad Love goes all the way back to 2004 and was composed on MTV Music Generator 2 (known as Music 2000 on PlayStation 1). A very basic and often laborious tool, but one that still offered surprising creative possibilities — you could actually build your own melodies with its virtual synths. That’s exactly what I did here: the guitar line, the synth layers, and especially the acid part, which was a real challenge, since the pitch had to be adjusted note by note. I spent countless hours on it, and that’s what gives Bad Love its unique identity.
Bad Love is a hypnotic journey at the edge of electro-ambient.
Vast layers of synthesizers unfold like a nocturnal ocean, deep and enveloping. A guitar reduced to two sharp, looping chords creates an obsessive pulse, like an inner trance. Gradually, the percussion rises — powerful, organic, echoing the tribal breath of the earth. Then comes a pause, suspended in the whisper of waves and the shimmer of synths, before the guitar returns, joined by tabla, snare, and a heavy kick, restoring a vibrant intensity.
With its earthy percussion and oceanic atmosphere, this track naturally belongs to the universe of the Gaya album.
#Electro #Ambient #Trance #Atmospheric #Chillout #Percussions #Acid #Ocean #ElectronicMusic #ChillVibes #EmotionalSound #Soundscape

bad Love

Big City Hall

The fourth and final chapter of the cycle of the elements, Big City Hall embodies fire. This concept album tells a journey of destruction and rebirth, moving from urban chaos to cosmic expansion.

1. Big City Hall
The opening track sets the scene in a metropolis struck by disaster. Street noises, official speeches, military communications — it captures the shock, confusion and collapse of a city caught off guard.



#electro #progressivehouse #dubstep #synthwave #ambient

Big City Hall

Illuminated Rain (Mix 10) is a progressive house dance track symbolizing the creation of stars and planets. Each note builds tension in a galactic rain of fire, leading to the final expansion — where chaos becomes creation itself. Driven by a blazing synth, this piece embodies both cosmic energy and emotional elevation.

First extract from my 4th album Big City Hall, 
Links in Bio

#electro #trance #progressivehouse #synthwave #ambient 

Illuminated Rain (mix 10)

Escalator
Escalator is an explosive synth-driven track from the very first second. It’s the second piece of the album, following the chaos of Big City Hall. Like a sensory dive into a world in ruins, the track takes us from the last step of a suspended escalator, opening onto a devastated metropolis bathed in a fading end-of-the-world light.
Between forward escape, survival instinct, and a fragile spark of hope, Escalator embodies a constant motion — both ascending and descending — toward a possible rebirth. Every sound evokes the tension between collapse and renewal, between the metallic coldness of the past and the trembling warmth of an uncertain future. It’s a metaphorical passage — from shadow to light, from a shattered world to a lingering breath of humanity.

#Synthwave #Electronic #Percussions #Cinematic #JMJarreVibes

Escalator

At the heart of a vast, starlit void, a silver, luminous figure floats, suspended in the infinity of space.
From her outstretched hands flows a stream of cosmic energy, forging new stars and shimmering plasma, a cradle of creation.
Around her, space stretches in dizzying depth, vibrating with a mystical and serene atmosphere.

She embodies cosmic rebirth: molecules recombine, and a vital breath emerges.
A sparkling, radiant melody resonates—a new Big Bang opening a cycle of hope and light.

After the end and destruction of Doomsday in the Universe, light is reborn…
Excerpt from the album Big City Hall.
For more information and streaming links, visit my page and follow me to never miss new releases.

#electro #Ambient #synthwave #trance #melodic #cinematic #conceptalbum


Silver Woman

After creation—the Big Bang of Silver Woman—comes the expansion of the universe. With Illuminated Rain, a progressive trance journey, stars and planets are born. Each note cascades like a galactic rain of fire, building tension toward the ultimate expansion, where chaos gives way to cosmic birth. A celebration of the universe’s beauty and creative power
#electro #trance #synthe # progressive #ambient 

Illuminated Rain (album version)

eXperimenTaTion is out now!
I’ve just uploaded my 5th album on Bandcamp 🎧
 https://spisfire.bandcamp.com/album/experimentation


1.1.2.3.5.8.13.21 — Voice
Melodic Trance / Synth

Inspired by the Fibonacci sequence, this track follows the natural flow of numbers to create a living musical structure.
I used this sequence as a foundation to shape the rhythm and melody — it’s the introduction of the track.
From this mathematical order, the melody was born, growing naturally like a living organism in harmony with sound.


About the album — eXperimenTaTion

Without a doubt, this is my most intimate album so far.
For the first time, my voice and guitar take the lead.
After the Elements Cycle and years spent exploring my VirtualMusic Studio, I was running out of ideas — until a new feature allowing 15-second live recordings reignited my inspiration.

I began recording Fender folk guitar takes, looping them, reversing them, distorting them, playing with echoes and textures… simply experimenting.
That’s where the album’s name came from.
It’s a free, spontaneous, and emotional project 

For more details about the compositions and full tracklist, take a look on Bandcamp.
Free streaming and download.

#electro #voice #synth #progressive #trance

1.1.2.3.5.8.13.21 (édit)

Dreams — Guitar / Voice
Progressive Trance

A fusion between acoustic guitar and electronic layers, carried by the voice and floating rhythms.
An awakened dream where the boundaries between organic and synthetic dissolve.

#progressive #trance #acousticguitar #synth #soundeffect

eXperimenTaTion is probably my most intimate album.
For the first time, my voice and my guitar take center stage.
After the “Elements” cycle and an in-depth exploration of my VirtualMusic Studio, I ran out of ideas… until the possibility of adding 15-second recordings reignited the spark.

I began recording takes with my Fender folk guitar — looping them, reversing them, distorting them, or simply playing with their texture.
From this urge to experiment came the album’s title: eXperimenTaTion.
It’s a free, spontaneous, often minimalist project — a true laboratory of sounds, emotions, and happy accidents.

DREAM (édit)

I’m sharing here the first acoustic part of New World, featuring the guitar.
Electro-Acoustic – Melodic Trance, this track unfolds in two movements: the first, acoustic and intimate, is built on guitar, vocals, and light percussion; the second rises into a more rhythmic melodic trance.
The fifth track from eXperimenTaTion, it already hints at my next album, Natural, with wilder, more organic and natural atmospheres. It’s a musical rebirth, a fresh breath after a period of exploration.

#electro #guitar #acoustic #ambience #natural

New World (Acoustic Version)

Progressive electro – melodic – ambient
The album begins in a village on the edge of the jungle, where local inhabitants welcome us. A soft, immersive introduction.
Software: V.M.S / Audacity

Natural marks a rich, intense, and deeply creative period in my musical journey. Following eXperimenTaTion, I kept exploring new musical approaches, pushing my sound toward something more organic and expansive. During this time, I also joined the independent artist community, exchanging ideas, collaborating, and discovering new technical possibilities.

I was invited to contribute to the collaborative album Wolfsong by the Wolfpack collective, for which I composed Somewhere in a Deep Forest. The track draws inspiration from the atmosphere of my album Gaya, filled with jungle textures and natural soundscapes created on Virtual Music Studio.

Around the same time, my friend Dj Bouly sent me samples from his track Perturbia. Using them, I created Disturbia (Perturbia Mix) with Virtual Music Studio and WaveLab. Unfortunately, his music has since disappeared from platforms and can no longer be found.

This period was also marked by my discovery of Acid Pro, thanks to Dom the Bear, B.S . Although more complex—especially when connecting my Roland synth via MIDI—it opened up infinite creative possibilities, including the use of VSTs. From that point on, I composed using a variety of tools: Virtual Music Studio, Acid Pro, WaveLab and Audacity, gradually shaping the sonic identity of Natural.


This album takes the listener on an immersive sonic journey into the heart of nature, moving through jungles, clearings, elemental forces, and spiritual atmospheres.

https://spisfire.bandcamp.com/

#electronic,#ambient,#percussions,#trance
#naturalsound

Earth paradise

Somewhere in a Deep Forest 

From the album Natural

A track built like a walk deep inside the Amazon rainforest.
The percussion gives a steady, grounded pulse, while the synth layers and melodies bring a softer, brighter atmosphere. The whole piece creates an immersive, warm and natural soundscape.

You can feel the height of the trees, the birds around you, the tiny noises of the jungle and the sunlight filtering through the leaves. The music simply aims to make you feel as if you were really there, surrounded by living, breathing nature.

#electro #percussion #naturalsound #melodicsynth

Somwhere in a Deep Forest

With Atmo+Sph2Air), the album enters its most distinctive phase. After the first two tracks, which clearly establish the atmosphere of Natural, this piece marks a natural evolution in my sound.

It is the first track composed on Acid Pro. Inspired by the percussive feel of Shadow of the Ocean ( somwhere in a Deep Forest)and the structure of Big City Hall (Earth Paradise ), I aimed to keep the same coherence while exploring the new possibilities offered by the software.

I chose to use fewer percussions and more synths, one of Acid Pro’s strengths, to create a more enveloping, airy atmosphere. This shift allowed me to experiment with new textures, especially through pitch work 

#electro # Ambient #naturalsound #synth 

Atmo+sph2air)

Atlantis Storm, a new extract from NATURAL, is a purely Ambient track — hypnotic, built for relaxation and daydreaming. Deep synth pads, subtle pitched effects, a more experimental organic rhythm, and natural sounds of thunder, rain, and wind… Everything evokes the atmosphere of a storm over Atlantis, inviting the listener to imagine their own journey.

#electro #Ambient #naturalsound

Atlantis Storm (édit)

If someone asks me, “Oh, you make music?” — this is the track that instantly comes to mind to introduce them to my universe.
We’re entering the period I enjoy the most: Disturbance perfectly captures my style — detailed, hypnotic percussion, a gradual build-up, and immersive synths.

Back then, it was very well received on Jamendo, with a great number of plays.
And what’s coming next is looking even more exciting!

#electro #trance #percussions #progressive,#indie

Disturbance (Perturbia Mix)"édit"

Feel the Music "edit version"
6th track from the album Natural.

Vocals recorded, composed using a Roland synthesizer and Acid Pro 6.

Discover the album via the link on my page.

#electro #ambient #trance #indie #electronicmusic #synthmusic #indieartist

Feel the Music

My Country (édit version) is built around a hypnotic dialogue between deep bass and percussion, in slow, organic repetition. The track unfolds gradually, seeking grounding rather than immediate impact.
The cover shows a stone heart embedded in the cobblestones of my hometown. It’s not a romantic symbol, but a worn, rooted heart, shaped by time. It reflects the struggles of adolescence, the period when we learn to toughen our emotions to stand strong.
Excerpt from the album Natural. Available on Bandcamp, YouTube (links in bio)
#electro #percussions #Ambient #synth #indie

My Country

Entomophonia is the centerpiece of the album Natural. At 8 minutes long, it is the longest and most immersive track on the album, offering a unique sonic journey where world and trance atmospheres blend seamlessly.
The track is divided into two distinct parts

Part II – Trance (3 minutes)
The core of the track, more energetic and melodic, highlights a complex and hypnotic synth line. This captivating section can be replayed endlessly and provides a subtle transition from world to trance, delivering an addictive listening experience.

The full 8-minute version is available on Bandcamp.

https://spisfire.bandcamp.com/

#electro #world #trance #melodic #synth

Entomophonia (Part. II)

Entomophonia is the centerpiece of the album Natural. At 8 minutes long, it is the longest and most immersive track on the album, offering a unique sonic journey where world atmospheres and trance blend seamlessly.
The track is divided into two distinct parts:
Part I – Evolving World (5 minutes)
The first section sets the tone with an organic, hypnotic atmosphere. The sounds evolve slowly, creating a deep sense of progression and immersion, and gradually introducing the listener to my musical universe.
Part II – Trance (3 minutes)
The core of the track becomes more energetic and melodic, driven by a complex, hypnotic synth. This captivating section can be replayed in a loop and delivers a subtle transition from world to trance, resulting in an addictive listening experience.
The full 8-minute version is available on Bandcamp.

https://spisfire.bandcamp.com/

#electro #world #percussions #synth #melodic

Entomophonia (Part. I)

Final track of Natural: Crystal Prophecy
The track was composed using Acid Pro 6, with Roland synths in MIDI and various VST instruments.
The arrangement was done in Audacity, followed by mastering in Wavelab.
In its album version, Crystal Prophecy runs for a little over 7 minutes and 30 seconds.
Crystal Prophecy is a track deeply infused with spiritual and symbolic inspiration.
At the time, my readings of The Celestine Prophecy and The Jaguar’s Mask shaped this state of mind.
These are not books remembered for their storyline, but for the ideas they awaken:
the existence of lost ancient knowledge, an evolution of consciousness, and a form of transmission that does not rely on writing or technology, but on intuition and initiation.
It is within this continuity that the reference to the mythology of the Peruvian crystal skulls takes place.
Crystal Prophecy naturally fits as the conclusion of the album’s narrative, a form of final revelation.
Now available on SoundCloud, YouTube, and Bandcamp.Links in Bio
#electro #trance #synth #ambient #spirituality #crystalskulls

Crystal Prophecy (Part.I)

https://www.youtube.com/@spisfire

https://www.instagram.com/spisfire

https://spisfire.bandcamp.com/

https://www.deezer.com/fr/artist/314223

tiktok.com/@spisfire

Spisfire is an independent electro-ambient project born in 2008. Composed with V.M.S and Acid Pro 6, Synthé Roland , Guitare Fender Spisfire's introspective style made a strong impact on listeners, described as “mystical trance” and “a coherent universe.”

https://linktr.ee/Spisfire

https://open.spotify.com/artist/7KTONnVMKgvazLsUBQng92?si=ykZIvMDkRqK_8VsfHEV__A

https://www.facebook.com/share/1G2ozKpcUn/


Spisfire

Popular tracks