Techno set/live

Here'a a promo set for the dudes at JACOB who helped us land a gig in Lyon, France. Oh yea, we made this a free download as well because... Why not? 

138 LIVE For JACOB

Perc & Truss at Chateau, Amsterdam.
Recorded 21/11/15.

Perc & Truss at Chateau, Amsterdam

OFF 05 / UNITY / Live Sinus O

Paramod - Fear of noise II

Grounded Podcast number 54 welcomes the founder of what has quickly become one of our favourite labels in Toxic Waste Buried's '74185#' who comes from Lyon, France. The label which grown in stature at quite a rapid succession is known for pushing destructive industrial techno and baring that in mind be sure that this mix, which consists of an abundance of the label's forthcoming material, packs an absolute punch in the face! You can catch 74185# playing across Europe this summer in what sure to be the start of many T/W/B label nights... 

https://soundcloud.com/tttlyon
https://www.facebook.com/ttttwb/
https://soundcloud.com/toxicwasteburied
https://www.facebook.com/TWB-960746687289086

T/W/B label events:
https://www.facebook.com/events/488517188004463/ (Milan, 14th May)
https://www.facebook.com/events/103174590088624/ (Paris, 28th May)


GRND 54: 74185#

Here we are in another podcast for another artist, this time we move to France and we will present this new visionary.
He as Oposition the short uploads as in progress, you can hear him on @insaneindustryofficial channels.
www.insaneindustry.it
https://soundcloud.com/insane-industry
https://www.mixcloud.com/insaneindustryofficial/
https://www.youtube.com/channel/UCVPTFuWn3puklqRH0_ybDWQ

I/I Podcast Series 012 - Oposition

Visit Bandcamp

I|I Podcast Series 012 - OPOSITION

Mixmag In Session: Dax J

Full feature - http://www.mixmag.net/feature/in-session-dax-j/

“Techno is a genre known for its dark and powerful sound, but even in a sphere dedicated to no-holds-barred production, Dax J’s tracks stand out as particularly robust and intense.

Take ‘The Wonk’, from his most recent EP ‘The Invisible Man’, which lays down a tough low-end that ploughs forward with relentless energy. A frantic outer texture sounds like an accordion made out of titanium alloy, quivering in-and-out to disorientating effect. It’s a face-melting cut that that bends the mind of any dancefloor that hears it. Last month he took dancers in Berghain through to Monday afternoon with a 10-hour closing set which was undoubtedly transcendental.

The producer is based in Europe’s techno capital Berlin nowadays, but travelling back to his teen years spent listening to d’n’b and jungle while growing up in London provides insight into his vigorous approach to production.

Dax took up DJing aged 15 as a hobby that soon turned into an obsession. He would gather with friends on school playgrounds to listen to Kool FM radio recordings on their walkmens, until he could no longer confine his passion to break times and would skip lessons to shop for vinyl at Black Market Records in Soho.

Looking for an outlet to publicly air the wax he was buying by the shedload, he came into contact with one of the founders of the Time FM pirate radio station and pestered him with phone calls for a month until he was offered a show. It was hardly a prime slot – the 6-8am Saturday graveyard shift – but he accepted with enthusiasm and set his alarm early every weekend for months to broadcast his sets.

His next pirate stint was on Origin FM, which he held down for four years and in that time began to release music under the name Dangerous, with records arriving through outlets such as Mickey Finns’ Urban Takeover label and his own Xplicit Sound. But while studying Music Technology at university he began to fall out of love with the d’n’b scene, finding the move towards jump-up sounds to be at odds with the rawness and darkness of the music he fell in love with.

Musically disillusioned after graduating, he decided to spend the summer in Ibiza and it was there that he was introduced to techno. Dax was blown away by the spectacle of the clubs and the new music he was hearing, describing his response to Stray Landings as “this music is like drum 'n' bass but slower, I love it!” He returned to producing invigorated with a new direction to follow, yet he didn’t completely forego his roots and regularly works old breaks and the classic amen sound into his techno exploits, making for some of the most high-octane records going.

Dax J’s contribution to the genre since has been massive, co-founding the EarToGround label and going solo with his Monnom Black imprint, curating and contributing to a stacked release schedule that never falters in quality. His work ethic is so strong that he even sets up a micro studio on planes on the way to gigs.

2015 saw the release of debut full-length ‘Shade Of Black’ which was awarded Album of the Month in Mixmag and showcased an artist with an assured vision and uncompromising attitude. It’s a mindset that he carries over to his DJ sets that are characterised by rigid rhythms and forays into pulsating acid. Check out his slamming In Session mix below for a prime example.”

Words - Patrick Hinton, Mixmag


Dax J - Mixmag In Session - Podcast 2016

I/IPS018 as coming soon!

It's time to move in LYON, FR.
Here we are in another podcast for another artist, this time we move to Lyon, France and we will present this new visionary.
He as Seïnart the short uploads as in progress, you can hear him on @insaneindustryofficial channels.

www.insaneindustry.it
https://soundcloud.com/insane-industry
https://www.mixcloud.com/insaneindustryofficial/
https://www.youtube.com/channel/UCVPTFuWn3puklqRH0_ybDWQ

I|I Podcast Series 018 - SEÏNART

Here's a real treat for you- 
Found in an old box of tapes here is the recording of Neil Landstrumm's liveset at House Of God, Birmingham back in November 1995.

The recording alone will melt your face off. 
Can you IMAGINE what it was like actually BEING THERE?

Comments from Neil- "Surgeon just mailed me this tape recording of a live set i did at the House of God in Birmingham in 1995… If memory serves me correct that was the first time I performed there. Anyways its live on hardware (as was the only choice then) rather nasty but still fun..Tr-909, S950,Tb-303, Sh-101, Sequential Circuits Pro-One, Tr-606,, Atari ST and some other crap….The Peacefrog and Sativae acid years…."

Techno set/live

SPKTR