ENERGY ELECTRICITY STILL MAJOR BOMB TOP CLASS SUPER SAYAN 8 DELICOUS HEAVY THUNDER OVERLORD MUSIC PLEEEEAZE MAKE NEW TRACKS :D

//artist

@redpilldnb
facebook.com/redpilldnb/

//label
facebook.com/Eatbra1n
twitter.com/eatbra1n


// release date
Beatport Excl. 07.02.22 & Worldwide - 21.02.22

Everyone walking the dimly lit streets of my city wears a Face. It’s all the rage after all, the pinnacle of status and fashion to bear to the world a synthetic facade not merely digital but viscerally real. Hardwired into one’s very nervous system, the Face is more than a fashion statement; it’s a legal second identity. Coming preprogrammed with all the memories of the one upon whom it had been modeled burned into the circuitry, Faces are truly one of a kind, and competition to purchase one can be fierce. Even with the profiles of so many heroes and villains of the past to draw upon, acquiring the most recognizable Faces costs trillions, far beyond their reach of any but the utmost elite.For those in the know, however, there is another option. With unerring research as well as the ability and disposition to acquire the proper source material, one can have a Face that is unique yet unknown, and altogether much more fascinating than the same Faces of celebrity that are endlessly fawned over.

That’s how I got my Face, at least. I paid the right person to exhume the body, and paid another right person to burn its memories into the circuits. I knew what I was getting to a certain point: a musician of the early 21st century, the time period wherein the line between that discipline and technology began to more thoroughly be blurred. It was that history, that experience that interested me most. I didn’t know what else I would be getting, but that’s part of the fun of Faces. You can’t just have some of the person. When you wear a Face, you get everything. I hadn’t expected the half-crazed neuroses though, the almost pathological need to create, to pull sounds from the bowels of instruments that hadn’t existed in hundreds of years which I now sought out in scrapyards like some kind of crazed cyborg pack rat. The creativity is nice, and the ability to compose I certainly no longer lack, but I couldn’t stop creating even if I tried. ALL I DO IS make music, and this Face has taken over my life.

Members of the EATBRAIN horde eagerly awaiting their next dose of REDPILL need look no further than his latest release on the label entitled “ALL I DO IS”, which features three futuristic tracks from the veteran EATBRAIN alumni that fuse the bassline brutality for which he is revered amongst the horde with the sleek synthetic textures of the ilk that have marked his recent releases, proving without a doubt that the sonic sequences encapsulated within only a single dose of REDPILL are enough to send even seasoned ears into a sensory frenzy.

All I Do Is

All I Do Is EP

Redpill - All I Do Is (Eatbrain 134)

Digital:
www.beatport.com/release/rat-pack-ep/1217588

OUT NOW on Vinyl (2x 12"2 full color artwork)
http://www.redeyerecords.co.uk/vinyl/49000-EATBRAIN009-mindscape-rat-pack-ep--vinyl-1
http://www.redeyerecords.co.uk/vinyl/49001-EATBRAIN009-B-mindscape-btk-rat-pack-ep--vinyl-2

Mindscape provides no-nonsense dancefloor vibes with 'Brightness'. Quickly stepping things up during the intro, 'Brightness' continues to gain momentum as new elements are brought to the forefront. A hefty bassline swings back and forth as the drum programming intensifies, kicking things into full force. Synth stabs converge with an unruly cowbell to increase the pulse rate. Faint vocal-like pads stretch into the breakdown, strangely mystical and bordering upon uplifting, before crashing back down to earth with another heavyweight drop. Mindscape delivers a pure dancefloor bomb with 'Brightness'.

Mindscape - Brightness [EATBRAIN009-B]

“Vanatühi” by Kiwanoid is a technopagan concept album. Track titles refer to the word “nothing” in various languages.

The sonic landscape is crafted using deprecated tools: a first-generation 4-bit laptop, the DOS operating system, and a tracker program. Inspired by glitch aesthetics, the sound palette includes clicks, error noises, and low-bitrate techno sounds. Initially, the structures of the pieces may appear complex and chaotic. This electronic thicket might seem abstract, cold, and inaccessible, yet upon closer examination, it reveals a plethora of diverse species, coming across as somewhat nostalgic and warm, evoking surreal associations. From beneath towering sequoias peek pixelated ferns, LED eyes are blinking from below the undergrowth, and against the backdrop of a crackling campfire and cave paintings, a lively stomping of microchips unfolds.

Sudden contrasts, sharp cutting edges, a tachycardic bass drum engine, and irregular polyrhythms make themselves physically felt. Elsewhere, haunting lo-fi textures, hidden ambient drones, mysterious hums, and obscurely garbled samples offer introspective breathers. The dynamic range of the music is favourably extensive, and the raw imperfections of the sound are unmasked by reverb effects or other generic tools. Interwoven throughout are outsider rhythm loops, which could find a home at an alien rave party or a hobgoblin honky-tonk. Various human voice samples build a bridge to the listener, allowing them to embody a cyborg-like experience.

While each twist and turn remains unpredictable, these diverse approaches align in complementary patterns and stochastic regularities, making the whole surprisingly coherent, despite its chaos. The album doesn’t bore the audience with intentionally irritating compositions or pseudocomplexity — it demands attention, but doesn’t try to outrun its listeners.

Vanatühi

ⓀＩŴａＮ𝐎𝓲Ď - መነም

Out now on Citrus Recordings.
http://classic.beatport.com/release/dvouglas-ep/1459866

Follow The Clamps:
https://www.facebook.com/theclampsmusic
https://twitter.com/wayofcrab

Follow Citrus Recordings:
https://soundcloud.com/citrusrecs
https://www.facebook.com/CitrusRecs

The Clamps - Schoolchild [Citrus Recordings] Out Feb 23rd

Tracklist:

01. Symplex - Dessert
02. Qo - Maniacs
03. Computerartist - Took Place

https://soundcloud.com/qosobu
https://soundcloud.com/symplexrecs
https://soundcloud.com/computerartist

www.twitter.com/citrusrecs
www.facebook.com/citrusrecs
www.youtube.com/citrusrecs
www.triplevision.nl

CITRUS15053 / Symplex, Qo, Computerartist - Maniacs EP (OUT NOW!)

Close2Death are celebrating a Decade in the Neurofunk game and to mark this Milestone we are unleashing a 2 Part RMX LP using only the finest tracks from the C2D Vault. Behold… the DEATH CHAMBER 10 years of Close2Death RMX LP.

Part 1 releasing in February/March 2017 boasts Top Quality Artists such as the Clamps, QO, Skynet, Merikan, Splash Heads, Volatile Cycle, Barbarix & Int Company. Kicking it off, the Clamps RMX the massive Rusty K AC130 track. Expect automatic pump action drums and head crushing bass from this revamped edition. Next up we have Silent Extent Falling down remixed by Int Company. Any True Supporter of C2D will know this Masterpiece. The track was truly an anthem back in the day and Int Company have done it justice. Int Company feature heavily in Part 1 remixing not 1, not 2, but 3 C2D Bangers. Expect your eardrums to explode when you hear Merikan’s Code Alpha 6 and 27 miles by Khronos given the once over by the Int guys.

Skynet touches down on C2D revamping a belter of a tune - Overload. He brings his unique style to the Khronos track leaving the Underfire stamp all over it by mixing Sci-Fi melodies and bone shaking bass. Of course, it wouldn’t be a C2D release without Merikan. This Mad Man delivers with his insane RMX of Archangel by Kroks. Merikan reloads this track with pure energy from start to finish.

The Destruction Duo that are Volatile Cycle are ON FIRE and we had to make them apart of this Line Up. These guys picked a few tracks to tear up so expect more from these guys in Part 2… In part 1 Volatile Cycle RMX Scavenger by Khronos bringing this track to the gutter of filth and back.Dizkert works his dark magic on Merikan’s Psychological Trauma. Traumatised is what you will be after hearing this beast of a RMX. The Gruesome Twosome from Russia, Warp Fa2e and Subminderz are no strangers to C2D. They opted to RMX The Sin War by Khronos and they have totally destroyed this track (in a good way).

C2D’s long time buddies Anthrax are up next reworking KILL IT, a track by our Exclusive Artist Warp Fa2e. Warp Fa2e returns the favour by remixing Mutation by Anthrax & Kroks in his Quirky Russian Style. Last but by no means least, we have another Merikan tune, All Crime is Legal (Feat Cruk) remixed by Kroks. Using cutting edge sound designs and insane drum patterns, this track is upbeat and finishes the LP off nicely.

Keep your eyes peeled for Part 2 releasing April 2017.

KHRONOS - SCAVENGER - VOLATILE CYCLE RMX

RLDIG029 - Red Light Records

Beatport Release: 26 / 06 / 2017
General Release: 10 / 07 / 2017

Akrom offers with ‘Undermined’ a stomach churning, furious dancefloor record which crackles beneath every distorted slab of bass. Akrom proves that he knows how to make an impact, throwing kick after ferocious kick, relentless in his drum manufacturing. Each well-chiselled groove gives into waves of static, pushing you under its heavyweight tides of sonic. Akrom is dynamic yet aggressive, never slowing down to catch his breath and adding the funk which is sometimes missing from more contemporary tracks.

Buy here

Undermined

For the 29th release, the spanish trio, Maniatics, is back on Kosenprod!

The beginning of 2017 saw an unstoppable momentum grow for Kosen Productions. The Toulouse based record label has continued to grow since its inception, becoming a pivotal part of the drum & bass underground with every successive release. And alongside their heavyweight roster, which has seen them expand throughout every sound crevasse the genre offers, they have marked France as an epicentre for its growing reach.

Coming next from the imprint is Maniatics’ ‘Fight the Might’ EP, providing three brand new, dangerously fashioned cuts which will become staples within sets throughout festival season. The Spanish trio have pushed their growling, monstrous sonic weapons into hard-hitting DJ sets across Europe and beyond; a relatively new production outfit, they’ve rode a meteoric ascent into the limelight since their first release. This forthcoming EP will see them pushed even further onto their pedestal, moving their success to new heights.

Title-track ‘Fight the Might’ begins with eerie, blaring atmospherics, before slowly beginning to build until a full blown assault is unleashed onto the aural synapses. Distorted, grating snare winds up underneath the mix, before snipped up vocal sample slices through the growling composition. On first listen, you’re made acutely aware of what Maniatics are all about. Each chiselled groove slices through with more impact than the last and you’re left to bask in its ferocity. ‘Pressure’ follows in a similar fashion, despite being a more gradual build - one which becomes overwhelming before its seismic implosion. With rattling hi-hats and a brooding bassline beginning to weave itself through each carefully constructed layer, Maniatics once again go in for the kill with each meticulous breakdown. The trio deliver blow after blow of crushing force.

And finally comes ‘Teenagers’, drawing forward on a more melodic vibe but still devastating in its impact. Winding between elevating synths and clattering drum patterns, the track suddenly detonates, with a hip-hop sample leading the charge. Doing what they do best, Maniatics create a skipping, firing set of beats, apt for the dancefloor yet still leaving destruction in their wake. From start to finish, the EP continues its assault and its one which leaves a lasting impression on its listener. 

Available exclusively on Beatport: July 31, 2017.
Worldwide release: August 14, 2017.

Follow Maniatics:
https://soundcloud.com/maniatics
https://www.facebook.com//ManiaticsDnb/

Kosen:
https://www.kosenprod.com
https://www.facebook.com/KOSEN.PRODUCTION
https://twitter.com/kosenprod

Fight The Might

Grab it Here

Maniatics - Pressure [Kosen 29] OUT 31st July

DIZKRET - MOVE

Available now on C4C Limited
Purchase Link: https://www.beatport.com/track/osiris-original-mix/10760940
Artist // Transforma
Track // Osiris
Label // C4C Limited
Release Date // 16/07/18

‘Osiris’ begins like you’d expect from a record which, despite being painstakingly fashioned, is violent in its catastrophic detonation.

Support on Bandcamp

Transforma // Osiris // LTDC4C009

Mirror Universe 2

Akognon (Original Mix)

Contact: splashheadsofficial@gmail.com
Booking: denis@cybergrooveprod.com [CyberGroove Agency]

When two accomplished Serbian producers Treo and Crimsonix teamed up, they surely needed a fresh new name. They went for something they both love besides music and that is basketball. As huge fans of Splash Brothers from Golden State Warriors, they went for Splash Heads.
They debuted with two tracks for deadly Eatbrain double compilation Mirror Universe.
Both tracks was highly approved by artists/djs and appreciated by the crowd. The second release was a great collaboration with the The Clamps that came out on Black Sun Empire label Blackout! They certainly got more attention, as well as confidence to proceed. They did so with an awesome collaboration with the twisted twins Gancher & Ruin for the Belgian heavyweight Future Sickness Records and a hot track for German Genome Records “Scensio LP”. 
One of their latest achievement was to get invited by the mighty Renegade Hardware on their “The Final Chapter” farewell album with a magnificent piece called “Opus Dei”.
A track with Freqax release is up on MayorLeagueDNB !

Akognon (Original Mix)

Splash Heads

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