before the concealment of beauty

A remix I did for my fellow dane Søren Løkke Juul aka Indians - @heyimindians

It was released as a free download in July 2013 from 4AD together with the video of the original track.

More about the original track, video and remix here:
http://www.4ad.com/news/18/7/2013/indiansnewvideoandremixpostedonline

© 2013 4AD Recordings Ltd.

Indians - Magic Kids (Rumpistol Remix)

Side A:

1. Liquid Ecstasy
2. To Find Out
3. The Last Hurrah (feat. Elias Gamma)
4. Holy Nothing
5. Late Night
6. Buried In Time
7. Drift

Side B

8. Up In Smoke
9. I'm Low, You're High
10. New Seas
11. Dreams Forever
12. Butter

Tape out now! Comes with a poster for 5 CHF - To order write an e-mail to hotdogmarecords@gmail.com.

Augenwasser - Fireworks (Full Tape)

Track off of TinVulva LP (2012)

Credit to Kat Wong on Bass
Vanessa Rondon on drums

Dan Kramer at King Killer Studios for recording/mixing
Mark Alan Miller at Slaughterhouse Studio for mastering


WWKD?

Backlit

Grievances

" THE BLESSED LAY DOWN AND WRITHE IN AGONY" off the album Master, We Perish by The Body on At A Loss Recordings.

Physical -http://tinyurl.com/ycej3p6x
Digital - http://bit.ly/Ykd31v

Master, We Perish

THE BODY - The Blessed Lay Down And Writhe In Agony

Deserter

Miles

Then You Go

After several requests, my sunrise set from Tipper & Friends' 4321 Event in Missouri is now up.
Thanks so much to @tippermusic for bringing me over to what was definitely one of my highlights this year!
Also huge thanks to all the kind people who have been reaching out to me in the months since this one happened.
It warms my heart to hear that my music still evokes strong emotions in people around the world, and definitely encourages me to keep going. 
Tracks:
01 Stjernernes Lys (Eclipse Edit)
02 Gargamel (2017 Edit)
03 A Drift
03 The Tower pt. 1
04 Slower Drops
05 Nice Man (2017 Edit)
06 Through All This Madness (2017 Edit)
07 Mobile (2017 Edit)
08 Forest Drops
09 G.T.
10 A Glance
11 Howie
12 Swing Drops
13 Kosmik Drops
14 Silver Lake
15 Helt Færdig (2017 Edit)

Photo: Cut Chemist

Live at Tipper & Friends 4321 Event

2017-10-23 The Bowery Ballroom, New York, NY

Avey Tare - Eyes on Eyes (Bowery Ballroom 2017-10-23)

Glamour

Debut track from "Skiff", the new album by The Skiffle Players!

Their second LP, “SKIFF” is a new direction for The Skiffle Players. Now, they all sing and write. There is NO LEADER.

Recorded at Infinitespin Recorders in Van Nuys CA, with engineer Matt “Linny” Linesch, SKIFF begins with a bold opening; the Farmer Dave penned ‘Cara’, heavy information for the soul. Then, into classic Cass insanity on ‘Local Boy’, a wild ride on the run from the cops. Third is a touching tribute to a bygone companion, ‘Miss It When It’s Gone’, written and led by Neal.

SKIFF’s revolving perspective continues to bounce around, leaving no apparent land to stand upon. In that, it is deeply subversive. For there is nothing to defend, but the ability to transform and imagine.

The album continues to unfold back to Cass with a satire on justice, ‘The Law Offices of Dewey, Cheatum and Howe’. From the saloon ‘Long Horns, Long Necks, Long Legs’, to the rainforest ‘Herbamera’. Neal blasts in again with the sun-bleached rambler, ‘Los Angeles Alleyway’. Farmer Dave’s ‘Skiffleman’ “sings a song for everyone”. Cass plays with memory in a song about coming of age in the Bay Area on ‘Oakland Scottish Rite Temple Waltz’. Penultimately, ‘Santa Fe’, an elliptical broadside about materialism and waste. SKIFF concludes by pushing off again, out into the familiar waters of a traditional skiffle number, ‘Sweet Georgia Brown’, each member taking a perhaps all-too casual solo.

This is acoustic dance music at its finest. It is also refreshingly contradictory. Irreverent and mystical. Deeply personal and communal. Traditional and profane. The ever revolving and disintegrating ship known as SKIFF.

STORY OF THE SKIFFLE PLAYERS.
Once upon a time, Mollusk Surf shop asked Farmer Dave Scher to put together a band for a concert in Big Sur. Thus the Skiffle Players were born, selected from friends of both Californias - Northern (Cass, Dan) and Southern (Dave and Aaron) plus a New Jersey transplant to Ventura County (Neal) - each meeting at the metaphorical heart of the state, the mythical SUR. The origin concept of the band was to create a new folk fabric from the ashes of tradition - whatever the ashes of tradition means to you.

WHAT IS SKIFFLE?
A matter of debate.  Although The Skiffle Players approach the definition as, broadly, ‘street music’.  Busking. Singing for one’s supper.  Entertaining the passers-by. Make em dance all the way home. The term may have its origin in Memphis jug band music of the 20s. It seems to have emigrated to England with the US soldiers during WW2, and was taken up by a new generation, beginning with Lonnie Donegan, ending with The Quarrymen aka The Beatles. The term then somewhat disappeared. 

SO, THEN, WHAT IS WEST COAST SKIFFLE?
The Skiffle Players are the very ash to explore that question. From the beginning, no rules. No song off-limits. Everybody sings. No idea is silly enough, for sometimes the absurd is the very device for a cataclysmic rift in the fabric of sound. Of course, it can also end in hilarious catastrophe, and often does - a necessary, cosmic comedic consequence to this fearless approach. Like Kurt Vonnegut and Bo Diddley sharing a surfboard, something interesting is going to happen.

Personnel (in alphabetical order):

Neal Casal - acoustic guitar
Dan Horne - bass
Cass McCombs - acoustic guitar, harmonium, banjo
Farmer Dave Scher - melodica, lap steel, keyboard
Aaron Sperske - drums

Check out each of these musicians’ history. It is vast. From Beachwood Sparks to Cass McCombs’ ten solo albums to Circles Around The Sun, The Skiffle Players are the sum of these adventures.

Skiff

Local Boy

Link to buy: https://holodeckrecords.bandcamp.com/album/providence-hd048
Bandcamp: https://singlelash.bandcamp.com/
Soundcloud: https://soundcloud.com/single-lash
Facebook: @singlelashmusic
Instagram: @singlelash
Label Website: holodeckrecords.com/
Label Bandcamp: holodeckrecords.bandcamp.com/
Label Soundcloud: soundcloud.com/holodeck-records
Label Facebook: @holodeckrecords
Label Instagram: @holodeckrecords
Label Twitter: @holodeckrecords

Single Lash - Providence (HD048) - 01 Come True

“Darjeeling” is taken from Barrie's ‘Happy To Be Here’ – out May 03, 2019 via Winspear. 

Pre-order: http://hyperurl.co/HTBH-Order
Listen: http://hyperurl.co/HTBH-Listen
Tour Dates: https://barriethe.band/tour-dates

Happy To Be Here

Barrie - Darjeeling

READ > inverted-audio.com/premiere-afk-bludwork-stuffed-crust

LA-based producer Bludwork teams up with South Korean brother from another mother AFK on 'Loyalty N Service', their debut joint due out March 15 via @100percentsilk.

AFK & Bludwork - Stuffed Crust [100% Silk]

About Work The Dancefloor

About Work The Dancefloor (Edit)

This is a recording of my 100% vinyl set at GORDON Berlin on Friday 15 March. If you like what you hear comment below for ID's.

LIKE ME?

Gordon Berlin Session II

This one is from 2007 and I like it a lot. First time uploaded. Enjoy.

Franc Dolinar - Little Epos 03/2007 unmastered

Download  @SeraphimSystem "Singularity" free at:
https://seraphimsystem.bandcamp.com/album/xibalba

Seraphim System’s music is a fierce and energetic mix of genres such as industrial, aggrotech, power noise, drum’n’bass, glitch hop, hardcore, and metal. While in terms of lyrics, song titles, and presentation, SER:SYS’ early releases focused on sci-fi elements like cyberpunk, futuristic dystopia, and the annihilation of the human race by war machines. The greatest influences of early releases musically derive from leaders of the dark electronic music scene such as Combichrist, Grendel, and Noisuf-X.  After a history of playing in metal and punk bands, SER:SYS architect John Stancil began his journey in the Industrial music scene by using his musical abilities to craft industrial rave tunes that would help you slam your skull into your chest cavity. 


Signed on the strength of a remix for fellow DWA act RAVE THE REQVIEM’s debut album, Seraphim System’s own first album for DWA, “Deadly Force”, released at the tail-end of 2014 and boasts a sound likely to appeal to those into hard-hitting instrumental electronics like NOISUF-X, TERRORFAKT, X-Rx and SAM. Signed also following a slew of impressive self-releases, “Deadly Force” and its subsequent albums brought Seraphim System international interest and a spot at the UK’s final Resistanz Festival in 2016. Seraphim System then built a fan base across all of Europe and had his largest fanbase developing in Russia. Seraphim System’s second full-length album “Automaton Assisted Annihilation” adds elements of hip-hop and consequently a greater use of vocals. Seraphim System unexpectedly branched into the unholy infusion of black metal with industrial.on the next two releases of “Luciferium” and “Pandaemonium” which both charted in the top ten on the German Alternative Charts (DAC) for weeks straight after both of their releases.


After two previous releases in the form of brutal death metal and black metal infused industrial with Luciferium and Pandaemonium, the Xibalba album’s sound turns in a new direction involving more usage of singing vocals as well as fast and hard hitting Punk and Hardcore elements. This Cleopatra Records release is best described as the music heard from the depths of depression and mania. Xibalba is charged, aggressive, and structured chaos in the form of the fusion of Punk and Industrial. 

Xibalba is an eight track monstrous half hour of obliterating beats and destructive vocals.  Taking a thematic approach, the lyrics speak on shame, guilt, fear, depression, self loathing, and outright inwardly reflected anger. Xibalba’s sound is the audio format of an atomic blast and aftershock via self doubt and inner turmoil. The outright aggression and despair captured in this half hour is completely synthetic with absolutely no organic components other than the harsh vocals delivered by John while in various small rooms and closets used as makeshift vocal booth studios. 

Xibalba was recorded with John moving around constantly and living out of a backpack; his only possessions being his clothes and a laptop with a condenser microphone. The uncertainty and depression during this period of his life are captured, felt, and understood from these lyrical compositions. 
credits
released March 28, 2019 



Please Subscribe to our channel for the latest Cleopatra Records releases @cleopatra-recs
http://cleorecs.com/ (P) (C) 2019 Cleopatra Records, Inc.. All rights reserved. Unauthorized reproduction is a violation of applicable laws

--------------------------------------
#electronic #aggrotech #ebm #electroindustrial #industrial #rave

Xibalba

Singularity by Seraphim System

Track 1 on the new EP "Dans La Tempete" from The Entrance Band.  Available on 12" vinyl in a limited edition of 500 and digital download from:

http://www.midheaven.com/item/dans-la-tempete-ep-by-entrance-band-12

“Anybody seen a knight pass this way
I saw him playing chess with Death yesterday
His crusade was a search for God and they say
It's been a long way to carry on”

This lyric could easily summarize the life and times of The Entrance Band.  Always evolving, building and destroying with each live performance and release.  Still water is death, constant progression is the only wave to ride upon.  Guy Blakeslee, Paz Lenchantin and Derek James have continually advanced The Entrance Band into a diverse trio that merges the freak-outs of the rock underground with a universal melody and groove that keeps their musical vessel set on the path of exploration -- arrival and departure are the same in this galaxy.  The unique and purely original sound of these three artists playing together is not limited to popular scenes, styles, or sonics.  The Entrance Band feed on the kind of psychedelic-blues-rituals, tribal-funk-hypnosis, and space-punk-telepathy that Kurt, Jimi, Fela, and Arthur Lee would be jamming to up in the cosmos as they look down to see where the deep roots of their psychedelic tree has spread.

“Dans La Tempete” marks The Entrance Band's second release for Spiritual Pajamas following up last year's instrumental EP “Fine Flow”.  “Dans La Tempete” features soon to be classic covers of Peter Green era Fleetwood Mac’s "The Green Manalishi (With The Two Prong Crown) and Scott Walker's “The Seventh Seal".  Three Entrance Band originals show the way forward.  The garage howl of "Back In The City", the spiritual storm of "Le Manque" and the sublime groove of instrumental "Mellow Fantastic" anticipate tomorrow’s journeys as we eagerly await what lies ahead.

“And as the thunder cracked they were gone”.

before the concealment of beauty

splitz_