Generative/Noise

from 'kibako ' (2012)
http://www.rustblade.com/

kikoezu mori (0303)

tamatsubaki

http://mailorder.ant-zen.com/product/id/2394
https://hymen-records.bandcamp.com/album/dronetudes

senko, who has also appeared as slew52, slam52 and .slam: is the aarhus / denmark based project of daniel kosenko. the manipulation of pure data into sound (or 'klang', as he designates it) has now become his main focus. kosenko's musical intention has always been of an explorative and experimental embouchure and for this release, senko's aim was to develop 'a system' with a semi-generative approach to harmonics, in which synths and sounds 'resolve' each others harmonic ideas, and 'talk' to each other 'forcing the hand of chance'. the process of developing 'the system' was inspired by such wide ranging artists as john coltrane, györgy ligeti and psychic tv. artists who always found a perfect balance between improvisation and elaborate concepts. the eight tracks of this album display a wide range of styles, approaches and spirits: contemporary electroacoustic textures and dark melodic drones as well as twisted abstract beats and filmic soundscapes with a ritualistic feel generate an aural kaleidoscope of moods between precipitance and relief. while listening to this release you will enter an unfolding labyrinth of semi-improvised drone-études - be prepared to stay there for quite a long time...

Senko Dronetudes cuts

This recording is available to download at: http://boilerroom.tv/recording/merzbow/

Merzbow Boiler Room Tokyo Live Set

jihad - sztuka konsternacyjna cz.8

LIVE @ AISF

You, Me, Us & Them - You Please Get Me Up On Us & Them

The Prostitution of Authenticity

The Prostitution of Authority

The Prostitution of Elasticity

The Prostitution of Gullability

The Prostitution of Periphery

Output from a software patch i'm working on to make music out of user input. The input in this case is any number. All the patterns are generated from this number, there is no randomness used in the software, so if you enter the number twice you get the same output. These examples also use one source sample which i was changing throughout. Still lot's I want to do with this, the melodic parts could do with a lot of work for example...

Generative max/msp patch test 01

Sound Design Student at UTS, also writing and composing my own generative/atmospheric electronic music.

I am also a DJ/Producer - soundcloud.com/bnjmm

LIVE @ AISF

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