If extending the arps throughout the length of the track, I would make them less static.  A combination of dynamics and filtering may make them more interesting rather than changing the patch/sound of the arp in different sections.

See, here the arps are increasing in volume not gradually but rather in steps every two bars or so.  The music concept is fine, it just needs some refinement in the mix IMHO.

Mixing itself is an art form where balance must exist. I can't find that balance here.

Some sounds are very raw. Maybe if you try a bit of reverb and delay you can improve it by creating space between the sounds.

I wish the bass was more present in the intro -- contrasts so well with the arps, but a little faint in the mix.

The noise perc seems a little out of sync with the arp

lots of cool ideas. i really like the individual character of the sounds you put together and the actual music too. much potential :) my small suggestions for things to focus on: mix levels (the foundation of kick and bass needs to feel solid and not drowned out sometimes), and some more automation/variation of the sounds that repeat or extend over a long period (like the long chord in this part - it's cool, and some more movement within the sound would really enhance it imo)

Good track bones and some nice tones in this, but yeah, needs development.   Plenty of bread crumbs to follow in the other tracks this month

9 instances of Waldorf PPG Wave 3.
I only used the wavetables that were on the original PPG Wave 2.3.

DAW: Bitwig Studio 3.3

9 Bitwig Eq+
2 Bitwig Arpeggiator
3 Bitwig Tool
1 Xfer OTT
2 Tal Filter 2
4 TDR Kotelnikov
6 Liquidsonics Seventh Heaven
2 Softube Chandler Limited Curve Bender
2 Softube Mutronics Mutator

Kotelnikov, Curve Bender, Izotope Ozone Imager 2, and Thomas Mundt Loudmax, on the master channel.

Spring Goose - Thrifty

Tech-house/House/Minimal/Electronic/Breaks
linktr.ee/springgoose
DJ/Producer/Remixer  Spring Goose a.k.a SpringGooseMark

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Hokey

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jemAudio

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