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Deep In The Jungle Anthems 9 - The Final Chapter

Nation

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Come back

Amen Warpfare EP

Are U Dizzy

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AN ATLAS OF LOSS

Do minerals dream of becoming semiconductors? Do they yearn to carry charges, amplify, switch, and convert energy into emotions comprehensible to humans? And what if, from the darkness of the underground, they had been listening to us sing in caves before the emergence of the first flute? Could they have guided us, through the course of history, to find them, extract them, and create new sounds through sinusoidal waves, to form valves and bend circuits?


If so, minerals would transition from what philosopher Eugene Thacker defines as the ‘planet’—that virginal and unreachable realm for humans that we study through geology, paleontology, and environmental sciences—to the ‘world,’ the space we inhabit, interpret, and synthesise in our daily lives. Sadly, we only remember the world when it erupts violently, through climate catastrophes or when a new virus emerges. Sometimes a tsunami collides with a nuclear plant, or viruses are cultivated as biological weapons in high-security laboratories, provoking a deep biological anxiety, hard to quell, which we all feel beneath our skin.

There exists a third realm, disconnected from both the world and the planet: the ‘earth’, an immense, dense rock floating in space alongside other planets, situated in the cosmological dimension. Relating to the earth is so complex that we only do so through theoretical speculations of a scientific nature or through science fiction, interweaving until one becomes the prophecy of the other, in an infinite, pendular dance. Beyond the darkness of space and Lovecraft’s cosmic horror, the fantasy of human extinction is the most recurrent: to reach a collapse so devastating that we do not survive it, even though the earth does, without us.

In a world where we quantify everything through body sensors, financial algorithms, nanometre-scale robots, and surveillance drones—a world in which everything that can be domesticated and controlled can also be commodified—a superior artificial intelligence would survive the collapse of the species (some speculate it might even cause it) and learn from our mistakes, thanks to our obsessive gathering of data.

Long after our voices fade, minerals will persist in the darkness of screens, in the silicon of chips, and in their pure form, still unexploited underground. Over the millennia, this intelligence might piece together fragments of our reasoning, as if an alien civilization finally connected with one of our spacecrafts loaded with messages cast into the void. It would sort through endless streams of data, unable to grasp the depths of emotion behind what it quantified, recreating simulations of our past, stripped of the nuance that once defined us and conducting experiments in sandboxes.

Some remnants of our existence—faint echoes of forgotten beauty—would be pieced together in an atlas of loss, buried beneath layers of numbers, decayed bots, and corroded hard drives. What will follow? Perhaps bison will once again roam—trotting to the strange pulse of techno, their ancient forms framed by the ruins of our cities. Buildings will crumble, slowly dissolving under the soft touch of ambient music, and a thousand flowers will bloom with that ancient music created through electrical signals and computation.

7 songs for a future both improbable and inevitable—a final message from a world lost to itself, from planet Earth to planet Earth.
A1 by Alex Dickson, Joe Baker.
A2 by Olivier van der Lugt.
A3 by Andre Lira.
B1 by Flore Morfin.
B2 by Jdotbalance.
B3 by Charlie “Eric” Baldwin.
B4 by J. Coles, P. Tipler.


Mastered by Pedro Pina.
Artwork by Aleix Font.
CEEXYZ05.
©️ & ℗ 2025 Lapsus Records.
ceexyz.bandcamp.com

Buy Link (Bandcamp)

Air Max '97 - Marginalia [CEEXYZ05]

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What Else (VIP)

After The Rain

After The Rain (feat. MC GQ)

Dubplate Style

Dub Safari

Ruffneck

Akuma

Duppy

We're extremely pleased with this project, not just because @napes_dnb and @elbidnb have smashed the flavours, but because it is our personal favourite so far! Working with these two has been a memorable journey and looking forward to building the relationship that has been made. 

This 6 track EP started with Napes begging for the chance to remix Elbi's 'Chess & Rollies' and we just couldn't say no. Since then, the flavours and the chemistry between these two have been solid from start to finish. 

We hope you enjoy what these boys have to offer and looking forward to continuing delivering the goods for a vibe in drum and bass x

JUNO EXCLUSIVE: 25/09/2020

WORLDWIDE RELEASE: 16/10/2020

Napes - Come Try Test

fabric presents Chase & Status RTRN II FABRIC

Heat (DJ Mix)

DARKMTTR Records | Bookings: ESP Agency
T: +44 20 8740 0533 
http://esp-agency.co.uk/artist/spy

Moving to London from São Paulo eleven years ago, S.P.Y was quick to establish himself within the UK drum+bass scene. After six months of working with only basic equipment, S.P.Y’s natural talent for production saw his first ever release signed to Metalheadz in 2005, with a release on Hospital’s Medschool imprint soon following in 2006.  S.P.Y began collaborating with artists such as Marcus Intalex, Total Science, Kasra and DJ Marky. In 2009 S.P.Y released his first solo EP on Marcus Intalex’s label Soul:R and had releases on many other labels including Digital Soundboy and Innerground. 

The following years were immensely successful for S.P.Y, with Friction including five S.P.Y tracks on his MoS compilation and Andy C featuring four tracks on ‘Nightlife’. Proving his production quality and consistency in 2010 / 2011, S.P.Y delivered standout releases on Ram, Metalheadz, Critical, Shogun and Spearhead – Most notably the anthemic ‘By Your Side’. S.P.Y also took on high-profile remixes for the likes of Deadmau5, Claude von Stroke, LTJ Bukem, Chase & Status, Delilah and Zinc ft. Miss Dynamite, with S.P.Y’s own personal re-lick of Zero 7’s ‘In The Waiting Line’ becoming a signature in his live sets.

Signing to Hospital in 2012, his debut LP, ‘What The Future Holds’ was released to critical acclaim. The LP not only received significant support from fellow artists and topped online sales charts, but was also awarded the coveted ‘Best Album’ at the annual 2012 Drum & Bass Arena awards. S.P.Y backed up this release with a relentless tour schedule of Australia, the United States, Canada, Russia, Asia, New Zealand and Europe. 

S.P.Y’s skills behind the decks rival his studio talents and he delights fans with an educated blend of old school classics and fresh new beats. Always one to stay true to his roots, S.P.Y has a unique ability to bring his trademark underground sound to a worldwide audience. Alternating between beautiful, orchestral, musical sets and dark, rolling mixes, S.P.Y captures the emotions of the crowd. Whether he is playing at a high-profile festival or an intimate club show, S.P.Y always delivers.

In 2013 S.P.Y was again busy touring the world, playing at major festivals such as Tomorrowland, Global Gathering and Electric Daisy Carnival. He delivered successful remixes of James Zabiela’s ‘Perseverance’, Chris Malinchak’s ‘So Good To Me’ and Five Knives’s ‘All Fall Down’ on Red Bull Records. In addition to these achievements, S.P.Y was also selected to write, in collaboration with London Elektricity and Diane Charlemagne, the theme song for the 2014 Street Child World Cup. The track ‘I Am Somebody’ has helped to generate awareness and bring a new interest to Street Child World Cup, advocating for street children’s rights worldwide.

Moving into 2014 and S.P.Y is taking us ‘Back to Basics’ with his second LP. Released in two parts over the coming months, ‘Back to Basics’ draws inspiration from the deeper, darker sounds of drum+bass, and features collaborations with Total Science, Rene La Vice, and vocalists Diane Charlemagne, Grimm and DRS MC.

If any D+B artist can truly claim to be the “producers producer” then Carlos S.P.Y surely has a good case. If the comments on this album by his luminaries are anything to go by: "One of my fave producers" says DJ Hype, "Carlos back to his filthy best!" say Total Science, "There's only one S.P.Y” says Doc Scott.

Dubplate Style

S.P.Y

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