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Untitled x2

Untitled-02

Preview of the second EP by https://soundcloud.com/les-antonymes
To support us, please buy the release -> https://antonindebemels.bandcamp.com/album/doctobre

With Hughes Devos (bugle), Christophe Seval (synth), Philippe Van Bellinghen (cello), Olivier Taskin (drums), Antonin De Bemels (groovebox) and poems by Shantala Pèpe and Jean-Philippe Convert

Artwork by Stéphane Jossart

D'octobre

Les Antonymes - D'octobre EP (preview)

mtion

🎄released December 19, 2023
Available on Bandcamp: x4records.bandcamp.com/album/--5

Mastered by Danny Playamaqui
Artwork by Jerohme

Tracks:
1. Jerohme - Dance of the Lumpy Sugar Fair
2. Anitta - Cut the Mustard (Feat. Tom Sine)
3. Greystar - New Friends
4. utopia cloak - all I want for Christmas is Velum Break
5. Florian Förster - Weg durch den Sumpf
6. lee - Festive AF M8
7. Dollarstore Keyboard - Dolby Dragon 2
8. The Simian - The Cold Visitor of Glass and Phoshor
9. Danny Playamaqui - Hi-hat
10. love horses - brianv2

Dance of the Lumpy Sugar Fair

Planeview

NOÉMI BÜCHI - DOES IT STILL MATTER
Cat #: OUS050
Release date: May 24, 2024
Distributed by Kudos: https://kudosdistribution.co.uk
Label Bandcamp: https://ousooo.bandcamp.com

«The new avant-garde isn’t about creating something that doesn’t yet exist, it’s about abandoning and confusing rigid genres. I want to open up, in order to both abolish and reconstruct the musical past.» — Noémi Büchi @noemibuchi

Noémi Büchi’s album ‘Does It Still Matter’ completes a series of releases whose titles - ‘Matière’, ‘Matter’, and ‘Does It Still Matter’ - place the physicality of music in the center of attention. Büchi’s specific sound structures and aesthetic choices question the state of materiality in a world that is becoming more and more fluid and intangible.

From ‘Matière’ to ‘Matter’, Büchi subtly transferred from a focus on substance to questioning the enigmatic core of
being, passing from a noun to a verb, and from a single word to an inquiry. ‘Does It Still Matter’ weighs in on the importance of questioning. Her pieces juxtapose multi-layered analog synthesizer textures, crystal clear sounds and almost brutalistic noises, while they unfold in compositional structures akin to pop songs. Driven by an orchestra of myriad parts, her music creates transcendent intonations that resonate deeply with the listeners’ bodies. A daring blend of complexity and accessibility are molded into captivating sound sculptures that challenge and intrigue listeners alike.

Deviating from conventional time divisions, ’Does It Still Matter’ immerses listeners in a discordant succession of elements, and guides them towards an eternal present that erases the past with each new revelation, while maintaining it through recurring themes that serve as intimate memories. Büchi’s electronic maximalism questions our linear perception of time, offering a glimpse into a world where the past, present, and future converge into a singular moment. Her avant-garde approach rejects predictability, inviting listeners to immerse themselves fully in the present. Everything starts anew at any given instant. Each musical idea exists for one precise moment, rendering the future unpredictable.

‘Does It Still Matter’ unfolds against a backdrop of collective disaster and biocidal urgency, challenging the very essence of time. Büchi explains: «The world appears to have gone mad. It’s all but impossible to reflect on the meaning of avant-garde in music, considering the future in this sepulchral kind of stability of the human condition.» Her compositions resonate like an infernal machine, questioning the instantaneous dissipation of everything. Finally, echoes and fragments of sounds remain, haunting memories like ghostly companions.

’Does It Still Matter’ is an immersive experience that invites listeners to contemplate the impermanence of our world and the enduring power of sound.



CREDITS
Written and produced by Noémi Büchi 
Mixed & mastered by Manuel Oberholzer, Suoni Speziali (VFBM)
Album cover by Mirko Eremita, Encor Studio
Graphic design by Rebecca Morganti-Pfaffhauser

Dance of the Lumpy Sugar Fair

jerohme

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