Love this!!Lots of diversity throughout the arrangement...great use of sax especially

Very transient and ethereal for a jazz inspired track! I love it!

Dreamers

Joy Of Blossom

This version is a mix not yet finished, I would have liked the master to have a more professional sound, well for now it is what I can do and it is what is in my hands.
Thanks for listening.

Goodbye Blue Circus (Previous)

DISASSOCIATE

LAZR B33M

13 - LAZR B33M [OUT MAY 1ST 2022]

Original composition.... Alejandro Gonzalez M.

Mysticum

I first started doing synthwave and then gravitated to other genres, this is my return back. This dreamy album has phases that progress to help you keep on task but not to hinder or distract you from what you are doing! The last song called outlaw is a preview of the next album coming June. Hope you all enjoy as much as I did making this, Orbit is also available on YouTube and Spotify as well as most other services. Youtubes version will have unique visualizers to really put your mind at ease!

Orbit, A chillwave synth album

Miami Vice (Instr. Cover II) [Prod. by Klimen]

Faith And Foreboding

Spring Songs
Duration: ca. 20'
Instrumentation: tenor and piano
Performers: American Modern Ensemble - Alok Jumar, tenor; Geoffrey Burleson, piano
Recorded at Opera America's National Opera Center, Marc A. Scorca Hall, New York, NY, USA, June 4, 2019
Publisher: Bill Holab Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
For More Information: https://robertpaterson.com/spring-songs-version-for-tenor-and-piano

I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II.  April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

PROGRAM NOTES
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller and Kathleen Rogers and was premiered at Carnegie Hall’s Weill Recital Hall by the American Modern Ensemble, Alok Kumar, tenor, and Geoffrey Burleson, piano.

Faith And Foreboding

SquareD, a.k.a Square Dog

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