Soundcloud objects trouvés

Rachmaninov in transcription by Zoltàn Kocsis

Vocalise: Rachmaninov transcription played by Bernard Pulham

Sisyphus Redux - Brian Ferneyhough

Experimenting with extended piano technique samples and a granular synthesis device I've been working on.

Piano by Colin Riley

Haiku 16 Part 1

Bitten By A Monkey performing a graphic score by Roland, live at St John on Bethnal Green on April 9th 2015

Dylan Bates: saw, violin, xaphoon
Roland Bates: piano
Steve Myers: recorders

Uni-Verse (Bitten By A Monkey, live at St John on Bethnal Green)

Helplessly Young

From the freshly completed third album. This release is the culmination of two years of gigging around Europe and the UK, whilst living in the Baltics. 
Contact: lostharbours@gmail.com


Lake

Sand Circles - Endless Nights (Yen Towers Remix)

Green Death

Score composed for short film 'Rights of Passage'. 
Directed by Maysaa Al-Mumin in partnership with Doha Film Institute, Qatar, and Virginia Commonwealth University.

Cam Griff - all instruments, composition, production

Rights of Passage - Soundtrack

Demo song. 
Voice - Melanie Pappenheim.
Text - Sam Guglani
Performed at Medicine Unboxed 2018.

Heart

Purl - BBC Radio Scotland Future Classic

The last performance of MooV - a few years ago.
Lis Nygard - voice / Colin Riley - piano-electronics / Natalie Rosario - 'cello
Hoping to return on stage soon.

Interference (live @ Pheasantry)

written and performed by Zoë Martlew in lockdown 2021.

Song for voice, piano, cello.

Dream space                   

Dreamtime

Still Water

Mad MIDI Music for Piano

solidão

Colin Riley, composer

I hope you enjoy the music.

www.colinriley.co.uk

'Wry, fond, understated and slightly bonkers' The Guardian
‘Beautiful, clever and direct’ Classical Music Magazine
‘Tantalising new territory’  The Times  
‘Has the hairs rising on the back of your neck.’ Birmingham Post
‘Something extraordinarily strange and beautiful.’ BBC Radio 1
‘Riley is that rarest of birds, a genuine original.’ London Jazz Blog
‘There are many intelligent musicians whose work defies casual categorization. Riley is one such musician.’ Classical Source

Jon Seagroatt plays variously bass, flute, soprano & tenor saxes, bass clarinet, percussion, keyboards, electronics and the occasional bit of wobbly trombone with a variety of ensembles and groups that have included Comus, Current 93, Red Square, B So glObal & Circuit.
He also works as a session player, recording engineer and producer. In one or another of the above guises, Jon has toured, recorded and performed in Britain, Europe and the Far East.

Helplessly Young

squeaky kate music

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