Full album: https://pinkman.bandcamp.com/album/creature-ukraine-relief

It’s been more than 2 weeks since Putin called for Russian troops to invade Ukraine, causing pain and suffering to innocent people. As a response to this aggressive action, Pinkman offers a new album by Russian artist LVRIN to raise funds to help those affected by the war.

All proceeds of this release will go to the Humanitarian Aid For Ukraine fund by the National Bank of Ukraine: bank.gov.ua/en/about/humanitarian-aid-to-ukraine

Fuck the war and glory to Ukraine 🇺🇦

SUPPORT

LVRIN - The Unseen [Ukraine Relief]

This is a remake of a tune I threw together ages ago. You can find the original below. I just figured I’d have some fun tweaking some old work. Nothing special, mostly FLEX and Sylenth1 presets. Thanks for listening all the same!

Original music here.
https://www.youtube.com/watch?v=ha0U7BmTA-I

Sheet music and song file.
https://drive.google.com/open?id=1XwxFqgz5_JkXaqhjnJ5DOyjcmyj2Ne6x

Original art by PephyBoi.
https://pephyboi.newgrounds.com/

STR8 Bit

STR8 Bit - The Title (Remake)

Squirrels On Film 03:

Distortion, static electricity & drum machines turned up to eleven, your next Punk-E Rave Party can be appropriately soundtracked with SQUIRRELS ON FILM’s 3rd (or 4th, who’s counting?) EP, ready to de-sanitize any dancefloor prepared for the adventures in sweat-drenched HEAVY RAVING contained within.

Label Headz Solar & C.l.a.w.s. reach beyond their hometown of San Francisco, to Mexico City’s Yoan Rodriguez LOKIER. Her first full EP for the label, following the appearance of “Headless” on the limited edition Various Squirrels Volume Two, contains four tracks of enthrallingly unkempt body music & neo-goth techno depravity. The Artist & DJ currently based in Berlin is half of She Made Monster with Morgan Hammer, & her remix work appears on Throne of Blood, Ivan Smagghe’s Les Disques de la Mort & elsewhere.

“Last One” is first, a gritty workout in horror rave, all overdriven drums, intricately programed to build alongside arpeggiated synth bass and slasher flick strings, at once classic and contemporary. “Not Always Works” is sleazier yet, featuring LOKIER’s distinctive dead-pan distorted vocals, heard recently on Krikor’s LP for L.I.E.S., put to great effect here atop an ear-worm synth riff and again expertly programed drums, never afraid to bleed into the red. Atonal, yet bizarrely melodic strings and pads drift confidently above. “Tmrrw”  makes use of vocal samples over a pummeling industrial techno explosion… like a Nitzer Ebb cassette that’s been duplicated too many times, turned up way too loud, with an angry goth banshee queen telling it like it is through a broken fuzzbox. “What Is Truth” rounds things off in the murky dub/electro bog of your most lucid nightmares, the drums and synths awash in tape echo and reverb.

LOKIER’s music sits perfectly within SQUIRRELS ON FILM's left of center techno punk aesthetic, albeit with clear intentions on the feral dystopian dance party happening near you. SOF is very excited and honored to unleash this wild squirrel into the civilized world, packaged inside another eye-catching, original hand-drawn full color sleeve by New York artist Bert Bergen. It should be clear by now: SQUIRRELS JUST WANNA HAVE FUN.

Out on 12" vinyl March 2018
Distributed by Rush Hour

SOF03 Lokier clips

Righteous People

BUY VINYL: www.darkentriesrecords.com/store/vinyl/de-bons-en-pierre-ep-bundle/
We are proud to present two new EPs from De Bons en Pierre, the duo of Beau Wanzer & Maoupa Mazzocchetti. Beau Wanzer spends the majority of his days sifting through paraffin embedded animal tissues and reading old issues of Fangoria, occasionally breaking his monotonous routine to record in various fits and bursts. As well as solo material, he is also in numerous projects including Streetwalker, Mutant Beat Dance, Civil Duty, and Corporate Park. Maoupa Mazzocchetti is the pseudonym of Florent Mazzocchetti, a French producer based in Brussels. His sonic vision is one which constantly straddles the line between wild experimentation and rhythmic compatibility, drawing influence from early concrète, 80's tape scene and Birmingham school techno. 
After working together on the ‘Crepes’ EP that we released in 2017, De Bons en Pierre reunited for a two day recording session in Brussels. The duo recorded 13 tracks that we’ve split across 2 EPs with 6 tracks on ‘EP No. 1’ and 7 tracks on ‘EP No. 2’. Beau says, “We hooked everything up and just pushed play. We didn’t really discuss much about the process….it was very ‘spur of the moment’.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Each EP contains 25 minutes of dance floor perversions that tackle an array of rhythmic forms. Sludgy synths, serrated percussion and viscous distortion goops over leviathan rhythms. All songs are mastered by George Horn at Fantasy Studios in Berkeley. ‘EP No. 1’ is housed in a sewage green jacket featuring a monster mask duo and spiky motifs designed by Florent Mazzocchetti, and ‘EP No. 2’ is radioactive orange with a different pair of monster masks.

EP No. 2

De Bons en Pierre - Frog Stoemp

Identified Patient - Signals In Snakes
Dekmantel (DKMNTL-UFO9) - 12"

a1.	The Drip (Ft. Sophie Du Palais)
a2.	Let Me Do It
b1.	Chantals Chant
b2.	Lucy's Comeback

https://shop.dekmantel.com/release/6396

If heavy industry is a thing of the past, no-one told Identified Patient. For the past few years, he has been a one-man factory: by day, assembling component parts of acid, techno and all varieties of wave (dark, cold, minimal) on the production line; by night, a DJ dynamo pulsing with so much energy he could power a small city. His style is the kind of churning, lithe, fractured machine funk that could make Trent Reznor weep with envy – mean but clean, sinister and stomping but crucially, never overconfident or overblown. After two show-stopping performances at the parent festival last year, Signals In Snakes marks Identified Patient’s first Dekmantel release, for the technoid UFO sub-label.

Opener “The Drip” lives up to its namesake, slowly lowering elements into the field of play with partner in crime Sophie Du Palais. No prizes for guessing what exactly might be dripping through this fetishistic slow burner, so we’ll let your sordid imagination run wild. “Let Me Do It” takes the pent-up anguish and lets rip with the mood of unearthed electrical wires sending sparks flying, an upscaling of intensity that continues on “Chantal Chant.” Envisioned as the moments of tension before a gladiator fight in ancient Greece, the acidysound is that of barely restrained militant chaos. Our battered fighter’s swan-song, “Lucy’s Comeback,” marshals the dark undercurrents of bass and brings us to a close. Giving a new lick of shiny paint to a well-weathered industrial exoskeleton, Signals In Snakes is one to unify the cold-blooded villains and hot-blooded lovers all summer long.

DKMNTL-UFO9 // Identified Patient - Signals In Snakes

The series PUSHERS came back for the 3rd birthday of Raw Culture. 
It is celebrated with some of the label's best quality dealers: Asymmetrical & LKSMN, Security DJ ft. Sophia De Jong, Michael Ferragosto, Drew C. Mance and T.C. White. 

The release will be available from June in a limited series of 300 hand stamped vinyl.

https://soundcloud.com/raw-culture-recordings

PRÈMIÉRE: Security DJ - "Fucking DJ" (ft. Sophia De Jong) [Raw Culture]

A pulsating, synthetic end-times trip of analog EBM and Italo from Das Ding.

'Strokes of Industry' is out now on Artificial Horizon.

Buy: bit.ly/2Wn9YON

@das-ding-1
@artificialhorizonrecords

Premiere: Das Ding - Insect Apocalypse [Artificial Horizon]

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/ep/tv-out-dusk-till-dawn/
Tel Aviv born, Berlin based duo TV.OUT @tv_out make their Dark Entries debut with a 6-track EP titled ‘Dusk Till Dawn’ out Black Friday 2019. Doron Mastey Charly & Ori Itshaki have made a name for themselves the past few years putting on impressive live sets, DJing around the world, and running Parallax Records releasing various strains of rugged, well informed electronic music. Clocking in at 36 minutes this collection moves in hot pursuit of their two previous EPs for L.I.E.S. Side A opens with the metallic hi-hats of “Morning Light” that echoes early Euro/Goa techno-EBM sound to the 8-minute sleek, pounding industrial darkroom vibes of “Sun” and closes with the titanium-tipped 808 warped electro of “War Zone”. Side B leads off with the heavy New Beat scorcher  “Lord”, a song we first heard on a mix from Cardopusher and knew we had to release. Then comes “Product Of My Environment” a slow-motion mutant menace that flows into the final song “Slippery Slope” a classic  West Coast of The Hague ‘90s style electro  perfectly suited for complete dance floor drama. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in jacket designed by Eloise Leigh with black-white-red apocalyptic vibes and bold type.

Dusk Till Dawn

TV.OUT - Dusk Till Dawn SNIPS

You take delight not in a city's seven or seventy wonders, writes Italo Calvino, but in the answer it gives to a question of yours.

When the official purveyors of Glasgow’s night(lyf) culture prematurely pull the plug on your not so subtle come-up, one question persists - where are the afters? A magic card and a jaded cabbie later, you have the answer - Lunacy. Step inside the place. An experience, an institute, a myth, and at last - a label. It goes without saying that the tunes are on a level, a 17 track tour-de-force from Gower Street with love. Lunacy's debut is a long time coming with five years of never-ending after parties on the clock.

From scheme dreams to young teams and that coming of age tenner bit. VA:101 DIA // ASKR breaches the boundaries of something more meaningful altogether. The micro history of the macro sesh in Glasgow's best worst kept secret - think the Hermetic Order;cultic hazing and rites-des-passage featuring smoke machines, strangers on E and Wully Dee, with a heavy hit of local lore and galactic luminaries. Motorway mythology, no smoking outside - it was unforgettable, if, of course you remember.

This one is out to the city beneath, just out of sight but always in mind.

ITAKO
Soundcloud: https://soundcloud.com/itako
Facebook: https://www.facebook.com/itako.disco

Lunacy
Soundcloud: https://soundcloud.com/lunacymodule
Facebook: https://www.facebook.com/lunacymodule

PREMIERE: ITAKO - Impenetrable Gatherin' (Lunacy)

Artificial Horizon is an independent record label based in Glasgow, Scotland. Born in 2019, it will linger around the periphery of stygian electronics.

Originating from different angles of electronic music and punk, Future Relics combine their affinities and concepts of a noisy and thriving sound commenting on our raving present.

• www.artificialhorizon.bandcamp.com

@future_relics
@artificialhorizonrecords

Wrongful Convicitons

Order Here

PREMIERE : Future Relics - Schaumbad [AH003]

A San Francisco based record label brought to you by Solar and C.l.a.w.s.  Distributed internationally through Rush Hour.  Vinyl (U.S.) and Digital available through bandcamp (link below)
All art from Bert Bergen


*Please don't send us messages/demos through the soundcloud messenger, we love you but nobody checks them*

SOF03 Lokier clips

Squirrels On Film

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