2019 02 02QYLIVE@ThreadsRadio

FREE DOWNLOAD LINK: 
https://basslinesociety.bandcamp.com/album/qy70-dimension

Iyah Flix - QY70 Dimension 

01 New Challenger
02 New Dub
03 Push Start
04 Push Dub
05 Final Stage
06 Final Dub
07 Game Over
08 Dub Over

Produced, arranged and mixed by Iyah Flix

Mastering / Artwork: Michael Exodus

Bassline Society Records 2021
Distributed by: Exodus Oneness Promotion
Executive Producer: Michael Exodus

Iyah Flix - QY70 Dimension (BSR007)Teaser

Remake of the song "Cars" by Gary Numan produced on the Korg Voca Sample & The 1996 Yamaha QY-70 sequencer recorder.

Cars ,Korg Voca Sample, Yamaha QY70 Demo Dem Eq

tribute to the Florida Suncoast with all it's wonder and mystery

suncoast underground

Composed for the synthesis show with Joanne Dramko.

A silly reference to Satie, and his concept of "musique d’ameublement" (furniture music). But in actuality it could be considered more of an experiment in spastic counterpoint for an impossible "double-decker" piano.  I recorded a single phrase (the opening) and added an accompanying left hand. I then copy/pasted the parts while changing a few of the settings, octave, delay by an 1/8 note, etc.  The resulting  emergent harmonies were the result of the chance alignments, tempered with my editing.  This could not be played in real life by a single pianist, given the mashing of notes in the same ranges.

Erik's Not Here Man

recorded 2004 - advanced screening album (this upload)
remastered 2009 - perception management "best of" compilation
guitar solo by Lucas Wade
drums, bass, synthfuzz - casiotone mt-40
coda chords - Casio VL-5
intro synth - Yamaha CS-01

Perception Management (Expanded - Instrumental)

James Earthenware - Specifications Revision 1986

This was commissioned by NASA's Kepler mission for their tribute to Carl Sagan in 2011. 

http://kepler.nasa.gov/education/sagan/musicForSagan/

"Pale Blue Dot" refers to the last image taken by the Voyager probe as it left the solar system and turned to face Earth:  a single pixel, suspended like a dust speck in a sunbeam.  Sagan's crusade to have NASA take such a "frivolous" image with a scientific instrument and his poetic response was the inspiration for this piece: 

"Consider again that dot. That's here. That's home. That's us. On it everyone you love, everyone you know, everyone you ever heard of, every human being who ever was, lived out their lives. The aggregate of our joy and suffering, thousands of confident religions, ideologies, and economic doctrines, every hunter and forager, every hero and coward, every creator and destroyer of civilization, every king and peasant, every young couple in love, every mother and father, hopeful child, inventor and explorer, every teacher of morals, every corrupt politician, every "superstar," every "supreme leader," every saint and sinner in the history of our species lived there – on a mote of dust suspended in a sunbeam."

Pale Blue Dot

Track written using only Dave Smith Instruments, Prophet 6, Prophet 08, Tempest and Pro One.  

Video with walkthrough of synths and sounds here:
https://youtu.be/1OV6oOwD5AY 

Such A Long Time

A fruity techno groove to increase your BPM's on a Friday evening. 
A more dance-orientated offering from squishmusic celebrating the 90's styled house music that Pete Tong might have played! You're not wrong. 
BPM = body pulsing movements
//
Part of the electrorgasmichilloutechnosoup grooves created on Yamaha QY70 synth/sequencer 
//
©dtacleare2006

TechnoTomato

QY70Live_2019.03.20高円寺円盤

:: squishmusic serving aural eargasms 24/7 ::
Now available via iTunes, Spotify and other major music streaming services.

:: new studio & new gear for 2023 ::

#squishmusic #squishcreate #yamaha #QY70 #alesis #micron #roland #korg #electribe #zoom #ios #nanoloop #nanostudio #iMaschine #medly #iMPC #figure #tonepad #notebeat #mpc #samples #teaandtechno #iosmusician #beatmakers #musicmakers #diymusician #distrokid


Squishy and his groovey electromachines were born out of the ravetastic 90's! 
It all started in squishy's bedroom with his Yamaha toys. His first tracks threw into the mixing desk, influences from the late 80's acid/ambient house explosion and subconscious ones from the melody-rich 60's music exposed to him by his parents! It was in 1989, upon hearing the beautiful floaty electronic sounds of 808 State, Tomita and Jean Michel Jarre that he rushed out to purchased his first electronic keyboard (from Boots no less) in his quest to create his own brand of auralbliss!
In 1992 with EDM exploding bass woofers worldwide, squishmusic and his newly-purchased-ever-groovy-electro music gadgets wrote their first composition Atlas; now digitally revived here from the analogue graves. For the next four years he lived the days & nights twiddling his knobs, pushing buttons and being hypnotised by blinking LED's taming his electro-machines to create his music: electrorgasmichilloutechnosoup! 
Some of these tracks went on to receive favourable reviews in the European music press; in 1994 he had the 'Top Tape award' in soundonsound.com magazine and a few more. 
The music chilled somewhat during his Uni years. Since then and moving to Sweden in 2000, the music continues to subtly throb, schqueak, skweel, ebb, flow, radiate, and fuse his distinct squishy sound into new tracks; embracing newer digi-technologies and toys adds to the creative possibilities. 
He also records under the aliases: DJ Vinyl Fluff, Phil Happy, TeaBagTwice, The non-stop-cork-popping Champagne party people, and Drosophila pimp.

TechnoTomato

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