Indian BGM

A minimalist Piano and Violin version of Ilayaraja's How to Name it (http://www.youtube.com/watch?v=wz-MTrlIG_8). The violin recording was lying around for a while now so I added the piano score. This is an adaptation, so the opening interlude is extra and I've stopped where the Simhendramadhyamam stops and the Shanmukhapriya starts. 

Simhendramadhyamam is the raga (mode)the first part of this composition is set in http://en.wikipedia.org/wiki/Simhendramadhyamam. It then segues into Shanmukhapriya (http://en.wikipedia.org/wiki/Shanmukhapriya) in the original full version of this. 

How to Name it

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Sita Kalyanam

Nadaloludai - Mahesh Raghvan

Gajavadana - Mahesh Raghvan

Electronic Reetigowla - Mahesh Raghvan

Seetha Kalyana Vaibhogame

Watch on YouTube: https://www.youtube.com/watch?v=_3IATQ3Kt-8

Abhogi 2.0 - the more you uncover the hidden layers in this raga, the more arise! Bringing you my next IndianRaga music video, a sequel to Swara Sadhana, with Apoorva Deshpande once again. This time we ardently explored the eclectic raga of Abhogi, amalgamated both in Hindustani and Carnatic. Which part of this song stood out to you? Comment below!

Abhogi to me, is a striking raga, with the way it's carried in different styles of music. It's captivating and intoxicating, despite missing Pa, the 5th note which is the midpoint in the musical scale. The Carnatic composition is "Sabapathikku," written by Gopalakrishna Bharathi, in the Tamizh language. The Hindustani bandish is an original composition by Apoorva, adding beautifully to the rendition about an abstract divinity in music. The lyrics are deep, meaningful, and idolize an abstract version of a musical deity.

Abhogi 2.0

‘Early in the morning just before dawn’, the meaning of the first line of this song - Pularaadha Kaalaithanile, also exactly when I played and recorded this song! A beautiful melody, upon special request 😄😄

Nadaloludai - Mahesh Raghvan

Srivatsa Sharma G

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