yikes rad dude whatta combo knockout woof

can someone send me the stems to remix? would love to make a bootleg of this.

nice comeback tu nous a manqué petite salope <3

One of my favorites, everything is on top, great featuring from Ariel

CHROMATICS / CEREMONY

Brooklynite Elizabeth Harper’s first musical offerings appeared in the form of personal singer/songwriter fareher airy vocals paired only with quiet strums of acoustic guitar. But having a long-held desire to make electronic music, Harper recruited producers Mark Richardson and Scott Rosenthal to assist in achieving her desired sound, and electro-pop outfit Class Actress was born. The trio wasted no time in assembling their Journal of Ardency EP, which Grizzly Bear’s Chris Taylor released on his Terrible Records imprint in early 2010. The five songs circulated widely, garnering acclaim and comparisons to Human League, Depeche Mode, and early Madonna at each music journal stop.

Now settled in with the folks at Carpark, Harper and co. put forth their debut long-player, Rapprocher. The album sees her playing a similar part to Journal’s playful lovelorn diva, but it pushes the EP’s proto-electro revisionism into new directions. Tracks like "Love Me Like You Used To" and "Hanging On" swaddle the record’s heavy disco beats in diaphanous sheets of delay, and the bouncing bass of "Weekend" make it a prime candidate for a feel-good summer hit.

Harper remains the force that binds the songs into a cohesive statement, her winking coo darting about in the deep drums and lofty arpeggios, and her passion – backed mostly with electronics– summons thoughts of Yaz’s Alison Moyet. In concurrence with the title ("rapprocher"is French for "bring closer"), the candid, sincere lyrics meld with the atmosphere, enveloping the listener into Class Actress’s world of 21st century romanticism.

CLASSY CLASSY

North American press by Motormouth Media

College radio promotion by Terrorbird

Deluxe gatefold LP comes with free digital download card

North American and European tour late 2011 and into 2012

Multiple music videos and other excitement-inducing nuggets in the works



Weekend

Buy: http://tinyurl.com/pgj32tj
Release Date: 16 September 2015 

anything
if ever there was anything
that could change this thing that's happening
if ever there was anything

it was different then
distant feeling when you lose a friend
it hurts to look at what it used to be
i miss you, and it's sad cuz that's what's meant for me

i don't have anything
i wish i could treat you the same
as i did when we was both in love
anything we did was not enough
now it's gone
i don't have anything

where have i gone?
i'm just myself done wrong
i feel it, yeah i kick my myself around
i lost it, it was everything
and now it's done

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twitter.com/TTTOPSSS
facebook.com/TTTOPSSS
www.tttopsss.com
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Anything

Porches ‘Hour’, taken from the new album ‘Pool’, out now.

Buy on iTunes: http://smarturl.it/PorchesPoolDL
Buy on Dom Mart: http://smarturl.it/PorchesPoolDM
Buy on Bandcamp: http://smarturl.it/PorchesPoolBC

http://facebook.com/porcheshiii 
http://twitter.com/porches_hiii/
http://porcheshiii.tumblr.com/ 
https://www.instagram.com/porches_hiii/

- - - - -

in my loner hour
i turn to my
twin bed for power
like a swimming a pool even alone
it gets me wet and cool
simple as the crow flies
that all i want
is an apple inside of my gray skies
in my stoner hour
o how i float
just wondering about her
in my stoner hour like a swimming pool

Hour

Porches - Hour

Real Love

"New York, the high temple of the retail world!"

Stranger

The Reflection Of You.
Taken from our 3rd album "I Love You, It's Cool" due for release on April 3rd 2012 through Dead Oceans / Hometapes

Bear In Heaven - The Reflection of You

We were all knocked out by the Frankie Rose and the Outs album from 2010, the effortlessness of its gorgeous girl-pop mantras, the intimate immensity of its Spector-esque walls of reverb, the beauty of a song sung sweetly over the most graceful two-chord vamps. But are you ready for the new Frankie Rose? – her transformation into a wholly other kind of pop, the reverie and revelation of "Interstellar," an album that floats free of its maker’s history – time spent with Vivian Girls, Dum Dum Girls, Crystal Stilts, and creator of one of the most breathlessly compelling girl-pop albums of the past few years – and offers the listener something strangely other, as alien as it is familiar, as compelling as it is enchanting.

Talking with Frankie about the record, it’s clear she was itching for a new start. The first big indication – production by Le Chev, remixer supreme (for Lemonade, Narcisse, Passion Pit, and Frankie’s own “Candy”), an ensemble member of Fischerspooner, etc. “We recorded the record in a private studio dubbed The Thermometer Factory in Park Slope. I wanted this record to be totally different and in so doing I knew I had to work with someone who would lend fresh ideas and know how to make sounds that I wouldn't know how to make. I wanted to make a particular record and I knew Le Chev would be the one who could help me do it.”

So, out with the reverb of the Frankie Rose and the Outs, and in with something altogether more glam, glittering, shivering. On "Interstellar" Frankie takes the lessons learned with her debut album – like reverb as the holy route to pop-grandeur, scaling a wall of teenage tears – fully digests, and transfers those skills into the brave new world mapped out by ten new songs. In its place is the confident swagger of a singer and auteur fully aware of how to build the simplest of pop moves into aching, full-blown melodramas, how to grab hold of an emotion and ride its darker waves. “I always have a big picture in mind,” Frankie reflects. “I knew I wanted a HUGE sounding record. Big highs, big lows, and clean. There is no fuzz on this record. I knew I wanted to make a streamlined, spacious record with big choruses that sometimes referenced 80s pop.” But that referencing never swamps the melodies: this record isn’t a retro trip. If anything, it liberates sounds familiar from that decade and gives them new context, breathes life into clay golems of sound that too often become basic, pre-set triggers.

On "Interstellar," Frankie Rose goes epic, goes widescreen.

Out February 21 on Slumberland Records in US, Canada, Asia, Oceania.
Out March 19 on Memphis Industries in Europe.


Frankie Rose - Night Swim

Produced by NIck Weiss Sam Mehran and Cody Critcheloe. Featuring Ariel Pink, vocals and guitar. 

LYRICS:
riding in your car
on the run straight through to nowhere
the radio is on
it's all bad but we don't care
riding in your car
you better make a move or something
have i gone to far
take me anywhere but home

turn it up
turn it up
turn it up and on
turn it up
turn it up
you turn me up and on

go run wild
you just can't tame it
wish i could say i didn't blame them
but i do

running on zero
diet coke and ketamine
i forget again
what can i do to make you love me
deep in the valley
dying on the vine
in every dream home there's a headache

go run wild
you just can't tame it
wish i could say i didn't blame them
but i do
go run wild
i just can't take it
wish i could say i didn't blame you
but i do

i don't know where we're going
i guess i never do
all i know the sun is burning
at least the sky is blue

you'll wait a long time for me
you'll wait a lifetime to see
you'll wait a long time

at least the sky is blue baby
at least when i'm with you

go run wild
you just can't tame it
wish i could say i didn't blame them
but i do
go run wild
i just can't take it
wish i could say i didn't blame you
but i do

go run wild
i'm still your favorite
wish i could say i didn't blame you
but i do

At Least The Sky Is Blue (featuring Ariel Pink)

http://www.criticalmob.com/news/more/cover_of_the_week_beck_i_only_have_eyes_for_you

Beck, "I Only Have Eyes for You"

'Nocturne' will be out August 28th in North America on Captured Tracks.

At Least The Sky Is Blue (featuring Ariel Pink)

SSION

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Les Fleurs Du Mal x Artéose Créations

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