🔊 „Tunnelblick“
„Tunnelblick“ verbindet treibende Afrohouse-Rhythmen mit einer dunklen, hypnotischen Underground-Atmosphäre. Der Track baut sich wie ein stetiger Vorwärtsdrang auf – pulsierende Percussions, tiefe Sub-Grooves und ein schwebendes Synth-Motiv, das den Hörer immer tiefer in den Tunnel zieht.
Mit seinen 135 BPM liefert der Track die perfekte Mischung aus Energie, Tribal-Drive und clubtauglicher Spannung. „Tunnelblick“ ist gemacht für Momente, in denen man sich komplett im Beat verliert und nicht mehr existiert - außer dem Rhythmus der Begleiter in der Tunnelfahrt durch die Ubahn Münchens nachts um 4:30 Uhr , allein? 

Tunnelblick -Ajith p bwe

A high-energy electronic dance music track with a driving beat and a consistent tempo of approximately 128 BPM, The primary instrumentation includes a prominent kick drum, a crisp snare, a closed hi-hat, and an open hi-hat, all contributing to a four-on-the-floor rhythm, A synth bass provides a pulsating low-end foundation, often playing a simple, repetitive pattern, Synthesizer melodies are bright and arpeggiated, creating a sense of movement and excitement, The track features a consistent groove with minimal harmonic complexity, focusing instead on rhythmic intensity and textural layering, Production elements include a clean mix with clear separation of instruments, and a slight reverb on the synth elements to add space, The song structure is primarily instrumental, building and releasing energy through the introduction and removal of synth layers and percussive elements, There are no vocals present

24220 - SIP

More Info: https://www.xlr8r.com/news/2017/09/premiere-hear-a-shivering-techno-cut-from-samuel-kerridge/

More Info

Premiere: Samuel Kerridge - Ascension

D-Leria returns to the scene more than a year after debuting on Berlin-based label Delirio, releasing a collection of work produced between 2014 and 2018; ten tracks which mark a new beginning for this young Italian producer, sweeping between heavy ambient excursions to hypnotic/ tribal techno, modernized and polished off in his own way.
‘Driving to Nowhere’ is the summation of an extended journey; a year-long hiatus due to unforeseen health concerns allowed time to meditate and consider his past experiences in Italy’s various underground electronic music scenes, and the potential directions inspired by thriving Berlin. 
From 2014 to 2017 he released several EP’s, each developing upon this new style, until joining the young label Delirio as both a musician and a manager. 
With Delirio he has hosted artists such as Stanislav Tolkackev, Roberto Bosco, Plaster, Retina.it and more, with a unique agenda to record precisely produced music live, instead of laboring in the studio to achieve over-polished audio.
His first album inaugurates the beginning of the new DLP catalog, which will be dedicated to LPs, albums and other projects released on 12-inch vinyl.
Through these 10 tracks D-Leria experiments with various production methods, as in ‘Makumba’ where he precisely combines the kick drum with a tight bass line in a 12-step sequence, making the track fluid and never predictable. ‘Reborn’ is an even more ambitious undertaking, initially recorded on tape before being sent back to the mixer via Hi Fi stereo, D-Leria modulated the cassette coil with a bic pen to create a unique ‘detune’ effect. ‘From the Ground’ and ‘Driving to Nowhere’, both made through the same setup, combine tribal voices and moans, combining an ethereal ambience with drums and analog percussion, connecting the rhythm directly to the soul.
The opening track ‘Libero’ is dedicated to himself, while ‘Her Smile’ and ‘Uragano’ are both dedicated to the person that was closest to him in his last period of stop and realization of the album, where he expresses his most deep moments in the first, and more difficult in the second.
Just like in most of the EP already released on Delirio, Giuseppe Tillieci aka Neel took care of the mastering of the tracks, while the artist has taken care of the smallest details from the production, to the mixing, to the graphics and also to the titles of the tracks, which refer to personal thoughts and events that happened during this long journey to nowhere.

[DLP 001] D-Leria - Driving To Nowhere

A1 - Libero
A2 - Ectoplasm
A3 - Her Smile
A4 - Uragano
B1 - Invisible
B2 - From the Ground
C1 - Running Against Time
C2 - Makumba
D1 - Reborn
D2 - Driving to Nowhere

All tracks written and produced by Giuseppe Scaccia
Mastered by Neel @ Enisslab Rome
released December 10, 2018
(P) 2014/ 2018 (C) 2018
DELIRIO

[DLP 001] D-Leria - Driving To Nowhere

Det Dryper

SSTROM - Drenched 9 (Rösten 8.3)

premiere of "Opera Scene II: Fighting The Unconsciousness" by @Subjected presents Pictures From The Aftermath
taken from the upcoming album "Opera Scenes", released soon on @intimatesilence

Album Details:
https://novafuture.blog/2019/07/08/subjected-presents-pictures-from-the-aftermath-opera-scenes-intimate-silence/

Opera Scenes

Info & Buy

Subjected Presents ... - Opera Scene II [INS006 | Premiere]

WU58d
Divide
Planetarium LP

1. Parsec
 2. Punto ω
 3. Sfera Celeste 
4. Punto γ 
5. Declinazione 
6. Coordinate 
7. Cassiopea 
8. Antares 
9. Galileo 
10. Centaurus
 11. Andromeda
 12. Nube 
13. Alfa Persei  


This is the first long distance trip in our digital branch, showcasing a complete album by Divide who is the alias of Davide from the Italian Syntaxism duo. In this body of work comprised of 13 tracks, you can find almost every colour in the techno sound palette, from the ambient intro Parsec to the equally soundscaped last track Alfa Persei. In between these two relaxed pieces there is a galore of beats and synths.
 
The album grows logically, building up as a whole opera. Punto_ω evolves from a relentless groove spiced with FM bells and resonant bleeps to the solid and slow paced Sfera Celeste, almost dubby, with subtle synth melodies in jazzy scales.

Punto_γ starts to bring things directly to danceable territories in a complex synth crescendo. Followed by Declinazione, with random sequences and tight 909 drum workout. Asymmetrical notes blend to each other giving this chaos feeling that sure dj’s like Jeff Mills will love and play.

Coordinate follows in similar parameters, alien like melodies and arpeggios over a shuffled beat, complex and always evolving. Cassiopea runs in similar parameters, but with a more aggressive sound approach.

Antares introduces distortion and harshness and acts as a powerful tool as well as the twisted Galileo, elastic and gummy but still powerful.

Centaurus boosts the high frequencies in the beginning as the rest of the elements build from below, the kick appears after a few bars putting all groove in context as the mechanical synth lines take over.

Andromeda is made of fat drums and resonant craziness spiced with wise handled distortion and Nube reminds us the best moments of solid nineties techno: hi BPM, well cooked chords and 909.

A great and detailed work that showcases the skills of this producer, aside from the currently degraded pseudo rave invasion. Again music from the future made today.

Order

Preview - Divide - Planetarium LP (WU58d)

Ron Morelli debuts on BITE for the label’s first release of 2020: Exhibition of Counterfeits, Vol 2. The L.I.E.S. Records boss looks directly to his 90s inspirations spitting out a raw, stripped down techno 4 tracker that is equally brutal and functional for the floor. Filled with a heightened minimalist tension across the record.Morelli has shaken things up again putting his spin on the expectations of the bastardized genre.
Label: @bitelabel
Artist: Ron Morelli 
Track: Exhibition Of Counterfeits Pt 2 
Format: Vinyl + Digital
Release Date: February 2020
Pre-order: https://biterecords.bandcamp.com/album/exhibition-of-counterfeits-vol-1

Premiere #84 Ron Morelli - Exhibition Of Counterfeits Pt 2 [BITE]

A Quarantine Podcast by Chadd Curry for Kaos London 

*a multitude of micro dramas eclipsed...

This is an emotional collage of sonics and memories underscoring the present day with gratitude and immense hope... 

#rupture #rapture #interiors #girlinterrupted #constructiontimeagain #twilight #utopia #iamabirdnow

Tracklist.
Hans Zimmer - Mountains
Damien Dubrovnik - Arrow 1
Antony and the Johnsons - Twilight
Cindytalk - My Drift is a Ghost
Cindytalk - Filthy Sun in Diminished Light
Rrose - Beware of Shells
Lydia Lunch - Bloodlust & Oblivion
Blind Delon - Rule 1 / original mix
Ancient Methods / Die Selektion - Der Augenblick Explodiert
Light Asylum - Dark Allies (Choronzon remix)
Kas:st - Nepal
The Marquis / MELANIA remix - Cigarette
Transform Collage - Rubber Explortation
Haus Arafna - He Coloured Me Blind
74185# - Eriotciv
T-error 404 - Artificial Snow / vocal mix
Apoptygma Berzerk - Stitch / restitched by Cronos Titan
Orphx - Cut Through
Eleven Pond - Sitting on Chairs

Photo credit: Pawel Bialosiewicz

Chadd Curry Quarantine Podcast

Dahc Dermur VIII - A Ceremony of Interiors and Transformations

3KZ | Overmind

01. Overmind
02. Kobe
03. Emphasize

@3kz

Overmind

3KZ | Overmind | FIDES011

We are facing a new and worldwide situation, very complex for all of us and for all the artists, clubs and organizers.

Covid 19 has forced us to social distance but we will keep fighting, trying to transform all this suffering into an opportunity for reflecting on our priorities, to create and to keep spreading art. We will keep loving and supporting each other because our community is based on true values such as love and sharing.

We will get through this TOGETHER and soon we will be dancing TOGETHER again!



• NOISE ORCHESTRA PODCAST #12 | Vittorio Di Mango.

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /

Vittorio Di Mango is an Italian DJ/producer from the class of 97, born in Trani, a small city in the south of Italy. 

Vittorio's first approach to electronic music was in 2012 when he played in little clubs in his city and those nearby. In 2014 he became interested in Techno music by taking part as a resident DJ in a local organization called "White XXX", which later led him to exhibit with such important artists including Dax J, Phase Fatale and Samuel Kerridge. His musical sets are characterized by a weaving of Techno with that of sounds such as acid, industrial and ebm. In September 2016 releases his first Ep ‘’Wrong definition’’ on Amok Tapes. In January 2017 came out his first remix ‘’Prepare to die’’ on NEN Records. On april 7 was inaugurated ‘’Epilessia’’ his first track on vinyl with I Hate Models on Khemia records.
In 2017 part of SENSUM EVENTS as resident DjIn 2018 he became part of WAYS and in 2018 he became part of WAYS.

SSTROM - Drenched 9 (Rösten 8.3)

SSTROM

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