Videorealidad

Glasgow based DJ [underthunder] drops us a rad mix ov techno, trap, breaks, ghetto and whatever. so gut

CLAN DESTINE RECORDS

[underthunder] high voltage mixxx

The soundtrack of the audiovisual art piece Apophenia by Lasse Gudmand-Høyer.

Entrancing noise, apophenic visuals, and provoking presentations.

Apophenia is a sonically centred multidisciplinary work, that seeks to explore the in between and parallels of, sound-experience, performance, participation and visualisation. The project is anchored by a recurring soundtrack that takes the form of a collaborative, predominantly industrial, techno production, curated by Lasse Gudmand-Høyer. Meaningful patterns emerge in the rhythmic composition of vacuous noise, that simultaneously feel deeply disturbing and intensely entrancing. The 12 tracks, produced by a mix of Copenhageners- and internationals, lay the sonic foundation for Apophenia's two pillar components - an enigmatic video exhibition and a staged, performative rave. The album captures feelings of intense apophenia, visualised as movement of bodies in a highly instinctive, Rorschach's inkblot-like, diversity of interpretation.

The first physically manifested element of the project is a visual exhibition at inter.pblc. This experience, dubbed by the vacuous and entrancing soundtrack, consists of a film displayed on a large LED screen and a virtual reality headset. The video acts as an enigmatic, yet engaging, examination of the, otherwise reserved, rave topography. It features a collection of moving bodies, collectively, yet separately, entranced by the apophenic noise around them. Seeing these bodies and their movement, captured through a 360 degree camera lens, allows the viewer to attain a deeply immersive perspective from an active participant’s point of view. The film itself spawns a unique and eerie feeling, among the observer, that oscillates between that of a non-existing surveillant and a deeply involved participant. The VR headset functions, not as a central aspect of the exhibition, but merely as a dynamic angling tool that decides the video's rotational point of view. The purpose of the exhibition is to display a collection of moving bodies in a catalog-like display of conceptual personas. It acts as a teaser for the final aspect of the project.

Apophenia's culminating element is a rave at Basement in Copenhagen. Here, the soundtrack meets the visual representation of the exhibition in the most literal way. At its' center, this concluding part of the work is an exercise in connecting the parallels between sound-experience, performance, -participation and -visualisation, in the context of what seems to be no more and no less than a rave party. Yet, the event itself is staged with a performance-like auction of the conceptual ownership of the moving bodies, displayed at the inter.pblc exhibition, where all profits are donated to charity. The act, which in itself seems ethically controversial, seeks to comment on the duality of activism and monetisation by selling bodies as concepts, who, in the specific scenario, are no different than the observer, turned active participant. 

DJ LOSER
Soundcloud: https://soundcloud.com/loser111
Instagram: https://www.instagram.com/00djloser/

PREMIERE: DJ LOSER - Experiment In Noise 1 (Apophenia OST)

Oslo Shitty Dance Music

Mastered by @ctrls
Design by Axel Berggraf Egenæs

1. Fochs Koshka - Derek [@fochs-koshka]
2. Annweiler - Signal of Change [@s-annweiler]
3. Victoria Messor - Feeling [@oprofessionell]
4. dragongirl & Soldal - Tiny Creatures of Light [@dragong1rl @soldal]
5. Slangejente - Tjern [@slangejente]
6. Kim Dürbeck - Ham Choi Vãi Lồn [@kimdurbeck]
7. DJ Spell - you are psychic [@djsp377]
8. Psycheek - Koma [@psycheek]
9. dj mplr - demo01 [@user-591571621]
10. Nusi - Agere [@nusi_p90]
11. Mikkel Rev - Intraterrestrial [@mikkel-rev]

Pre-order ))

*Previews* Oslo Shitty Dance Music [P90-CD002]

LYL w/Wanton Witch

MAGIKA_MENTE was developed entirely as an abstract, theoretical sound experiment — born from a deep discussion about magical and esoteric musical scales. The work explores transitions between Locrian, Dorian, and Mixolydian modes, tuned to 432 Hz, and interwoven with the primal resonance of the didgeridoo in open tuning.

This is not a simple or soft composition: it is vibe coding magic in music, a living grimoire, a Solomonic portal where frequencies become incantations and sound itself becomes ritual. CID available on IPFS
 MAGIKA_MENTE/waves_spirling_up.wav 
added QmcreEudd3a3EVxkuJksXNJsSTAH3VGQ6jmshukVcrvNzh SGL_666_1_help me_MASTER.wav
added QmVBgY89M35QPHhWiBH9gUnc218HwT7q8F3UDqFQAn36bw SGL_666_2_invoco_il_mio_fratello_MASTER.wav
added QmTumbJraxauNGbHthyaJB76MYMThTFjZ171XrjQTK9hj5 SGL_666_3_summoning_my_ethereal_demon_MASTER.wav
added QmYGvhr8mj4WeJEXfqgu2pVkKnURu3tAWkHLxbG6Sv9ono SGL_666_4_waves_spirling_up_MASTER.wav
added QmWDku3CZ4czo76BsQ6r8TcJS86D6rdprGf3QGJmy8DtuN waves_spirling_up.wav
 255.70 MiB / 255.70 MiB [=============================================================================================================================] 100.00%(base) collettivoundersound/BASH_OS/masterr_mmf/master/MAGIKA_MENTE$ 


SGL_666_3_summoning_my_ethereal_demon_

dsundre - 528 its sometimes okay instra v2

Ready 2 Kill [cut]

Ecstatic, dripping dancefloor de(con)struction in the European techno tradition from a Vancouver outlier.

'Void Function' is out June 19th on Sweat Equity.

Pre-order: bit.ly/2YNsFNn

@jodieoverland
@sweat-equity

Void Function

Premiere: Overland - Doubtful [Sweat Equity]

Galass - Olokun

Taken from @doesnt-matter-11's upcoming EP The Cutting Edge Of A Knife, out November 30, 2020, via @hypermedium.

Read: bit.ly/3lqiVTc
Pre-order: bit.ly/3eVGgd8

Having previously released a slew of tapes on labels such as Clan Destine Records and Live Adult Entertainment, Penelope’s Fiancé lands on Hypermedium for his vinyl debut. Hailing from Stavroupoli, Thessaloniki, Penelope’s Fiancé has been keeping over the past few years a fast pace of work, constantly producing tracks and releasing new music, having shaped a unique sound that drifts across the borders of lo-fi, post-industrial and fuzzy techno. The Cutting Edge Of A Knife is the culmination of all these previous excursions, a solid display of his ability to craft emotionally intense tracks, merging a ghostly, gloomy grandeur with squelching percussive patterns.

Mastered by Thomas P. Heckmann and cut by Andreas Kauffelt at Schnittstelle
Artwork by Inhalt

Videorealidad

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