You might find that the piano playing at the beginning seems a little out of tune - that’s because I’m
not using the standard western scale known as equal temperament. I’ve actually tuned the piano in
line with the alp horn, the national musical instrument of Switzerland. It’s a really long (like, several
metre-long) horn with no holes in the sides so it actually plays in a natural harmonic overtone series,
so I think it gives the piano a beautiful clear resonance as well as (to western ears) a sort of gentle
wooziness. The rhythmic elements of the track are inspired pretty much directly by the original, just
translated into a quicker tempo with some added sound design. I’m really interested to hear what

people think!

Wordcolour - Bluster (Djrum Remix)

my set from the last kinetic party playing before upsammy. 

peak time set but tried to keep it slow n sludgy n bubbling b4 upsammy's vortex closing ꩜

music from pessimist, paleman, ghost warrior, dozzy, dyl, konduku, mike parker, clarity, dbridge, judgitzu, t.power

next kinetic party just announced ! >> https://ra.co/events/2127570

Dj wiggles ✼ before upsammy at kinetic ✼ 080325

Next up on The Moth Club label is Stockport's own Joe McBride aka Synkro with his new deep, dub-laced EP, Kings Chamber, out April 10th.

Pre-order: https://themothclub.bandcamp.com/album/tmc018-synkro-kings-chamber-ep
More: www.orbmag.com/music

@themothclub
@synkro

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Premiere: Synkro - Kings Chamber

Subsai & AOS13 reimagine two compositions in a new form.

The tracks were created during joint sessions between 2020 and 2021, and reimagined in 2025.
This release is a subtle homage to trip-hop rhythms and slow, reflective electronics.
It’s a meditation on time, change, and the continuity of the creative process.

“Spine” is a game of contrasts—a balance between restrained aggression and fluid motion. At its core lies a deep, dynamic groove, rooted in slow hip-hop influences yet constantly evolving. Synthetic textures wrap around the rhythmic backbone, forming a dense, organic structure. But just as the track finds its equilibrium, it abruptly shifts—layers of synthesis unravel, making way for a powerful 808 bass, tearing through layers of noise and distortion. In that moment, the track erupts, unleashing its full energy into the low frequencies.

“Frozen Artery” follows a different path. It opens with a crystalline pulse, steady yet restless, moving like a current beneath the surface. IDM textures gradually recede into the background, while the main melody floods the space, like blood coursing through an artery. In its final moments, the melody dissolves completely, morphing into a dense, melodic drone that absorbs the remaining rhythm.

Time has only sharpened their sound.

Subsai, AOS13 - Spine

In a flurry of angular beats and space age synth licks, Livity Sound welcomes Willis Anne to the fold under the guise of a new alias, Foreigner. Operating within the thriving scene around his current base Naarm, Anne brings a live, jammed-out focus to machine-rooted electronic performance that translates into his productions. All four tracks on this new EP crackle with improvised energy, whether it manifests in the dramatic synth shapes on 'Last Peoples' or tangled up in the beat exploration on 'Visible'. At its core, the EP makes its mark thanks to the clarity of Anne's ideas as he swerves the temptation to over-work the sound, ringing true with the immediate, spacious approach of Livity Sound's many-side catalogue.  

Buy / Stream

FOREIGNER - Désintégration

Heliocene

Haunted Planet

my liveset done on the 6th of august 2025, being the support act for Autechre at de Melkweg in Amsterdam 

tracklist 
01.Kton 
02.Bruxa 
03.Lithe (with exm)
04.Ital (with exm)
05.Drature
06.Chroq

photo by Tamara Boon

Roel Funcken live AE 06.08.25

Prayer

Phèdre - Prayer

1. ESA & Narch — Gas (Lurka remix) Tratratrax

Analogical Force welcomes back @moy for his third outing on the label. ‘Ghostware EP’ delivers four tracks that push his hybrid of braindance, acid and electro into bold new territory.

Side A opens with Kernel Panic, a pacy cut that flips between breakbeats and 4/4 drive, punctuated by TR727 whistles and percussion, before Megazone dives into chopped breaks, thick bass and a conversation between a 303 and FM-modulated 101. Together they form a high-energy pairing that refracts rave DNA into something sharper and more futuristic.

On the flip, the title track Ghostware goes widescreen with heavy bass, intricate breakbeat manipulations, the unmistakable Korg M1 piano and soaring melodic acid, all tied together by wistful pads and sudden reverbs. Voidwave closes the EP on a darker, twisted note, with slithering AFX Station basslines, constantly evolving acid, and breaks chopped into timing flips that constantly disorient the rhythm.

With Ghostware, MOY refines his sound while embracing new techniques and sharper contrasts. It’s his most progressive and fully realised work to date for Analogical Force, reaffirming both artist and label’s place at the forefront of modern braindance.
—
PREORDER 12" BLUE MARBLE VINYL + DIGITAL: https://tinyurl.com/4nmdvru8
—
A1   KERNEL PANIC                              05:13  
A2   MEGAZONE                                  04:18
B1   GHOSTWARE                                 05:26
B2   VOIDWAVE                                  04:35
—
C+P Analogical Force 2025. All rights reserved. 
Written and produced by Jonny Moy in Norwich / UK
Mastering by Carlos Koschitzky at Koschitzky Studio, Gijón
Design by Geometric Love, UK
Distributed by Clone, Rotterdam 
—
www.analogicalforce.com

Preorder Now

[AF064] MOY 'GHOSTWARE EP' [2025]

A rare example of 12th century Aquitanian polyphony. Performed by Ignea Strata, May 2018.

Haunted Planet

AKASHA SYSTEM

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