From COMME des GARÇONS 1988 AW Paris Collection Music

Seigen Ono - Julia

Pawel Szymanski - Eals (Oomsu)

R.I.P. Marlene

「COMME des GARCONS SEIGEN ONO」のDISC-2
サイデラ・レコードで一番人気のアルバムでした。残りわずかですがアマゾンSACD Hybrid あるようです。近日DSD配信も予定しております。

↓↓↓
http://www.amazon.co.jp/dp/B0012VUYLG

featuring MARLENE

☆　PASTORINHAS 　
☆　BANDEIRABRANCA 　
☆　MASCARA NEGRA　　
Recorded at multi studios, Rio de Janeiro, February 1988
Strings recorded at 39th ST. Music, New York, March 1988
remixed at Platinum Island, New York, January 1989
Marlene: vocal / Armando Martinez: piano / Nelson Martins: trombone Helcio Brenha: saxophone / Jayme: trumpet / Mentirinha: percussion Joaquim Henriques: drums / Aldemir Bruzaca: bass, backing vocal Pedrinho Rodriguez, Marcia Regina and Marlene fan club: backing vocals Jill Jaffe: viola, violin / Maxine Neuman: cello
Seigen Ono: strings arrangement, percussion

Pastorinhas   Bandeira Branca  MARLENE (SEIGEN ONO CDG2)

The Piano Teacher

Why be Good

Created on may 1-09, 2003/ HEADPHONES RECOMMENDED
петр лещенко\ ives montand\ леонид утесов\ клавдия шульженко\ bill laswell\ george gershwin\ нина русланова\ вадим козин\ rachel's\ виноградов\ bill frisell\ изабелла юрьева\ tarwater\ future sound of london\ 2 lone swordsmen\ vangelis\ serge gainsbourg\ astor piazzola\ seigen ono\ kimmo pohjonen\ bernie worrell\ edit piaf\ tuxeedomoon\ hector zazou & others undiscovered cuts and artists...
created\ compiled & mixed by dmok on may 1-9, 2003/

RetroMix 2003

Koyaanisqatsi

gravados por Seigen Ono em seu estúdio em Tokyo

2017 - 05 - 26 9624 JM In Tokyo Session 1

Autobahn Demo

@chris-dammeyer: VOYAGES SESSION 13 is a tribute to the pioneers and current-day ambient musicians of Japan, including Haruomi Hosono, Hiroshi Yoshimura, Ryuchi Sakamoto, Seigen Ono, Geinoh Yamashirogumi, and more. A story told in the Japanese Kishōtenketsu narrative style, each of the four acts of this mix progress in the Joh-ha-kyū method of Japanese Gagaku court music: “beginning, break, rapid.”

Tracklist: 

1 - Geinoh Yamashirogumi - Primordial Germination
2 - Yoshio Ojima - Entomology (Misfortune)
3 - Yas-Kaz - Jungle Book
4 - Hiroshi Yoshimura - Surround
5 - Yoshio Ojima - Flius
6 - Forrest Fang - Passage and Ascent
7 - Uchu - Inochi
8 - Japan Blues - Tepco Shareholder
9 - Geinoh Yamashirogumi - Falling As Flowers Do / Dying a Glorious Death
10 - Michiru Aoyama - [untitled] 
11 - Ryuichi Sakamoto - Kokubousoushou
12 - Eitetsu Hayashi - カラビンカ (Karabinka)
13 - Love, Peace and Trance - Ho’ola
14 - Katsutoshi Morizono - Imagery
15 - Meitei / 冥丁 - Aoyagi / 青柳
16 - Haruomi Hosono - Rajyoumon
17 - Haruomi Hosono - Samidare Goma Kitou
18 - t e l e p a t h テレパシー能 - 時間の波紋
19 - Geinoh Yamashirogumi - Agba’a
20 - Ryuichi Sakamoto - A Carved Stone
21 - Akira Ito - Love
22 - Akira Ito - Cultivate the Teachings and Meditate Upon Them
23 - Eitetsu Hayashi - バクオン (Roar)
24 - Geinoh Yamashirogumi - Reincarnation (Part 1)
25 - Love, Peace and Trance - Solaris
26 - Yutaka Hirose - Epilogue
27 - Masami Tsuchiya - In Time / Out of Time
28 - Hikashu - Untitled
29 - Seigen Ono - Mallets
30 - Geinoh Yamashirogumi - Reincarnation (Part 2)

Artwork by Tadanori Yokoo

Voyages - Session 13

Session 13 - Chris Dammeyer

For full tracklisting and @meiteijapan's latest release on @eveningchants click here: https://bleep.com/bleep-mix-81--meitei

Meitei’s 2018 album Kwaidan was one of the year’s slow-burning successes. Originally released on cassette through Evening Chants, Kwaidan’s reputation eventually grew to such an extent that it was named one of the year’s best experimental albums by Pitchfork. To coincide with the first time vinyl release of Kwaidan, we have a mix from Meitei to share with you for Bleep Mix #81.

Meitei says - ’This mix is based on some old Japanese music that I have picked with the current Meitei theme of the “lost Japanese mood” as a reference. I remixed and edited the traditional music in my own style. 

There are places in Japan where the scenery expressed in this mix still survives. What will they look like in the new Japanese era “Reiwa”? At least I think it’s interesting to personally edit the footprints of the previous era to make such a mix. This made it possible to touch a world that I don’t even know.’

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