AlunaGeorge & Kaytranada - Kaleidoscope Love (Bleu Clair Edit) is OUT NOW : https://www.toneden.io/bleu-clair-3/post/alunageorge-kaytranada-kaleidoscope-love-bleu-clair-edit

BLEU CLAIR DEBUT NORTH AMERICA TOUR
Tickets: www.bleuclairmusic.com

OCT 8 THE VANGUARD, ORLANDO, FL 
OCT 9 WEBSTER HALL, NEW YORK, NY
OCT 10 SHADY PARK, TEMPE,AZ
OCT 15 IT’LL DO CLUB, DALLAS, TX
OCT 16 SPYBAR, CHICAGO, IL
OCT 22 EDC LAS VEGAS, LAS VEGAS, NV
OCT 29 DUSK TO DAWN, THE MIDWAY, SAN FRANCISCO, CA
OCT 30 BOO!, WAMU THEATER, SEATTLE, WA
NOV 6 AURA NIGHTCLUB, KANSAS CITY, MO
NOV 11 TEMPLE, DENVER, CO
NOV 12 ACADEMY, LOS ANGELES, CA 
NOV 14 SEISMIC DANCE EVENT, AUSTIN, TX

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FREE DOWNLOAD

AlunaGeorge & Kaytranada - Kaleidoscope Love (Bleu Clair Edit)

Music: Triinu Taul
produced by: Triinu Taul
From album "Maa hääl"/ "Sound of Earth" 2014

Uni tule silma peale/ Lullaby/ (Kihnu) Trad.

ZULAN Mix

Bandcamp

Judeline - Mangata (Broken Lip Re-Work)

Forging a distinct narrative, Arto is one of the finest story blacksmiths. 
@artoarto

ost ℰuro // 2025

ost ℰuro ₁ arto

Free Download

girl, so confusing ft lorde (Shankz Remix) [FREE DOWNLOAD]

I Land Sound x IDA – Calabasa 11.07.25

Artist - Dele Sosimi Afrobeat Orchestra, Laolu
Label - Innervisions

https://pro.beatport.com/track/too-much-information-laolu-remix-edit/7360974

Dele Sosimi Afrobeat Orchestra - Too Much Information (Laolu Remix) Edit

<3 on Hypem: http://bit.ly/2i0d45y

Follow Thomas Jack:
http://facebook.com/thomasjackmusic/
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<3 on Hypem

José González - This Is How We Walk On The Moon (Thomas Jack Remix)

lights are turning on
so we
feel the need to disappear
back right to where we belong
hasn’t really been that long since 
we pleaded
to break free
from all the pain they made us feel
returning
yet still yearning
for something else that we can’t reach 

lights pulsating
in the dark
and your silhouette
is stark 

let’s take the time
to clear our minds
to kill the lights
and let us shine

now you’re here
to guide me through
to help me reach
the shining moon

you say you care
but don’t you dare
to let me down
please stay around
  
look me in the eyes and see
how much fear i’ve got in me
fighting off these endless tears
distance between us was in
light years
but now you’re here
these long cold walks 
is all it takes to
see clearly
how it feels
to long for something we can’t reach

lights

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

lights

st.tekla

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White Gloss

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