I Just Wanna Drink Prosecco By The Pool With Djgr3y And Homoc1d3 (free download)

Dedicated to the Vain and the people who held me down along the way

Antiskeptic (Slikback x Nick León)

Prolific Japanese producer T5UMUT5UMU has built up a reputation in the last few years for his ability not just to recreate club styles but to flip them into almost unrecognizable dancefloor hybrids. "Sea of Trees" follows a blistering run of Bandcamp releases where T5UMUT5UMU has melted together gqom and techno, deconstructed grime and welded dubstep to traditional music from Japan and India. Here, he's operating completely off the grid, pulling raw materials from across the globe and hammering them into confounding shapes and patterns.

On its surface, 'Fireball' sounds like a liquid metal approximation of South African gqom, but move in closer and you can make out dubstep bass squelches, trap hats, and industrial techno jet propulsion filling in the gaps with rubberized mortar. 'Desert' is the EP's most lightheaded cut, a psychedelic percussive spiral that curves micro-tuned mbira clangs around bee sting bass, aerated noise blasts and sub-aqueous kicks. It's a hard track to place, but fits in somewhere between Donato Dozzy, Menzi and 33EMYBW, all shifting rhythms and precision-edited sound design.

'Sea of Trees' retains this momentum, pushing the tempo and interspersing woodblock vibrations with syncopated bass drums and goosebump-inducing synths, while closer 'Bottomless Valley' shifts back into a gqom framework, shuffling the expected pulse with a powerful dembow swing, half step subs and Indian-inspired rattles. "Asyl" is a varied but shockingly coherent statement from an enigmatic producer who refuses to confine himself to a single path, and at a time when "cross-genre" is the norm rather than the exception, it's refreshing to witness a producer who's unafraid to truly make stylistic left-turns, rather than simply mash together top-level aesthetics.

Sea of Trees

@endless_mow's coming through with the mutant, bass-forward incursions for @all-centre-504822953.

Big percussive ballistics on a label gaining reputation as a fertile breeding ground for dancefloor hybridity. It’s a return to the split EP format and a second foray into vinyl territory, complete with solo productions from EM and co-founder Simkin.

Harnessing piquant arpeggios and rapid-fire snare rolls to deadly effect, opening track ‘Spawning Pool’ sets the pace.

Pre-order: allcentre.bandcamp.com/album/acenv002

ACENV002

Premiere: Endless Mow - Spawning Pool [All Centre]

READ > https://inverted-audio.com/premiere-daser-salt-rock

Presenting their first ever release, Dublin-based imprint @reasons-to-dance enlist eight producers to contribute to the shape-shifting sound of dance music on their forthcoming various artist compilation ‘SUNROOM001‘. @djdaser1

SUNROOM001

Salt Rock

Dåser - Salt Rock [Reasons To Dance]

Danke an meine Freundin für dieses wunderschöne Bild ♥️

Tanzt mit uns

Fireheart

pulse

Artist: @galtier
Catalogue Number: IM079
Album: Dancing On Ruins
Release Date: July 31st, 2020
Format: Digital
Artwork by @benfikaa
Mastered by Kamil Sarcowicz

Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works.

‘Dancing On Ruins’ is characterized by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature.
‘
Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo.

The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach.

Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverising and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast.

Tracklist:

1. Scuffed Souls
2. Precious Quartz (To Reave)
3. Dancing On Ruins

Dancing On Ruins

Galtier - Precious Quartz (To Reave)

u can buy here  :~)
https://hi-nrg.bandcamp.com/album/diessa-ep

Produced by Diessa.
Mixed down by Diessa and Joe Craven.
Mastered by Mor Air.
Artwork by Ryan Huff.

I Just Wanna Drink Prosecco By The Pool With Djgr3y And Homoc1d3 (free download)

st4cey4101

Recent comments

smileyworld

Golden Kong

Related tracks