Great to hear new work, waiting in anticipation for more <3

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I've been working on some new music with Tom Hodge, combining piano and electronic elements - the first track preview is below, with the full release coming 20th April.

For this track we made the drums from clanging around inside a broken piano, and then applying some complex editing, so they have an interesting partially live feel, even though rhythmically they are very electronic.

The piano came from a live jam over an initial chord structure, then lots of editing to find that one simple little hook in there. It felt like a reflective piece of music to me, invoking memories, so we chose "remnants". Nick Cobby has taken the concept further with an amazing music video, coming soon!

Pre-order the EP or get Remnants now > http://hyperurl.co/MCartefactEP

Buy Full Length

Remnants - with Tom Hodge - Preview Clip

KH - BACK2THESTART

More info:

Full stream of 'Landslide Pt I,' Landslides debut EP.

Landside - Still There (Max Cooper Remix)

Available now:

itunes: https://itunes.apple.com/album/digital-arpeggios-single/id1033225258

bleep: https://bleep.com/release/63447-percussions-digital-arpeggios

Artwork by Tallulah.

Percussions - Digital Arpeggios

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

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