pre-order 2x12": https://clone.nl/item30212.html

D2 St. Sinclair

3 PSTRYK- SNAP

you're in my dreams

Henry Wu adds syrupy pads & broken beat shuffle to Werkha's soulful original, lifted from his new single 'The Invincible'.

Read more: http://www.stampthewax.com/2015/10/01/premiere-werkha-sidesteppin-henry-wu-remix/
Watch on Youtube: http://bit.ly/wu-werkha 

Follow:
@wuesli
@werkha
@bryony-jarman-pinto
@tru-thoughts

Listen on Youtube

Werkha (feat. Bryony Jarman-Pinto) - Sidesteppin' (Henry Wu Remix) (STW Premiere)

spuoɯɐıp sǝʞɐɯ ǝɹnssǝɹd
1 Fruits and Flowers 
https://www.youtube.com/watch?v=oQaXNB0TWJ8



Presure Makes Dimonds (Video in Description)

'Broken Knowz' Out Now -
Technicolour / Stream / Download: https://jaydaniel.lnk.to/knowzSo

Taken from 'Broken Knowz' released 25th November 2016 via Ninja Tune's Technicolour imprint.

Follow Jay Daniel -
Facebook: http://found.ee/jayd-fb
Twitter: http://found.ee/jayd-tw
Instagram: http://found.ee/jayd-ig
Spotify: http://found.ee/jayd-sp

Broken Knowz

Jay Daniel - 'Paradise Valley'

Back behind the drums and swinging harder than ever, with his new titanium hip crowdfunded by the immense generosity of friends and fans, brazilian drumming legend and one third of Azymuth Ivan ‘Mamão’ Conti releases a brand new solo album next year with Far Out Recordings. It’s his first solo release in over twenty years and the first to come out on vinyl since his 1984 Milestone classic The Human Factor. As people of earth may not quite be ready for the explosive cosmic samba of Mamão’s new album just yet, we’re easing into it with a double header of heavily percussive, future-centric, jazz-minded, yet club-ready remixes. 

Following on from the IG Culture meets 22a remix EP released earlier this year, the second remix 12” ahead of Mamão’’s album release, hosts three producers united not only by a foundational appreciation for the work of Ivan Conti and Azymuth, but also in the belief that there’s much more to dance music than straight four to the floor. These are two of Germany’s most consistently on-fire producers: Money Sex Records buddies Max Graef and Glenn Astro, along with the ascendant Mancunian producer/percussionist Contours. With Mamão’s famously jovial character shining through each remix, the EP spans hip-hop, deep house, jazz-funk and afro-brasilian rhythms, giving the listener a taste of what’s to come from Mamão’s much anticipated new album in 2018.

Ivan Conti- Azul (Contours Remix)

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

When The Expansions self released their first single in 2013, the laid-back jazz funk of Lavender, it quickly gained strong support from soul and rare-groove aficionados including Kenny Dope, Dom Servini, Patrick Forge and Andy Smith. A run of shows followed and before long, when someone was asking if there was a soul-jazz band around to play with, “The Expansions” was the answer. 

Although this popularity meant a hiatus in releasing music, the band have been constantly busy, playing around Europe with legendary British-Ghanaian soul singer, Andrew Ashong and the exceptional, upcoming talent Connie Constance. 

There has also been a breakout project from drummer Jonny Drop - the album Sub Plot gained massive support and love from BBC Radio 6 Music’s Lauren Laverne. While keys-man Dave Koor has been busy playing shows with Gilles Peterson favourite Hector Plimmer, Shaun Escoffery, and Ego Ella May, improvising with Yussef Dayes (Yussef Kamaal) and Nubya Garcia, releasing music as Deoke and collaborating with label-mate Scrimshire on their Modified Man exploration. 

But always, The Expansions has remained a central focus and the true home of these four jazz and soul lovers, with occasional trips out to the country to form ideas and practice new music for the eventual album. 

Murmuration, recorded over three days at Big Noise in Southend, is constructed of single takes, with minimal overdubs, as the band attempt to capture the feeling and energy they create live. 

Debut single Breakthrough introduced the insanely catchy but deeply soulful blend of synths and groove, but here on the album that is explored to the fullest with longer breakdowns and more expansive, experimental solos. Pocket 5 displays the, possibly unexpected, influences of broken beat and almost combative rhythm playing – particularly in the complex guitar and keys breakdown where Koor and O’Keefe layer conflicting time signatures and battle to ride it out to the heavy drum return. 

Cannonball brings warm mellowness that delicately evolves through beats, touching on bossas alongside their fundamental hip-hop sensibilities. But even here there is a raucous zenith before the band sublimely recede into the silence of the a-side ending. 

Colossal album highlight Ivory Mountain is truly an epic. Evoking moments of 4Hero, there is a lightness of groove in the first half of this soulful exploration. But at the halfway point, all restraint is let go as a live string section joins the four quarters of the band for three glorious minutes of soulful disco. Evoking sounds of Quincy Jones, George Benson and Johnny Hammond, all the way through to a beautifully cacophonous finale. 

Dragonfly undoubtedly reflects on the work of Herbie Hancock and is the most direct throwback to the band’s earlier work, which is a welcome marker of how far they have come. A quintessential jazz funker. 

The album closes with the thoughtful and introverted shuffle of Miles Away. In the final eight minutes of Murmuration, The Expansions allow space and time to take precedence, with once-more-restrained peaks and developments. It becomes clear though, that the band cannot resist one last explosive finale, as they rise with screeching synths, strings and dubs for a perfect race to the finish line. 

You can hear the influences of Idris Muhammad, Grover Washington, even parallels with South London peers Yussef Kamaal and Ruby Rushton. But The Expansions have tirelessly worked to create a sound of their own and are very proud, along with label Albert’s Favourites, to finally share it.

Murmuration

Miles Away

New Dreamcast!
Out 9/28

USA pre-orders: https://bit.ly/2Ciito1
EU/World pre-orders: https://bit.ly/2Q6KH8b

DC's Dreamcast continues to effortlessly flow across 7" wax, following his stellar releases on PPU. He goes in again for Future Times, with Max D on production. "Outer Space" is a wistful electro cruiser and "Up 2 U" gives off visions of walking home really early in the morning, confused and happy.

Written and produced by Dreamcast & Max D at Future Times. Up 2 U features Will DiMaggio on piano and DJ EAZ on bass. Mastered by Dietrich Schoenemann. Photography by Flash Frequency.

Outer Space b/w Up 2 U

Dreamcast - Up 2 U - FT047

@alfamist and @richardspaven explore a shared love of Broken Beat and Hip Hop on their new project, 44th Move. Out on @black-acre-records.

Read More & Buy: http://www.stampthewax.com/2020/04/16/premiere-44th-move-two-nil/
Listen on Youtube: https://bit.ly/44thmove

44th Move

44th Move - Two Nil (STW Premiere)

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

44th Move - Two Nil (STW Premiere)

Stamp The Wax

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