This was Fixing the whole Earth not just Scotland 

BKO Quintet’s music is born from a meeting between five established artists.
This gathering provides a journey into the heart of the contemporary Mali. 

Ibrahima Sarr, powerful percussionist, masters with ease the sounds of the djembe drum and has traveled the world alongside Oumou Sangare.  Fassara Sacko whose voice takes you from aback, differs from other griots in traditional celebrations. Yoro Sidibé’s grandson, Nfali Diakité , with his infernal « tournes », also sings and plays his donsongoni in animist ceremonies celebrated by his peers.  Abdoulaye Kone, master of djelingoni develops a unique psychedelic style.  He is the descendant of Djeli Baba Sissoko, and has been solicited before this quintet by great artists like Tiken Jah Kafoly, Salif Keita to tour outside of the Mali borders.  Finally Aymeric Krol, experienced of internationals stages grooves on its strange drums. For the past 10 years he often settled in Bamako where he worked with several artists. Today, his encounter with Ibrahima Sarr gives birth to the project: BKO Quintet.

The first EP recorded « Live » in January 2012 in Bamako in the popular district of Medina Coura.  In the new edition, some tracks recorded in January 2013 have been added to the EP. The present arises from the past, this « inhabited » music is far from the « World » standardized sound.

After a European tour of 25 dates, BKO QUINTET decides to return in the studio during their tour to record a debut album that will be available in 2014.

03 Strange Wassolon

Rokia Traore - Laidu

Toto Bona Lokua

Help Me

Help Me - TOTO BONA LOKUA

75 Dollar Bill
Wood/Metal/Plastic/Pattern/Rhythm/Rock
Order: https://goo.gl/lgr7Iq

tak:til
a glitterbeat label
www.glitterbeat.com

The NYC based duo of Rick Brown and Che Chen, creates hypnotic, pulsing music that weaves an ecstatic line from raw electric blues, Arabic modes and entrancing folk minimalism back to the streets of New York.

“New York’s 75 Dollar Bill are an astonishingly potent next stage in an ongoing cultural exchange…magnificent; like a gnawa ritual that’s been convened by Junior Kimbrough.” – Uncut (75 Best Albums of 2016, #32)

“The instrumental duo of Che Chen and Rick Brown have been blowing minds on the East Coast live circuit with little more than an electric guitar and a wooden crate rhythm section.” – The Wire (Releases of the Year, #16)

"Gloriously mind-frying, ritualistic splatter of Zen blues and Arabic and African music-influenced riff-rock repetition that shows Brown and Chen expanding their lineup with sax, violin, bass and second guitar. The sound may be bigger with a sweeter shine yet it remains unmistakably 75 Dollar Bill: epically shambolic, thrifty and jazzy guitarscapes dripping of ecstatic hypnotism." 
– The Observer (The Best Experimental Albums of 2016 - So Far)

"It’s hard not to slip into ridiculous hyperbole when it comes to 75 Dollar Bill. Best band in New York City? Best band in the USA? Best band in the universe?...they’ve definitely nailed down a thrillingly original sound. -- Aquarium Drunkard

Wood Metal Plastic Pattern Rhythm Rock 

Wood/Metal/Plastic/Pattern/Rhythm/Rock

75 Dollar Bill - Beni Said

Orchestra Baobab ‎– Bamba

Orchestra Baobab - Mouhamadou Bamba

Orchestra Baobab - Mouhamadou Bamba(NiBa Edit)

20 minute, funk modulations from Soweto, inheriting the spirit of Fela and Batsumi, the conscience of hip-hop and the energy of punk-rock. A sound BCUC have coined themselves as Africangungungu. Taken from their second album Emakhosini on Buda Musique.

Read more & buy: http://www.stampthewax.com/2018/03/09/premiere-bcuc-moya/
Listen on Youtube: http://bit.ly/bcuc-moya

Emakhosini

Listen on Youtube

BCUC - Moya (STW Premiere)

Akalé Wubé songs from the album "Mata" available for streaming.

Maryé

Taken from the album "Matchowé"
Seminal Manding-Jazz session from the leading saxophonist of Guinea’s golden age. 
Recorded in 1991 and unavailable on vinyl until now, “Matchowé” is one of the most important “Afro Jazz” sessions recorded - the culmination of a lifetime’s work investigating the intersection between the American jazz tradition and the traditional rhythms of Guinea. 

Drawing influences from Charlie Parker and John Coltrane and blending them with the rhythms of the Soussou and Bagas ethnic groups of Guinea, Momo 'Wandel' Soumah (1926-2003) created a timeless sound over a 5-decade career that still resonates today. 
Starting out playing the banjo in regional orchestras before moving to Conakry and teaching himself to play the clarinet in 1951, he came to the fore as part of the successful band Keletigui et ses Tambourins in the 60s - part of President Sekou Touré’s mission to revalorize traditional Guinean music by blending it with (similarly-communist) Cuban rhythms for the state-run Syliphone record label. With the beginning of the second Guinean Republic in 1985, Momo brought his life-long love of jazz to the traditional rhythms he had spent so much time researching. 

Matchowé is not the first time this musical mixture had been attempted by Momo – he played and important part in the seminal 1976 “Musiques sans Paroles” album on Syliphone, Guinea’s state-funded record label – but it is perhaps his defining statement.

Matchowé

Buy Vinyl & Digital

Afro blue - Momo Wandel Soumah

VISIONS OF SELAM
Arat Kilo / Mamani Keïta / Mike Ladd

02 - Arat Kilo - Dou Coula

Badjourou

Five fresh flavours of a live recording session.

Guadeloupe

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

BCUC - Moya (STW Premiere)

Stamp The Wax

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