From my upcoming EP 'Not All The Stars'

May 14th on On the Corner Records

https://onthecornerrecords.bandcamp.com/

A1 - Not Around

This Ain't Jazz No More 

Premiere: Divorce From New York - Where Memories Live

The Barcelona-based record label Canela En Surco is set to release "Un Nuevo Amanecer" (A New Dawn), the first collaborative album by the talented up-and-coming artist Pedro Ricardo and the master of candombe broken beat, Damián Botigue.

MIMS has the exclusive to share with you, the final tune on the record - Cerca de Mi.

140 gr. LP with an insert

Mixed by Luis Neto
Mastering by Ángel Álvarez
Artwork by Javi Bayo

OUT JUNE 16th

Exclusive Premiere: Pedro Ricardo & Damián Botigué "Cerca de Mi" (Forthcoming on Canela En Surco)

Beautiful calm  gentle melody about the blue sea

Beautiful Sea

Glossy (Unreleased)

Da Don

One of the more balearic, lower tempo picks on 3AM Spares, the new compilation from Andras and Instant Peterson on Efficient Space. Hazy bleeps, piano stabs, wistful trumpet and tasteful guitar sounds like a collaboration between Jose Padilla and Higher Intelligence Agency.

Read more & buy: http://www.stampthewax.com/2018/11/01/premiere-ian-eccles-smith-the-slaughtering-eye/
Listen on Youtube: http://bit.ly/ian-eye

Andras & Instant Peterson present 3am Spares

Listen on Youtube

Ian Eccles-Smith - The Slaughtering Eye (STW Premiere)

With pleasure, ILIO presents Midnight Tenderness the B2 off ILIO001 from our friend and lord of licks @midnighttenderness.

Midnight Tenderness continues to solidify his presence within the Australian music scene following contributions via ‘Ken Oath’ and ‘OTIS’ records, as well as continual growth via his partnership with ‘Rings around Saturn’ as the iconic ‘Turner Street Sound’. ILIO001, his first release on the new imprint, ILIO, explores areas of funk, dub and 80’s synth pop, melding warm chords, powerful basslines and captivating drums. An essential for the conscious listener and the caring DJ.


ILIO Records, founded and curated by Hank YM in Melbourne, Australia. Made for those aiming to dig a little deeper and dance for a little longer.

Limited to 300 copies, made and mastered with love - ILIO

*Premiere* Midnight Tenderness - Cascada

Grab the whole thing at https://saine.bandcamp.com  •  Now also on Spotify

https://www.discogs.com/Saine-So-Far-So-Good/release/13573946

BEAT TAPE: So Far So Good [teaser]

buy there : https://rolandtings.bandcamp.com/album/first-wave

Since 2012, Melbourne’s Rohan Newman has recorded as Roland Tings, bringing his now trademark organic touch to the dance and electronic community. Following last year's sun-soaked album Salt Water, the producer returns with a new EP, First Wave. Rather than following suit of the highly collaborative album that preceded it, First Wave signals a return to Newman’s instinctive and solitary approach to songwriting, the same ethos that guided him while crafting his earliest Roland Tings material.

Drawing inspiration from his coastal surroundings, First Wave is liquid, malleable and oil-slick. Opener “Lights on the Headland” pulses with acid chirps and inky synths. “Down The Line” and “Orange Circle” take a softer focus, their melodies peeking out from a humid haze like sunbursts through the marine layer. The title track captures the essence of the EP — a feeling of euphoric come-up — before the closing track “Leaving” brings the pace down, gently undulating at a slower tempo as if underwater.

The sonic throughlines on First Wave are clear: drum machines and 80s snare, swirling pads with rolls of bass, and glittering arpeggios that channel shimmering sea creatures under the water’s surface. Like liquid, it all seamlessly flows, but it’s an undercurrent of intuition and melody that unites the music as distinctly Roland Tings.

First Wave

LISTEN ON YOUTUBE

PREMIERE : Roland Tings - Leaving

Jesse Futerman makes his Pacific Rhythm debut with a life-affirming slice of music lovingly crafted in Canada’s French quarter in the summer of 2019. On "Luckey," the Montreal producer reunites with his good friend Beverly Glenn-Copeland — a Canadian music legend whose keyboard-inflected outsider folk has been making waves across the world recently — and a cast of guest musicians for a song full of vibrant emotion and plush instrumentation, as Futerman works with an ensemble incorporating cello, saxophone, bass, and vintage hardware to great effect. 

There's a melancholy tinge to the swooning synths, but the infectious vocals and pitter-patter drums are uplifting and reassuring. "Luckey" is the kind of track that just radiates contentment, joy and gratitude — Futerman himself says he teared up laying down Justin Wright's cello, which gives you an idea of the vibes contained herein. 

The release also comes with a beautiful reimagining from Peaking Lights, who puts a dubbed-out spin on the track, like '80s post-disco via '90s Afro-cosmic Ibiza tracks, rounding off an EP whose classic touch and classy arrangements will surely elevate any individual who is Luckey enough to cross paths with it.

Jesse Futerman Ft. Beverly Glenn-Copeland - Luckey

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Ian Eccles-Smith - The Slaughtering Eye (STW Premiere)

Stamp The Wax

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