The Rain - Judohampe

flying

New Zealander Julien Dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. Best known for his solo work as BBE and having worked with the likes of Theo Parrish, Steve Spacek, Andreya Triana and Lord Echo - one of Soundway's most successful artists.

To be released on digital and double vinyl on 19 October 2018 on Soundway Records

Teal

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Julien Dyne - Copernicus

New Dreamcast!
Out 9/28

USA pre-orders: https://bit.ly/2Ciito1
EU/World pre-orders: https://bit.ly/2Q6KH8b

DC's Dreamcast continues to effortlessly flow across 7" wax, following his stellar releases on PPU. He goes in again for Future Times, with Max D on production. "Outer Space" is a wistful electro cruiser and "Up 2 U" gives off visions of walking home really early in the morning, confused and happy.

Written and produced by Dreamcast & Max D at Future Times. Up 2 U features Will DiMaggio on piano and DJ EAZ on bass. Mastered by Dietrich Schoenemann. Photography by Flash Frequency.

Outer Space b/w Up 2 U

Dreamcast - Up 2 U - FT047

A new single from Harvey Sutherland, recorded in London. 

Tenor Sax: Nubya Garcia 
Drums: Kahlil Memphis 
Double Bass: Michael Shrimpling 
Keyboards: Harvey Sutherland 

Written, recorded, arranged and produced by Harvey Sutherland in London and Melbourne 
String arrangements by Harvey Sutherland and Tamil Rogeon 
Strings recorded at Smecky Music Studios, Prague 
Mix engineer: J. David Franzke 
Mastering engineer: Wouter Brandenburg at Brandenburg Mastering 
Lacquer cut @ Schnitstelle 
Artwork: Nicko Phillips 

A Clarity Recordings Release

Amethyst Ft. Nubya Garcia

Liquid Saloon

Premiere: Liquid Saloon - Gueta (featuring Nitai Hershkovits)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Melbourne outfit @karate-boogaloo flip Mtume's 80s hit into a wonky, mellow synth jam. Out on @hopestreet-recordings.

Read More & Buy: http://www.stampthewax.com/2019/08/21/premiere-karate-boogaloo-juicy-fruit/

Karate Boogaloo - Juicy Fruit (STW Premiere)

life is a gamble

mini jass

Preview from the upcoming 1st release of the RED STRIPE DISCO serie.
Track mastered @ Ebony Cuts

Soon on very limited 7" record!

Watch the trailer here:
http://www.youtube.com/watch?v=f5YFzQ5kM0g

In Love - Waxist Edit (Red Stripe Disco 001) * Sold Out!

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Karate Boogaloo - Juicy Fruit (STW Premiere)

Stamp The Wax

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