Telemachus 'Locust' (Henry Wu Remix)
Taken from the digital single available now from:
https://ynrproductions.bandcamp.com/album/locust
https://itunes.apple.com/gb/album/locust-single/id933807697
and more!

Original version appears on the album Telemachus 'In Morocco'

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Telemachus 'Locust' (Henry Wu Remix)

03 - I CAN SHOW YOU HIGH

Led by Tenderlonious, Ruby Rushton deliver their second album for 22a fuelled by a love of Coltrane, Yusef Lateef, Fela Kuti, Slum Village and Sa-Ra. 'Elephant and Castle' roots their undeniable London sound in samba influences.

Read more & buy: http://www.stampthewax.com/2017/05/04/premiere-ruby-rushton-elephant-and-castle/
Listen on Youtube: bit.ly/elephant-and-castle

Listen on Youtube

Ruby Rushton - Elephant & Castle (STW Premiere)

A loose and easy guitar solo launches “Summer Breeze On A Summer Night In Between The Shadows Of Winter,” a “desert rave,” according to Lontalius. He and UhAhUh remember dancing around the studio to this six minute-long Afrobeat-tinged jam, and why not? Funky and expansive – especially when Emma-Jean Thackray’s trumpet solo blurts triumphantly – this is exactly the kind of song you want to wriggle into your ears as you throw back your head and gaze at a starry sky.

Apply now for Red Bull Music Academy Berlin 2018: redbullmusicacademy.com/apply

Various Assets – Not For Sale 2016

UhAhUh, Lontalius, Emma-Jean Thackray - Summer Breeze On A Summer Night In Between The Shadows

For more information on the release and how to purchase it click below:

http://www.musicamacondo.com/2018/02/premiere-hector-plimmer-sunshine-emma-jean-thackray-remix/

Sunshine Remixed

Premiere: Hector Plimmer - Sunshine (Emma-Jean Thackray Remix)

** PRE-ORDER **
https://tenderlonious.bandcamp.com/album/the-shakedown-featuring-the-22archestra

Yussef’s Groove kicks off with driving drums, and each of the 22archestra enter steadily, fully utilising their virtuosic power, switching between low-slung bass, chic open piano solos and hazy electric piano.

The Shakedown

Yussef's Groove

YUSSEF’S GROOVE

Taken from the debut Kamaal Williams LP 'The Return'
Buy / stream here: www.smarturl.it/kw-thereturn

The Return 

Kamaal Williams - High Roller

Liquid Saloon

Premiere: Liquid Saloon - Gueta (featuring Nitai Hershkovits)

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

mini jass

www.duvaltimothy.co.uk
@duvaltimothy
"DUKOBANTI" 2012

10 - Ghostnotes (Feat Bernard Purdie) DUKOBANTI

The In Sound From Way Out 

Residents: @aaronl_dj ≈ @original-hp ≈ @miazs-1 ≈ @peachystw ≈ @rosie-ama-cain ≈

Ruby Rushton - Elephant & Castle (STW Premiere)

Stamp The Wax

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