gotta love that guitar based lick taken onto another instrument. respect

beautiful control over pace and accent through here

Another great song by @candyside-arcade that I have had the privilege to interpret and sing. 

Do listen to @candyside-arcade's fun, energetic and life-affirming songs.
https://soundcloud.com/candyside-arcade/hiding-in-plain-sight   One of my many favourites.
P-line:
℗ @ Candyside Arcade & SuZanne Ledwith
I, think much more today
About it is I stand to lose
More than what I could gain
When I kneel down to pray
About what it is that I must to choose
To keep the pain at bay

Open my mouth to say
About what seems the most confused
When it could be so plain
I think much more today
About what I stand to lose

What I stand to lose

When I kneel down to pray
About what it is I stand to lose
More than what I can gain
Open my mouth to say
About what it is that I must choose
To keep the pain at bay

I think much more today
About what seems the most confused 
When it could be so plain
And when I find a vein
I know what I stand to lose

What I stand to lose

What I Stand To Lose

Describing the feeling of war and being on the road to new destinations

https://open.spotify.com/track/2HKICtb3tWu8uNszAFChmr?si=9nDvKoCHQlaWH-IsKui7uw

Broken Silence

“Third Passacaglia for String Orchestra” was completed in August, 2022 in Fairview, TX.  The work is in one movement. Performance time is about 10 minutes.  

Printed and electronic copies of the score and parts for this work are available from www.CreativeSpiritOnline.com

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

View/Purchase Score

Third Passacaglia for String Orchestra - "Appassionata"

Usher Valse by Nikita Koshkin

One of my favorite tracks in recent times. You can listen to the original composition here: https://soundcloud.com/oraafat/remember (as well as the rest of Omar's great music). I fell in love with the mood of the original, the emotions it evokes and, of course, the beautiful melody. And so I decided to try to make my own version. Thank you Omar for such a wonderful work and for allowing me to interpret it in my own way. I hope I did well :)

Omar Raafat - Remember (Junai Niyane's Orchestral Version)

I threw out all your balloons 
I can’t believe all the things I did for you 
I burn all your balloons 
Can’t believe what I did for you 
All that I stayed for 
All that I begged for 
When you knew 
I’d never be enough for you 
When you knew 
I’d never be enough 

I can’t afford to hate myself anymore
Just make it stop Lord Nrsimhadev 
Just make it stop
Make it stop
Stop

The most painful part is that I abandoned myself
Happiness and distress arrive and depart 
And when it comes I’m drowning slowly 
Suffocating 
Do you know what it’s like to be terrified of yourself?

What?
Just serve
I deserve good
I deserve love 

Don’t doubt yourself 

You think you’re not good enough? 
I’m telling you you’re good enough
You are more than enough 

Hare Krishna Hare Krishna  
Krishna Krishna Hare Hare 
Hare Rama Hare Rama 
Rama Rama Hare Hare

ॐ

In A flat minor (A440) 
Written, performed, recorded and pre-mixed by Viola Moonshape in 2022
Mixed by Brahma in October 2022
Mastered by George Konings (worldwidemastering.org) and Brahma in November 2022
Copyright © 2023 Viola Moonshape

ॐ

Burn Your Balloon

Rehearsal Video

Homage to Wayne Shorter, may his music live on...
Ver. 1, feat. the wonderful Sergio Párraga - Percussion
Andy McLean - Tenor saxophone, Keyboards, Drum/Bass programming, production.
Follow-on versions will feature other amazing guests!

Listen to Sergio Párraga's fabulous work here:
https://soundcloud.com/sergioparraga?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Palladium I

Piano and strings collab with Carlos Hof: https://soundcloud.com/vonlucrezia
Listen on Spotify: https://open.spotify.com/album/7mUoboKGo4ybxYXoo9nlgr?si=33s0QHr6StSkx60UC0aUOw

This composition, based on a melodic Alberti bass, fills the air with promises of bright beginnings, new hopes, adventures, and nostalgy.

~~~~~~~
Soft morn breezes whispers 
secrets of the day
Promising fresh adventures 
along its way..
With shining hopes 
of a bright beginning
The new day turns into
gentle reminiscing..

Embrace this day 
with light and hope 
We face with all our might
troubles to cope..
For life is but a journey
a magnificent ride
We looked in wonder
the tears we cried..

~SEC

Morning Breeze in D Major

Morning Breeze in D Major (Piano and Strings)

Morning Breeze in D Major (Piano and Strings) collab with Carlos Hof

Composition & Piano: Debra Buesking ("Where Are You Now"
Vocal & Lyric: Finn Eces

Written to the beautiful Debra Buesking piece ‘Where are you’, 

The song that resulted is a scene of an older couple, enjoying their own company, a sunset and moonrise, and the silence and easy conversation that comes with time, age and peace.

I Do

Stillhet

Original Score inspired by the Alan Moore collection of short stories

And, at the Last

https://open.spotify.com/track/4QPabSp2qIIuZp26vh7zcR?si=KgRxkCWMTdaRaxhUFc0QMw

2 composers based in Kristiansand, Norway
Benjamin Gustavsen and Ronnie Reinhartsen
Neo Classical, ambient and cinematic

We like to play a lot of different instruments but mostly piano, gitars and violins

Inspired by Norwegian natures
Sea, woods, and mountians 


True stories

https://www.paypal.com/donate/?hosted_button_id=ZKBDA8FMV9MQ6

Contact:
Stamukhamusic@gmail.com

https://www.instagram.com/benjamin.gustavsen

Broken Silence

STAMUKHA

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