Your MegaMix

Music & lyrics:& all instruments: Bruno/ Loony 🎈
Art Cover: Nataly NGM 💙🖤❤️

Recorded on Yamaha 4tracks tape recorder in September 1990! / Mastered on Audacity in September 2023

Believe it or not… this title was composed almost entirely in a dream !! After three coffees I just had to work all the parts and recorded this in half of the day! 
The day after I mixed that stuff, which would  become - three years after - one of the biggest Cats Bleed success on stage 🔥

SUZY - Bruno C

Original by Neil Young 1972.

Guitars, organ & harpe : PdB Orchestra

Out On The Weekend W/ PdB Orchestra

Original by Gasolin 1976

Vocal : Janne Hennie

This Is My Life W/ Janne Hennie

1Dec23

My naviarhaiku517 submission;
https://www.naviarrecords.com/2023/11/29/naviarhaiku517-early-dawns-pale-light/
:D

A gentle start to the day [naviarhaiku517]

Disquiet Junto Project 0622: Know the Shadow
The Assignment: How do you depict a shadow in sound?

I started playing around in the DAW and somehow ended up with old step samples. The simplest idea of musical shadows are certainly delay and reverb, and initially I built a (virtual) modular thing behind the steps that changes the shape of the steps but still lets us think of the original, just as shadows only hint at what cast them.

The second idea was the drums, and what could be the shadow of a drum kit? I used a looping noise sample (coming in very late, and not too loud) and carved out a kind of kick drum with negative noise using filters, so the absence of sound is the shadow here. I'll tell you why it has to be like this at some point far, far away … 

The third idea was to use two different types of motifs in one scale: An FM synthesizer using only the black keys of a blues scale (the real thing), and a classic basic saw synthesizer using only white keys (the shadow). 

Em ... and in general: first comes the real and then you hear the shadows, and in the end there are only shadows, because the word also stands for a kind of vague memory that continues to have an effect even after the real has disappeared. And remember, samples are shadows of real sounds …

The result is undoubtedly overly intellectual and musically not a gem. But it wouldn't be experimental music if the experiment couldn't - as here - go badly wrong. That's why I kept it under 3 minutes ...

Image: Dall-E

--

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow/

3 Shadows [disquiet0622]

hybrid_undefined_06

Original performances and recordings by Jessica Lowe @user-298062433
Reimagined and embellished by Boxy

[ d o w n l o a d a b l e ]

BOXY / RED POP - Break It / Got It MIX

Might be the last new release of the year.  It's been a great 2023 for me creatively.  Thanks to everybody who stopped by and spun a tune or two.  Special thanks to all my collaborators and future collaborators.

Best Holiday wishes to you all!

Dedicated to Emmy.

Ripple Effect

Nat King Cole's version - All I Want For Christmas Is My Two Front Teeth punk rock cover.

"All I Want for Christmas Is My Two Front Teeth" is a novelty Christmas song written in 1944 by Donald Yetter Gardner (1913-2004) while teaching music at public schools in Smithtown, New York. 

The song was originally recorded by Spike Jones & His City Slickers on December 6, 1947, with lead vocal by George Rock. That version reached the top of the pop charts in 1948, and again in 1949. The song has also been recorded by numerous other singers and performers, including Ray Stevens, George Strait, Danny Kaye with The Andrews Sisters, The Platters, Dread Zeppelin, The Kelly Family,  Nat King Cole (reportedly Gardner's favorite version), The Chipmunks, the Hampton String Quartet, The Three Stooges, and Count von Count of Sesame Street.

Merry Christmas & Happy New Year my friends!!!

Youtube link: https://youtu.be/kdKyiJvK41g

#youtube link: https://youtu.be/kdKyiJvK41g?si=rIT0jvoakbkdplPi

All I Want For Christmas Is My Two Front Teeth (punk rock cover)

PhatCatNija (Simizy + The Jooos)
LucyScrew (AudioBake + MrDjBigHouse)

Notorious Ninja` Vs Shaolin Kung Fu Master(PhatCatNinja + LucyScrew)

Winter Solstice 2023

Hey Dj, Am Hit`n The Town

Thinkingle_02

Serentity

Seven is a concept album based around the theory of the cosmic and esoteric evolution of the planet, musically depicting the the seven races and their existence on seven continents, past, present and yet to come.

Composed, performed, produced and recorded by Paul Landry
Album cover design and photography Paul Landry 
© 2018 Paul Landry & Aeon Records
℗ 2028 Ditto Music LTD


Hyperborea

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud.

A gentle start to the day [naviarhaiku517]

Stan Magendanz

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