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blue acid

Vocals and gheishi strings by Anais Giulia @user-520332251
Other sounds by Box Number Eleven
Image by Anais Giulia

Desire (featuring Anais Giulia)

Another snippet from Califo Paean, this time featuring bass guitar fighting for its life amongst the reverb. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.


image credit: Rosie Hastie

Caligo Paean (Bass solo)

Recorded in Modesto, Ca. Featuring Hammond B3 Electric Organ solo. Vibraphone solo. Alto Saxophone solo. Acoustic Piano solo.  Acoustic Bass. Gibson L5 Electric Guitar Rhythm. Vibraphone Rhythm. Drums Full kit Acoustic drum set. Percussion Rainstick, Tree Chimes, 22" Ride & Crash Cymbal.

Cannery Row

Wingding

Remixes

Night in the Downhill Forest (Remix)

Fading Shadows (2025)

Bonfire Heart

Vaunt_01

Au café      (Translated after the French text )

Vidéo :   https://youtu.be/w2khMpQoAHc


Texte     :  Yves Marilier
Chant     :  Muette
Musique :  Alain Illos

Nous avions rendez-vous
à "La Petite Madeleine"
où nous étions chez nous.
Un café comme on l'aime.
C'est jour anniversaire
de la première fois,
mais tu es à la guerre
et tu ne viendras pas.

J'ai commandé un verre
comm' si tu étais là ;
peut être, je l'espère,
le vin te remplacera.
Tu veux m’écrire une lettre,
je suis venue pour ça,
s'il l’vin tourne la tête,
je crois qu'il m'aidera.

Pour essuyer le fard
qui coule de mes yeux,
je me sers du buvard,
mais je n'y vois pas mieux.
Tu n’as pas écrit une
seule ligne, tu vois,
vu que le porte-plume
se refuse à mes doigts.

J'ai bien peur que la page
ne reste toute blanche
autant que ton visage
qui pleure sur tes manches.
Mais il faut qu'elle s'en aille
te dire tout là-bas
que j'ai le cœur en bataille,
prêt à mourir pour toi. 

Ici, dans notre café
où j'ai vidé mon verre,

l'alcool fait son effet,
elle est finie la guerre
et ma lettre s'envole
pleine de mots d'amour
te dire ma joie folle.
Je rêve à ton retour.
 
Nous avions rendez-vous
à "La Petite Madeleine"
où je suis un peu soûle ;
Dépêche-toi, je t'aime !
Et fais-moi oublier
mes frissons et ma peine,
car je n'ai pas pensé
à mettre une petite laine.
Il faut que tu reviennes.

At Café 

Our appointment was
at "La Petite Madeleine"
where we felt right at home.
A café just the way we like it.
It's the anniversary
of the first time,
but you're at war
and won't be coming.

I've ordered a glass
as if you were here;
maybe, I hope,
the wine will replace you.
You want to write me a letter,
that's why I came,
if l'vin turns his head,
I think he'll help me.

To wipe the blush
from my eyes,
I use the blotting paper,
but I can't see any better.
You haven't written a single
line, you see,
since the
penholder refuses to accept my fingers.

I'm afraid the page
will remain as blank
as your face
weeping on your sleeves.
But it's got to go
tell you all the way over there
that my heart's in knots,
ready to die for you.

Here, in our café
where I've emptied my glass,

the alcohol takes its toll,
the war's over
and my letter flies off
full of words of love
telling you of my mad joy.
I dream of your return.
 
We had an appointment
at "La Petite Madeleine"
where I'm a little drunk;
Hurry up, I love you!
And make me forget
my shivers and my pain,
because I didn't think
of putting on a little wool.
You've got to come back.

Au café avec Muette

Give ear to my words, O LORD, consider my meditation. - Psalm 5:1 (KJV)

A Midnight Prayer

/// O Age of Disruption—thou art a thief!  //
/
//
Strangers’ Handshake: 
Troubadour's Reunion for the Age of Disruption - Imbodied Distruction //
/
Forever Antigua Poem Mix / Forever This Poem Vocal Canción Francesa Antigua Mix
//
written, arranged and mixed by fictionalive //
/
music, carefully used, is the song "Forever This" written, produced, and provided by mobygratis.com, fully licensed. 
/
Contains samples of "Canción Francesa Antigua" arranged, produced, and performed by Thomas O'Higgins Horna (link below), used courtesy of Thomas O'Higgins Horna.
/
A shout-out and handshake over the ocean, Thomas—thank you for your kindness and openness.
/
Original track:
https://soundcloud.com/thomas-ohiggins/cancion-francesa-antigua
/
Please visit Thomas and enjoy his beautiful creations—made for you.
/
Fusion with the original poem 
"The Age of Disruption – Imbodied Distruction" 
written by fictionalive, November 2024, first dropped dressed as:
https://soundcloud.com/fictionalive/the-age-of-disruption-embodied-destruction-aqua-como-mix?si=5beab98174e445dd90a5f0c5619d1470&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
/// 

// 
Fusion of it all – fictionalive with the popoems series and the hyper media reports
//
///  
//// 
//
/
// fair use only. – June 23, 2025
/
/
/
/
Troubadours united, join

Strangers’ Handshake: Troubadour's Reunion for the Age of Disruption // Forever Antigua Poem Mix

Almost all tracks are free to download and covered by a Creative Commons license. Collaborations / Remixes are welcome so feel free to experiment - no need to get my permission first. Just send me a link to your track when you're done :)

I love listening to & creating ambient, dark ambient, avant-garde & experimental electronica (and the occasional beatscape). I have no professional aspirations  - I just really like creating music / manipulating sounds. It's my way of relaxing after a hard day at the office. All my tracks are produced using monitoring headphones (Audix A140) so I recommend that you listen to my music through headphones. My DAW of choice is FL Studio. I also use Reason every now & then. 


To the artists I follow; I do my best to try to listen to as many of your tracks as possible each night (I listen to each track all the way through - you went through the effort to create a track so you deserve to have it heard in full). If I miss a recent upload of yours, please forgive me...

Thank you for taking the time to visit my little corner of the soundcloud. 

Always remember; To create original output, consume unusual input.

Vaunt_01

Stan Magendanz

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