A re-edit I did on 4 track quarter inch tape in 1990 for the Rock Against Racism Anniversary LP. Finally remastered and ready for consumption again!! Enjoy!!

'Re - Edit The Casbah' Conan Liquid Quarter Inch Re - Edit

It is Monday again (man, it feels like there's a Monday every seven days or something) and again, we're dipping into the trove of early Interbay experiements that were originally posted on Facebook to Rethink, Remake, Remix them into something new...something that fits with the framework and demands of the tracks that are original to SoundCloud.  

Originally known simply as "Experiment 11", "Crowds and Their Behavior" was an attempt something organic, something acoustic, something with swing.  So, the risk for me now is not being able to find any reason to give this the "Electronic" main tag...as there are no synths on this track, the drums are mostly acoustic--with any drum machine use being as accent sounds, not the main beat.    

Typically, when I can't use "Electronic" as a main term, the numbers (listens, likes, etc.) are much lower than when i can.  I know, I know...I shouldn't focus on these rather arbitrary metrics--but it hurts when a song doesn't get heard.  So weird to say that out loud--but it's like going to your local animal shelter.  You want to take everybody with you, make certain that they're cared for and loved, because they all deserve it.  

In Rethinking, Remaking, and Remixing this track...my obvious first change was that I had to add a vocal element to the track--as it is a rule I follow that EVERY track posted on SoundCloud must have a vocal element to it.  I used to post a lot of instrumentals in the Experiments that I found their way onto Facebook, and I got a lot of comments that it was harder to "feel" the tracks that didn't have some words or even vocalization to anchor them.  

As the inspiration for this track, a real short film released by the FBI (and thanks to Joel Hodgson for understanding where to find public domain content) did not have sound (or, at least, the version that I used for the video of Experiment 11--all Experiments on Facebook had their own homemade video for them,) there was no singing or spoken word for me to find the vocal element there.  

I constructed the narrative about how this track is part of an archive, and as such, would have an explanation appended on to it.  That happens, right?  

And, at the end of the track, you hear what sounds like a police officer trying to usher people away from a closed beach (it does make sense in the context of the track and the film that inspired it).  That was inspired by The Replacements--the first thing you hear on their ep "Stink" as the intro to their song "Kids Don't Follow."  

The song itself?  It is a jazzy swing tune with some 60s beach vibes.  Centered on piano, bass guitar, and horns...there are little details that amuse me.  At one point, the percussion sounds like bouncing a racquetball on a racquetball court.  Why?  Because Interbay...duh.  

I like this track.  I extended it...I added some saxophones to it.  And just enough of a vocal element for it to pass SoundCloud muster.  This is fun!  It is full of swing and bounce...with occasional hints of menace (much like the film that inspired it.)  

I hope you give this a listen--even if it can't be easily placed into the sounds that you might expect to come from Interbay (it isn't synth pop, it isn't edm, it isn't post-punk, etc.)  I keep saying that Interbay isn't any one thing...it could be anything.  Here's proof.  :)  

So, yeah--the usuals...listen, like, repost, share, playlist, comment...and follow this page for daily drops.  :)

"Crowds and Their Behavior (exp11 RRR)" *Exclusive Remix*

20070922

Free Download

My Old Piano (Patta Extended Cut)

Keeping it simple, subtle, and classic. Re-EQ'd with some additional and new instrumentals on the same parametric that was used for the original recording. 

Bandcamp

Ring My Bell (Pontchartrain Edit)[Free DL]

contact: shithotuk@gmail.com

DJ friendly edit of a classic

get it here: https://shithotsoundsystem.bandcamp.com/track/champagne

Champagne

Sheila (Saxo-Tronic Rework)

I got my hands on the original stems and decided to reboot this Grace Jones classic. Pitched the tempo up to 105bpm, added some more keys and drums here and there et voila!

What do you think of the result?

Grace Jones - Slave To The Rhythm (Stanford Nu Disco Edit)

FREE WAV https://hypeddit.com/track/xc0pnm

Dont Stop Til You get Enough - MJ - (JSquared Rework) **FREE DL**

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My new single 'Looking For' is OUT NOW!!
https://open.spotify.com/artist/1vXt0ZDAgrQmJuxH6X8bjM?si=8nEOSclRRTqq4Rg6ScyUtg

Dont Stop - M J - (JSquared Rework)

Evelyn Champagne King - Shame
Disco Mix Edited Back In 2007 By Mr. Turner
https://hypeddit.com/track/9jarfc

Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States’ urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, horns, electric piano, synthesizers, and electric rhythm guitars.

Well-known disco artists include Donna Summer, Gloria Gaynor, the Bee Gees, Chic, KC and the Sunshine Band, Thelma Houston, Sister Sledge, The Trammps, the Village People and Michael Jackson. While performers and singers garnered public attention, record producers working behind the scenes played an important role in developing the genre. Films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's mainstream popularity.

Disco started as a mixture of music from venues popular with African Americans, Hispanic and Latino Americans, Italian Americans, and LGBT people in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960's counterculture to both the dominance of rock music and the stigmatization of dance music at the time. Several dance styles were developed during the period of disco's popularity in the United States, including “the Bump” and “the Hustle”.

By the late 1970s, most major U.S. cities had thriving disco club scenes, and DJs would mix dance records at clubs such as Studio 54 in New York City, a venue popular among celebrities. Discothèque-goers often wore expensive, extravagant and sexy fashions. There was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine and Quaaludes, the latter being so common in disco subculture that they were nicknamed "disco biscuits". Disco clubs were also associated with promiscuity as a reflection of the sexual revolution of this era in popular history.

Disco was the last popular music movement driven by the baby boom generation. It declined as a major trend in popular music during the late 1970s. However, it was a key influence in the development of electronic dance music, house music, hip-hop, new wave and post-disco. While no new disco movement has dominated popular music since its decline, the style has had several revivals and the influence of disco remains strong across American and European pop music.

Petko Turner Edit

S H A M E (Mr. Turner's Disco Mix) Essential Monster Free DL

..my rmx of this classic tune from 1980.. enjoy!

NOT FOR SALE!!!!

ask me for link ;-)

Love X Love Alex Millet Rmx

From a teenager learning to play keyboards and spinning tunes, to a well experienced electronic dance music centipede...
His vocal skills are futured on track from producers like Rene Amesz, Cor Fijneman, Peter Gelderblom and Steven Quarre just to name a few.

Production-wise, anything goes, from house to progressive. Mostly featuring his own soulful vocals.

And as far as DJing: When attending a Stanford DJ|MC-set, expect energy. Anything from his deephouse warmingup-sets, to banging (progressive)house, techhouse, tribal and even a bite of techno. Sexy sounds for sexy people.
His monthly mix "Anything goes!" is a fine example of what his sound is about. "Anything Goes!" is monthly syndicated on ao OnlyJDradio.com and HiTekradio.com  
DJ gigs has brought him to several countries throughout the years, from Ibiza to Japan and from Albania to Australia.

So if you do'nt know, NOW you know. 
DJ | MC | Producer | Vocalist | Songwriter: STANFORD

Grace Jones - Slave To The Rhythm (Stanford Nu Disco Edit)

Stanford

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