Just a fun track with me playing with my mic lol

Jungle Crash

TOF

Are you ardent?
In the MADNESS of war
Guarding his life with your DEATH
His SONG on your breath
Your LOVE for Him filling your heart
Are you still wild?
Can you take command?
O will you join the attack?
Fire true from horseback?
Let us ride all ye Redhats
& fill afternoon with our arrows
High & aloft
Fighting forever for Ekkor our God
Are you ardent?
Let us hear a tale of SONG from Hemlock now!

HEM

Centuries ago
On the shores of the world
Travelers tossed by a fault
Neath an ocean of salt
Washed up without bearings nor hope
And the Holy Forest throng
The uncanny birdsong
Called to them more than the reach
They abandoned the beach
Wandered into the trees
Where they joined in the chorus forever
Drifting in time
Castaways wed to the Wood
Speech & destinies all but forsaken
For music & rhyme
Artistic extremes and dreams leporine
Are you ardent?
Let us hear a tale of DEATH from Fury now!

FUR

I recall my first
Far from my worst
A man from the bigotted hordes
A Captain of sorts
At the Battle of Dáktylir
Fire had snapped my bow
So I rode him down
Drove him into a red oak
As he slashed at my throat
I crushed him back into the
Trunk with Ontario’s shoulder
Till his breastbone exploded
& a hundred branchfuls of snow
Shook down like confectioners’ sugar
His blood on my face
His dying eyes marking who’d furnished his fate
Are you ardent?
Let us hear a tale of MADNESS from Christoffel now!

TOF

Ah, quei giorni utopici giù in Toscana!
La poesia!
La musica senza finale!
Gallegiando sul maestrale!
E tanti amici demenziale!
Feci caprioli su Cheope in la piazza,
Tutt’applaudirono!
E por un solo momento,
Io sapevo cosa significa
Essere veramente singolare,
La bella del ballo, 
La Eterodossa!
Una sopra, n’una tra, billione
Cast’e doverosa ragazze scout in le gonne marrone.
Sei appassionata?
Let us hear a tale of LOVE from Hobby now!

HOB

O ye think me proud
But I know a tale
Round which your others will pale
All that SONG on your breath
All your MADNESS & DEATH
Very well, I will tell of a love so pure
Yet so insecure
Nothing could come of it but
Rivers of blood
A testament cut
In the breast of the mountain forever
A carving away
A breathlessly penitent hush
In the Song of the Forest forever
A pining away
A beautiful, terrible rush
To the depths of Creation forever
A falling away
A hopelessness manifest just
In the drape of an arm round a shoulder
& a heart that would break
But that it meant never seeing that face again...
Are ye ardent?

Are You Ardent?

This is the title track from The Lonely Bell's EP, 'The Outer Banks'.

Stream/Buy/Download :
thelonelybell.bandcamp.com/album/the-outer-banks

The Outer Banks

#GS2023
BROKEN MIDI play electronic music


Ethereal String

This track was created as response to the Disquiet Junto Project 0614: Do something you often do, but differently.
Instead of improvising a piano-melody over a field-recording, this time I created a background ambiance based on pianos and improvised noise sounds to it.
The 5 different background pianos are played by the generative MIDI sequencer Transition employing high measures of randomness (free VST-plugin available at www.codefn42.com/transition/index.html).
Three different noise-sounds were improvised with the MIDI-keyboard to this piano-background.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/ 2

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

A Piano Tempest is Approaching (Disquiet0614)

I seldom work like this: creating a charged “full steam” pattern and placing it at the end of a crescendo, then moving backwards removing stuff till there’s nothing left at the beginning. I did it with drum programs a lot, but also with repetitive stuff (pianos, guitars) à la Reich/Riley. I like to have an idea of my “tutti”, my maximum peak in density and intensity, then going there from zero.
This track, recorded today Friday November 10th 2023, started with a programmed drum beat (using for the first time in decades my good old Alesis D4 module that remained unplugged in my rack, just to fill a space)
To complete I added two tracks of a Matrix 12 synth and cello samples (noisy)
The patter is 16 beats long but never in 4x4 time signature, it does something like 7x8 + 6x8 + 3x8
The synths are in straight 4/4.
The weirdness of the drum patter becomes evident as we progress and more elements appear.

The photo is mine, I can’t recall what that is. Paris 2019, it says in the folder…

for
https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Bad Beat (disquiet0619)

More on this 622nd weekly Disquiet Junto project, Know the Shadow (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0622/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0622-know-the-shadow

Know the Shadows

Disquiet Junto | Know the Shadows - disquiet0622

naviarhaiku518

dark clouds menacing
– I doubt we shall reach shelter
before the deluge

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published under a Creative Commons licence, and free for anybody to download or remix.
Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 13th December 2023
Haiku by Raymond Cobley
Picture by Malte Schmidt

Dark Clouds Menacing (naviarhaiku518)

TAiYōKEN! (Freestyle) [12/23/21] [2024 MiX] (prod. 302 BEATS)

This week's podcast features music made by Naviar's community inspired by
Takahama Kyoshi’s poem “A distant mountain / Seen in the sunlight: / A desolate field”

Tracklist:

Adrian Lane - Seen In The Sunlight
Stan Magendanz - A distant mountain
LazenbeeIndustries - desolate field
mikey_a - Distant Mountain Seen
noble-earths – Distance
Night Note - A Distant Mountain

https://www.naviarrecords.com/naviarhaiku529-a-distant-mountain/ 

Credits:

music intro: “This ruined house” by Tuonela
voice intro: Ian Joyce
cover image: Alessio Soggetti
voice reciting the poem: Marco Sebastiano Alessi

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.
To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku
support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #309 – A distant mountain – Wednesday 6th March 2024

DEEP SPACE ONE

       [your imaginary friend]
                1996-9999
       𝕊𝕡𝕒𝕔𝕖ℙ𝕦𝕟𝕜𝕎𝕒𝕤𝕥𝕖𝕝𝕒𝕟𝕕
              PEAK FiCTioN!

TAiYōKEN! (Freestyle) [12/23/21] [2024 MiX] (prod. 302 BEATS)

Stan Leech (𝔖.𝔭. ℜ𝔦𝔠𝔥𝔦)

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