recorded at Kapitel Bollwerk/Spacefloor
Bubble w. SkeeMask 23 October 21

BUBBLE | Spacefloor @ KapitelBollwek 231021

Kahn - Live from Mickey Zogg's

Originally aired live on Noods Radio - 9.12.21

- Esc8 - Niagara
- Pressure - Set-Top Box
- Тишина - Molchat Doma
- Perverted Disco - The Serfs
- The Hunger Problem In The World - Doris Norton
- Psch - Kitchen & The Plastic Spoons
- Fascinate - Nylex
- Crimes - Current Affairs
- Portrait of Ezra Pound - Electric Party
- Mutant Menace - Medio Mutante
- Only My Own - DIÄT
- Automatic Heart Attack - Exit Group
- Skinhead - Satanic Togas
- Face Figure - Maraudeur
- Река - Utro
- Don’t Escape From Death - Ces Cadaveres
- Running - Snõõper
- II / What Is Going On? - Beige Banquet
- U Nikudy - Nürnberg
- Smash The State - Violent Quand On Amie
- I Saw I See - Unhuman & Petra Flurr
- What A World - Informatics
- Expose - Vita Noctis

Kahn - Live From Mickey Zogg's (9th December 2021)

This month, I am joined by one of my favourite producers and dearest friend, @lewiboome. Lewi’s music holds a special place in my heart. When people ask me what genre it is, I can never respond, I guess it’s just sonically mind bending. It’s the kinda music that I want to show to anyone and everyone I meet. I feel rather honoured that he is providing a 30 min 100% unreleased production mix for the show.

Motion Sickness w/ Junior & Lewi Boome (100% Production Mix)

@igouhzer

TRACKLIST
madlib - soon the new day 
madlib - so much
madvillian - curls
prince waly - free bbc 
quasimoto - basic instinct
knxnledge - hatesour
pharoah sanders - harvest time
yusef dayes - for my ladies
admas - anchi bale games
idriss ackamoor - the last slave ship 
admas - astawesalehu
jamiroquai - morning glory 
yusef dayes - love is the message 
pink martini - lullaby

Promess ep17 • "ça met l'ambiance"

https://radiopunctum.cz/shows/neo-violence

Tracklist:
The Oaken Chariot - Free Poetry [Gost Zvuk]
Jon Jones - This Must Be The Place [Dream Software]
Downstairs J - Soothsayer [SUZI]
Jorg Kuning - Rhos Fiddle [Wisdom Teeth]
K-Lone - Sub Club [Idle Hands]
Tammo Hesselink - Sewei [Nous'Klaer Audio]
Eversines - Whirlpool [Nous'Klaer Audio]
Tammo Hesselink - Finlet [Nous'Klaer Audio]
Spandrel - Ornithological Studies [TerraFirm]
DJ Pipe - Horizon [Global North]
Frank Denato - Get In Time [FRL Classic]

NEO VIOLENCE 11/22 by dMIT.RY

The Trans Atlantic Music Experience opened the year with two hours of jazz, Ethio, and downtempo music for the soul.

 **For the first time in our 7 year history, we’re asking you, our listeners to help support and build a better Balamii. By subscribing monthly you can contribute to the future of Balamii and help us to continue to nurture our creative community. From as little as £3 a month you'll help cover the cost of generating thousands of hours of great radio and support up and coming artists. As thanks, you’ll receive a code for 20% off our merchandise (code sent 24-48hrs after you subscribe) as well as being the first to hear about our events. Our goal is to develop new features that improve our service and therefore build a better Balamii for our family of artists and listeners.**

Subscribe here - www.balamii.com/supporters

TAME Experience - January 2023

Hi Tek grime.

Read more on RA: https://www.residentadvisor.net/podcast-episode.aspx?id=613

Resident Advisor podcast

RA.613 East Man

Before the identity of FFT (Fast Fourier Transform) was revealed in an article written by Matt Blair in August 2018, only one EP, titled "fft1" and released at the end of 2017 as the first reference of the aptly named label Uncertainty Principle, had been enough to arouse the expectation of dignitaries like Grant Wilson-Claridge or Ed Upton, better known as DMX Krew; after mastering the EP in question, the latter even acknowledged that this was the best recent artist he had encountered in a while. Comprising five pieces, "fft1" set up the meticulous materialization of an aural plan whose anamnesis drew a line between the aesthetic resources of glitch –clicks, noises, hums– and a background in the use of some of its characteristic elements, such as the bleep, in a sort of technically complex, strangely accelerated and digitally incorruptible braindance conjunction of Alva Noto, Warp's lilac maxi singles, Unique 3, Aleksi Perälä or Jodey Kendrick.

However, following the unveiling, Briton Josh Thompson, who had previously operated as Alma Construct, has worked on the project’s concept by expanding its limits in a rationally justified manner. Firstly, the "in-side" EP –released in December 2018 on Super Hexagon, the label he co-owns with J. Wiltshire– showed Gerald Donald's influence, exposed some autechrian inclination towards entropic geometry and gloomy, cold emotion, and increased the importance of melody and the tendency to treat the material through precise procedures characteristic of avant-garde sound sculptors. Secondly, the EP released four months later on The Trilogy Tapes, composed of two extensive pieces of almost ten minutes each, continues with the obsession with detail but exploring, on the one hand, rhythmic inflections, textures and colors of the timbric palette of the more complex techy dubstep, and, on the other hand, Uwe Schmidt's artificial pop, in an ambiguous and permanently changing song over its two sections. FFT shows a great ability to converse with different aesthetics of the immediate past but without drowning in the stagnant waters of doxography, clearly differentiating between previous models and a design that proposes the emergence of new terms.

Recorded at the end of May 2019, the podcast unfolds and completes with unreleased tracks the entire aesthetic offered by FFT. At first glance, the most striking thing is its wide dynamic range and rich stereo image. In attentive listening, the internal consistency of the work, determined by dialectical relationships between consecutive pieces, parts and sections, reminds that not only is there here an obsession with the sound aspect, but that there are also analogies with the theories and laws of physics underneath, such as Newton's third law –"for every action, there is an equal and opposite reaction"–. Here lies an observable chain of events constructed at different velocities and scales: molecular movements, expanding nebulae, stellar collisions, red giants disintegrated for all eternity.

We recommend playing back the recording through appropriate speakers or headphones, at full volume and in total darkness.

Photography by Geray Mena

Dialektik Podcast #02 – FFT

The third in a three month long guest residency on Noods radio to celebrate the announcement of Noods now becoming a DAB radio station! Boreal Massif special.

Recorded from Noods studio 19th September 2019

Pessimist Guest Residency Part 3/3 BOREAL MASSIF SPECIAL - Noods Radio -19/09/19

FKOF Premiere!

Bern's @phrex brings two mesmerising dub-esque cuts to imprint NILE. As mysterious as this record is, the sonics are dedicated to the Syrian uprise of nine years ago. It's around this time when the Syrian regime went berserk.

A lovely offering of Switzerland's Dub-oriented producer, who seems to pop up with the weight once and a while. Note: Besides the Syrian vibes, this limited pressing includes a little surprise at the end of the record.

'NILE1'  is set for release on 20/03/2020 and will be available thu all known physical vendours, with digitals following two months after release. Hit the buy-link to support underground music at its finest...

1. Phrex - Ayoun Jamileh

@phrex
http://fatkidonfire.com
https://phrex.bandcamp.com

Hope / Ayoun Jamileh

BUY 'NILE1'

Phrex - Ayoun Jamileh (NILE1) [FKOF Premiere]

NAAFI’s OMAAR shoots straight for our heart, providing an excellent DnB and jungle special for our 59th mix - digging out the classics from the likes of DJ Die and Alex Reece for the occasion. 

Hailing from Mexico, OMAAR released his first EP in 2015 on NAAFI where he has become one of their key artists. The label and collective has been pushing the local scene on an international scale, showcasing a hybrid sound that embraces both Mexican culture and new musical styles from abroad. This borderless approach is also the ethos of the somewhat newly-launched label Maloca Records. Founded by Belgian producer and graphic designer Le Motel earlier this year, Maloca Records brings together like-minded artists from all over the world, who have a common theme running throughout their music which tends to be influenced by percussive and natural elements, drawing from the environments surrounding them. 

Today, the label release their debut compilation, Maloca Vol. 1, featuring new tracks from Dengue Dengue Dengue, Nick León, DJ JM, Coen, DJ N.K., Le Motel, Tsongo, and OMAAR himself - further highlighting the amalgamation of global sounds, with his UK Funky-inspired contribution ‘Denumbawon (The Number One)’. 

Buy here: https://maloca.bandcamp.com/album/maloca-vol-1

@malocarecords
@prodomaar

Untitled 909 Podcast 059: OMAAR

THIRDSPACE | @Noodsradio | @narr-radio

Contact- S.ricketts89@gmail.com

Motion Sickness w/ Junior & Lewi Boome (100% Production Mix)

Junior_Ricketts

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