Nice hippie vibe to this track, I love a flute! Nice instrumentation and production.

cool mix brother! love the flute addition

Nice crisp guitar. Loving the flute. 👍

Loved it. Awesome sounds, fits in my instrumental playlist!

Amazing work here mate keep it on ripping

Rocking Gnossienne’25 (feat. Gary Hayward) breathes new life into the original instrumental released back in 2021.
This 2025 edition spins the familiar melodies into a fresh lyrical dimension — with words penned and passionately performed by the talented Australian artist Gary Hayward (@gary-hayward-volt-edge).
An atmospheric fusion where Satie meets guitars, and poetry finds its rhythm.

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Rocking Gnossienne'25 (feat. Gary Hayward)

Warm look from the past

Happy b-day Abi.  His fave director is Stanely Kubrick. I asked him to rec me a film last year and he said “Happiness with Philip Seymour Hofman.” I thought it was creative and funny and sad. He has higher moral standards than me. Found his gf perverted.  I would have called it kinky. I was going to tell him to lower his standards but if someone said, “maybe you should cheat”to me I’d say “no” cos a)your gf is supposed to be one of your best friends and b)it’s disrespectful. If I treat one of my best friends with disrespect how can I treat my friends well?  So I think Abi should do Abi. Other than that Abi sent me a pic and I told him he looked a bit like Rami Malek. He wasn’t too fond of that but Rami Malek isn’t bad looking and Abi looks 16.

I thought the whole song was A Dorian but it’s actually A dorian b2 alternating with A dorian for the verses.  I came up with the riff and wanted to make it more complex so I used the same strumming technique for ‘Can’t Stop.’ First time I used hand clicks for a song and also first time I’ve kept an entire song all modal. Thought the vocal phrasing was quite ZZ Ward for the verse and I wanted to  make it more hard rock sounding like Soundgarden. So the verses sound quite ZZ Garden or Soundward (Squidward). The bass in the verses is playing a simplified version of the bass line in ‘Come Together.’ I do like the vocal phrasing for ‘yet in the mix I found joy’ for the chorus. First time I’m doing that much falsetto for lead which is inspired by QOTSA. Some counter melodies for the beginning of verse 2. Fave use of counter melody is probably the 2nd half of ‘Emotion Sickness’ from Silverchair. I added some congas and wanted the same rhythm as the percussion from ‘Roots Bloody Roots’ but I decided to keep things simple and accent the 2 vocal syllables.. Then, the last chorus I was going to copy paste my piano parts but accidentally copy pasted my lead guitar over and that improved the groove.

Lyrics: Written by SGOR. Some guy on reddit. Lost contact. If it sounds like it was written an angsty teen that’s cos’ it was written by an angsty teen. Terrific message about finding empathy. Not sure about how death fits into all this.  ‘There can be miracles when you believe’ is cheesy on paper but I don’t think it’s cheesy when you hear it. ‘If you squeeze my lizard I’ll put my snake on you’ is ridiculous on paper but badass when you hear it. Depends on vocal tone, phrasing, delivery, and melody.

Stranded on a desert planet, lost in my own curse,
As if I caused a cataclysm, but all I did was change.
I was Found in the mud, like a coin in ruin's dust,
Polished up, made to fake, like I hadn't seen the rust.
Hear a beating heart in the darkness,
I've been lost, I've been found, I've wandered so long,
I found myself in you, but in the end, it wasn't me I found.

Ride with me through the storms of life, (it was fly with me originally and I am not singing that)
Let our hopes shine bright,  (it was light shine bright originally)
Like we've been struck by lightning, 
Revealed 
As something in the night.
I came to life when loss became real,
Felt pain and sympathy,
Yet in that mix, I found joy, found a way to be.
Am I cursed? I'll never know, but I'll embrace it all,
Life is its own limit, 
perfection in its sprawl.
The final goodbye, the chill of death, it comes for us all,

Running through the lost ruins of an apocalypse. (I wanted to give some more sensory elements to a song that was very much ‘in its feelings. So I matched the idea of a cataclysm. Took about 10 secs to type out)
Found myself with spears and arrows and feeling generous
Smeared my face in mud, like an Indian warchief
I’ve been dead, I’ve come to life, I’ve wandered so long
I found myself in you, but in the end it wasn’t me that I found



Ride With Me

Featherstoned

Against the Wind

cold shoulder of snow written and composed and also produced by Christoper Patrick Brown - Chris Browne BrowneProject download a track on my Bandcamp music page? https://browneproject.bandcamp.com/track/cold-shoulder-of-snow

Buy on BandCamp

Cold Shoulder Of Snow

Guitars: Clay Willis
Pedal Steel: Milo Deering
Drums: Josh Rodgers
Bass: Pete Miller
Vocal: Will Montgomery
Backup Vocals: Julie Lavery, Spencer Brochard, Henrik Bank
Engineering: Paul Osborn @ Audio Dallas
Written & Mixed by Will Montgomery

Always Monday

Bahama.

As the wind blows through the trees.
As the silence starts to break.
As the dawn is facing forward.
Passing time, prepared to wait.
While a crow is looking over.
As you're making your mistakes.
You hide your face.
Hide your face.

If tomorrow wasn't certain.
Would you still behave this way?
As there is no way of knowing.
Could you live on in disgrace?
As the current representative of the dead who lost their way.
You hide your face.
Better hide your face.

Can the sunshine ever touch upon.
The darkness at the heart.
Will the ancestors forgive you for your
mistakes at the start.
As the crows begin to circle.
All their eyes fixed in one place.
Better hide your face.
Hide your face.

Bahama.

When you're running down the white lines.
When you can not see the stars.
When you can not stop them watching.
When you can not fall apart.
Oh, should there be a knocking.
On the window in the morn.
You have been warned.
Better get things done.

Bahama.

And should you go a-walking in the trees.
Be careful not to show them any fear.
And it might be a crow at your window.
The Dead have nothing to teach us, so let it go.
Just let it go.


Bahama (Reprise)

Samuel Yuri - Wolves (Official Lyric Version)

“Nobody’s Groovy Anymore” is a sprawling seven-minute epic from Icelandic post-rock collective Laxá & Heima Kvartett, teetering on the edge of prog. The track builds from a foundation of shimmering guitars and insistent pizzicato strings, anchored by Bjarne Guðjohnsen’s thunderous dub-tinged basslines. There’s a restless energy in the shifting time signatures and layered instrumentation—Matthias Helguson’s drums drive the track forward while Mike Taylor’s keys offer both shimmer and shadow. The Heima Kvartett—Lisbeth Heima, Sif Árnadóttir, Natasha Guðmundsdóttir, and Ída Sigurðardóttir—pull the piece in and out of tension with sweeping strings and sudden stabs, making for a journey that feels both cinematic and deeply alive. The groove may be gone—but something stranger, wilder, and far more expansive has taken its place.

Nobody's Groovy Anymore by Laxá & Heima Kvartett

حتى في الصمت، هناك أصوات

Where there is music, there is life.  There is no other way!

Warm look from the past

Stas Mix

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