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Amanda

Symphonic Dances - 1. Call of the Reeds | for Wind Symphony Orchestra (Work in Progress)

my attempt at making a vibey dance song. tried some new tricks with percussion as well. Thank you for listening (: have a wonderful day!

Alive

I created this track by improvising on a Gibson SG over three variations of a drum pattern. I produced the drums using custom sounds I made on the AKAI MPC Live and the Teenage Engineering PO-32. I also played the bass part on a Sire J7—my marvelous fretless bass.
96 bpm

Questa Casa

Neo Gea - Metal Gear (Original Mix)

Orren Veerahlee is a mellow, textured blend of ambient tones, soft leads, and wobbly synth fragments. Built around gentle pulses, airy plucks, and subtle groove layers, the track drifts through warm harmonic shifts and flickers of rhythmic memory. It’s a quiet companion piece—more a place than a story, unfolding gradually with space to breathe.

Orren Veerahlee

A slow-burning cold wave track blending haunting synths, minimal rhythms, and a deep sense of longing.
"I Find the Way" drifts through midnight thoughts and faded memories, searching for connection in the shadows.

Produced at 120 BPM, yet unfolding like a dream at 60 — for night drives, lonely rooms, and late hours where silence speaks loudest.

Best experienced with headphones... and blue lights.

Find The Way

Find the Way - KRT Production

"Without You" is a sonic blend of late-night nostalgia and raw emotional pulse.
Driven by a jazz-rock groove, RnB undertones, and '90s synth textures, this track speaks of loss, memory, and resilience.
A haunting female voice floats through the mix—sometimes whispering, sometimes crying out—in fragments like:
"Crazy... feel the life... make me feel the way..."

It's the echo of a love now gone, suspended in the silence that follows.

This is not just a song.
It's a bedroom at midnight.
It's a voice looking back.
It's the absence that shapes presence.

▶️ Listen. Feel. Remember.

Music composed & produced by Michel Allard

Without You

Without you - KRT Production

Maria durch ein Dornwald ging is a German-language Advent song from the Eichsfeld region, which was first published in 1850 and whose melody possibly dates back to the 16th century.
The oldest known version with seven verses was printed in 1850 in the collection "Geistliche Volkslieder mit ihren historischen Weisen" by August von Haxthausen and Dietrich Bocholtz-Asseburg; the actual date of the song's creation is unclear, and an occasional dating to the 16th century cannot be verified. However, in the Andernach hymnal of 1608, the song "Jesum und seine Mutter zahrt" is printed with the note "to the melody Maria went through this forest," which has occasionally been suggested as the nucleus of the Advent song.
This is our interpretation.

Lyrics:
Maria durch ein Dornwald ging,
Kyrie eleison.
Maria durch ein Dornwald ging,
der hat in sieben Jahrn kein Laub getragen.
Jesus und Maria.

Was trug Maria unter ihrem Herzen?
Kyrie eleison.
Ein kleines Kindlein ohne Schmerzen,
das trug Maria unter ihrem Herzen.
Jesus und Maria.

Da haben die Dornen Rosen getragen,
Kyrie eleison.
Als das Kindlein durch den Wald getragen,
da haben die Dornen Rosen getragen.
Jesus und Maria.

English translation:
Mary walked through a thorn forest,
Kyrie eleison.
Mary walked through a thorn forest,
which had not borne any leaves in seven years.
Jesus and Mary.

What did Mary carry under her heart?
Kyrie eleison.
A small child without pain,
that Mary carried under her heart.
Jesus and Mary.

Then the thorns bore roses,
Kyrie eleison.
As the child was carried through the forest,
the thorns bore roses.
Jesus and Mary.

Maria durch ein´n Dornwald ging

The Cats Pajamas

Levadas

Static Channel is an audiovisual collective, exploring the physical properties of sound and creating mesmerizing multimedia displays.