A continuously updated seasonal selection of ambient, modern classical, and electroacoustic works (closed June 7, 2024).

Image by Irina Iriser (@iriser) via Unsplash
Source: https://unsplash.com/photos/photograph-of-cluster-of-flowers-HDhplk3v9WE

Field Journal Companion - Spring 2024

Three Birds

The Wind

Drift Creek

Tusk I

Weathered

Waltz In A Dream

Akira Kosemura - Waltz In A Dream

Warmth - Ocaso

Haku

twø | Album 'NØ​INMI'

Amsterdam

Nebel Lang - Why Should I Stay?  

1. (situate)
2. like riddles
3. filled with sound

--

Something must have happened in my life.
Pondering questions like riddles, calm and collected.
Wondering where all the hours went,
I once had spent here,
looking at myself a bit puzzled.

Something must have caught my attention,
immersed into a different assignment, perhaps.
This precious time in between,
that is now filled with sound and ripe reality.

--

https://nebellang.bandcamp.com/album/why-should-i-stay

Recorded in August 2023

Photography by Patrick Smith
instagram.com/paddyjw

Field recording in "(situate)" by giddster
freesound.org/people/giddster

Text collage

--

Available now on Bandcamp

(̶s̶i̶t̶u̶a̶t̶e̶)̶ ̶i̶s̶ ̶a̶ ̶s̶h̶o̶r̶t̶ ̶p̶i̶e̶c̶e̶ ̶t̶o̶ ̶h̶e̶l̶p̶ ̶t̶h̶e̶ ̶l̶i̶s̶t̶e̶n̶e̶r̶ ̶e̶s̶t̶a̶b̶l̶i̶s̶h̶ ̶t̶h̶e̶ ̶v̶o̶l̶u̶m̶e̶ ̶f̶o̶r̶ ̶t̶h̶e̶ ̶e̶n̶t̶i̶r̶e̶ ̶w̶o̶r̶k̶.̶

Why Should I Stay?

filled with sound

Nebel Lang - Why Should I Stay?  - Filled With Sound

Taken from the upcoming album 'Wave Particles', released through Fluid Audio...

'Wave Particles' is a project that holds special significance for me. It delves into my ongoing fascination with the intricate interplay between nature, consciousness, and technology. Throughout the year, I've had numerous opportunities to explore these themes. I've become particularly intrigued by the role that resonance plays in connecting these elements, fostering a profound sense of interconnectivity within our surroundings.

As we find ourselves at a unique juncture where nature, consciousness, and technology converge. Through this music, I've aimed to capture the threads that bind these elements together - Alex Smalley

Maria Smalley on vocals
Jane Wild plays violi
Alex Smalley plays guitar, process synthesisers and field recordings

Mastering: Alex Smalley
Music: Maria Smalley / Jane Wild / Alex Smalley
Design: Daniel Crossley
Label: Fluid Audio

Wave Particles

Alex Smalley - Duality

Born out of mere chance performance, the new collaborative record between Abul Mogard and Rafael Anton Irisarri is almost an inevitable outcome of their long-lived sonic relationship, and yet I’m still excited and jumping up with glee. It’s not often that I witness two of my favourite musicians come together to create something very special, so when they do, I approach it with a deep appreciation and focused regard. I’ve sung high praises for these two alone throughout the early years of their very successful musical careers: Raf, of course, and his 2009 debut on Miasmah (which I’m still listening to, by the way, as well as The Sight Below output), along with his continuous friendship and support, as well as partnership in curating Headphone Commute’s For Ukraine compilation; and Guido, whom I detected to be an amazing synthesist [rather than a retired factory worker from Belgrade] very early on, and who became an inspiration for my own modular journey and then, again, a friend. Search these pages, and you will discover plenty of coverage [written by a genuine human, may I add – should I use that tagline instead of “honest words on honest music”?]. So yes, I am all over this amazing piece [slightly shortened for this “premiere” feature], which is taken from their upcoming two-long-playing-track release on Irisarri’s own Black Knoll Editions, recorded between London, Rome and New York [the second piece is taken from their live performance at Centro de Cultura Contemporánea Condeduque in Madrid].

Impossibly distant, impossibly close

Place of Forever (AM Radio Edit)

TRACK PREMIERE : Abul Mogard & Rafael Anton Irisarri - Place of Forever (AM Radio Edit)

'Figures' is the opening track of the EP 'Decaying Light' by Tapani Rinne & Juha Mäki-Patola. After a couple of years since their stunning debut album 'Open,' the duo is returning.

Read more: https://twistedsoulmusic.org/2024/04/25/tapani-rinne-juha-maki-patola-figures-ts-premiere/

Tapani Rinne & Juha Mäki-Patola - Figures (TS Premiere)

Dronarivm is thrilled to announce the release of Enrico Coniglio's highly anticipated album, "The Sirens of Titan". Its title pays homage to the renowned novel by Kurt Vonnegut, inviting listeners on a journey filled with guitar tapestries and space oddities. Enrico Coniglio's personal approach to ambient music promises to transport audiences to uncharted realms of delicate emotions. In "The Sirens of Titan," Coniglio masterfully crafts yet another captivating installment on his musical path, delving deeper into the evocative world of melancholic soundscapes and expanding the horizons of his sonic exploration. 

The limited physical edition is presented as a 6-panel digisleeve with 8 prints on tracing paper, featuring original drawings by Alina Lutaeva (alinalutaeva.art), based on scenes from the novel and created specifically for this release. The digisleeve is packed in a black cardboard slipcase, hand-stamped, and hand-numbered. 

“A purpose of human life, no matter who is controlling it, is to love whoever is around to be loved.” 
― Kurt Vonnegut, 'The Sirens of Titan'

All tracks written, arranged and produced by Enrico Coniglio. 
Recorded and mixed in Venice in 2016-2023. 
Cover photo by Dario Camponogara 
Original drawings by Alina Lutaeva 
Mastered by Ian Hawgood

Buy CD / DL

04 As They Fall

Today, I'm excited to share with you a new piece by the Icelandic composer Snorri Hallgrímsson, whom I've been closely following since his debut, Orbit, released by Moderna in 2018. Even back then, I could somewhat predict the trajectory of this young artist, who, as I said, has been drinking from the same pool of Icelandic inspiration which has quenched the thirst of some of the world's renowned composers, like Ólafur Arnalds and of course, the dearly missed Jóhann Jóhannsson. Hallgrímsson's sophomore release, I Am Weary, Don’t Let Me Rest, which I am playing right now as I prepare this writeup, was a particular favourite of mine, even as I recognised some of the subtle influence of the above master of the modern classical genre. In this specific case, that should be acknowledged as an enormous compliment - if Jóhann continues to be here through the music of others, I feel slightly better and not so forlorn. This spring, Hallgrímsson returns to Moderna with an original soundtrack for Guy Davidi's documentary called Innocence. "The film is a harrowing insight into what it's like to grow up in a heavily militarized state where military service isn't only compulsory but is seen as a moral and cultural obligation as well." I think the cover of a little girl handling a machine gun tells it all. And yet, it's Hallgrímsson's gorgeous music that takes it to a whole new level.

Innocence (Original Motion Picture Soundtrack)

The Girl in the Dark

TRACK PREMIERE : Snorri Hallgrímsson - The Girl In The Dark

Look, I know that many of my opening words often begin with “Today, I am thrilled to share with you a new piece by [so and so]”, but how can I not use the exact same opening line when one of my all-time favourite piano composers reaches out to me to premiere a piece from his newly-announced long-awaited album? This Norwegian musician’s first proper solo studio release appeared on the beloved Sonic Pieces in 2014, which we only later learned to be part of a trilogy of albums. But that doesn’t mean that I spent only the last decade listening to Otto A. Totland – together with his school friend Erik K. Skodvin, the duo has been making beautiful music as Deaf Center, releasing Neon City EP in 2004 on Type. We now see him being backed by Nils Frahm, who not only shares the production credits on his upcoming new album but also releases Exin on his very own Berlin-based LEITER imprint, which he founded with his manager Felix Grimm only a few years ago. This also means that the album was recorded at Frahm’s studio at Funkhaus complex, offering the most beautiful-sounding piano in the hands of the most beautiful-sounding mind. The emotionally charged and sometimes melancholy sound is still present in Totland’s collection of sixteen solo piano pieces, but there is also an upbeat and vibrant tint on a few, including the first single, “Marka”, which follows a classical staccato harmony that I can envision being played on a harpsichord. Yet pieces like “Lys” take me back to that particular flavour of Totland’s sonic tenderness to pull on my heartstrings, allowing me to get lost in those barely audible reverberations of the keys. The piece I’m sharing with you today is called “Rift”, an introspective and sombre reflection in just a few pensive chords.

Exit

Rift

TRACK PREMIERE : Otto A. Totland - Rift

The title of this album is derived from the concept of poetry according to William Wordsworth, who described it as nothing more than an "emotion recollected in tranquility." Tinkling, soft, vibrant sounds and granular synthesis predominate the compositions in "recollected in tranquility". Together with field recordings captured in nature, these sounds weave serene and meditative soundscapes. The author's intent is to transport the listener to a state of utmost peace while captivating their ear with a tapestry of pulsating and organic sounds. The tunes and tones unfolding in these seven tracks paint an imagery of a delicate blossoming of springtime and whisper of floral nostalgia.

Written, produced and mastered by Andrea Morana 
Artwork by George Korunov

Bird Watching Station

Light, as perceived & portrayed by Hollie Kenniff (aka Hollie Evelyn) in a fine-drawn dialogue between a sparse piano and pastel synth tones. The mood is one of profound calm and serenity, with each new harmony patiently and perfectly pulling us gently along. In the soft glow, we hang on to every word, just to await that next whisper of consciousness we all yearn for… Portrait of Light is the Canadian-American vocalist and composer's ephemeral contribution to our 2024 single series 'Pigments'. 🎧 https://moderna.ampl.ink/light

Portrait of Light

stream/download

Hollie Evelyn - Portrait of Light

~ LAAPS 036 ~ [SEQ.05 - LP36]

artist : Dalton Alexander
album : Almost Home If I'm Still Alive
duration : 40.46 mn
date : June 06th, 2024

edition :
-  vinyl : limited to 150 copies / green transparent LP / selective UV varnish / hand numbered 
- cd : limited to 150 copies / pantone / hand numbered + handcrafted, sealed

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pre-order : Mai 20th, 2024 / official release : June 06th, 2024
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Recorded in forests, fields, backyards, streets, and rooms between 2016 - 2023.

Dalton Alexander - Guitars, Synthesizer, Field Recordings.                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                        Anne-Julie Royer - Vocals ("Réuni de Toutes Parts »).

Mastered by Giuseppe Ielasi
Artwork by Margaret Durow
Design by Sprflxgrfzm
 
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Links :
https://laaps.bandcamp.com/music
https://www.instagram.com/iikki_laaps/
https://daltonalexander.bandcamp.com/

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℗ & © 2 0 2 4 - L A A P S - L A A P S 0 3 6

Dalton Alexander - Spring Doesn't Remember Me

~ IIKKI 025 ~

music : Federico Durand 
artwork : Michael Roemers 
album : Té De Flores Silvestres 
duration : 41.59 mn 
date : July 01st 2024

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Federico Durand – 
ARP Odyssey, music boxes, endless tapes, Sony TCM–459V, feedback looper, RE–201 Space Echo, Korg MS-20, Audio Developments AD 145, H1, El Capistan, sampler, Shortwave radio, Moog Prodigy.

Mastered by Taylor Deupree 
Artwork by Michael Roemers 
Design by Sprflxgrfzm

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edition : 
• vinyl: limited to 250 copies / hand numbered  / selective UV varnish / black inner 
• cd: limited to 150 CD / hand numbered, hand-made / pantone 
• book: limited to 400 copies / hand numbered / embossed / selective UV varnish / hand stamped /

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pre-order : May 28th, 2024 / official release : July 01st, 2024

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Links : 
https://iikki.bandcamp.com/music
https://www.iikki-books.com/
https://www.instagram.com/iikki_laaps/
https://federicodurand.bandcamp.com/

Té de flores silvestres

Federico Durand - Sueño De Una Polilla De Seda

First single off of the upcoming album NINA. 

Violin by Milo Weil. Vocals by Ellyse Wagener. Produced by Brady Moen for Midwestern Records.

Spandrel

Stationary Travels is a personal music blog covering ambient, electroacoustic, modern classical, post rock & experimental music.  Outside of ST, I enjoy a variety of other genres which you may see mixed in here as well.  Please feel welcome to follow along on Facebook, Twitter, and WordPress (links below).  If you are an artist and would like to submit something for consideration of promotion or review, you can message me to discuss the details. 

 "He who does not travel, who does not read, who does not listen to music, who does not find grace in himself, she who does not find grace in herself, dies slowly" - Martha Medeiros