La Corda D'Oro Event Gavotte Trumpet+Violin

174.【octet 】 Elgar Salut D'amour Piano Octet La Corda D'Oro Primo Passo

Tales From Earthsea - Piano Suite (Themes From Tabiji & Kubiki)

"Vocatio Abrahae" (The Calling of Abraham) is a two-hour symphonic odyssey, divided into 12 main parts (plus optional postlude), designed for performance or sectional listening. Inspired by the Romantic tradition of programmatic music, it follows the biblical patriarch Abraham as a metaphor for radical faith — leaving home, journeying through trials, receiving divine promises, interceding for others, and ultimately facing the supreme test at Mount Moriah.

The work begins with a brooding Call in Ur, grows into the restless Journey, expands in wonder under the Starry Promise, and erupts into conflict in the War of Kings. A solemn Covenant passage anchors the symphony in sacred ritual, before turning toward the playful Hospitality at Mamre and the tragic shadows of Sodom’s Cry.

The final two sections, The Ascent to Moriah and The Sacrifice of Isaac, are the emotional and spiritual summit of the symphony: an immense meditation on obedience, anguish, and redemption. Here, motifs from earlier movements return, transformed into radiant light as the angel intervenes and the promise of faith is fulfilled.

The Postlude closes the journey with a gentle pastoral benediction, leaving the listener in peace after the storm.

Movement II – Vision Beneath the Stars - Part II-A: Andante Tranquillo

Shimizu Keiichi (starring Tai Tomoki) - Tenshi no Toiki (Cello Version)

Yunoki Azuma - Méditation from "Thaïs" by Jules Émile Frédéric Massenet

Yunoki Azuma - Notturno d'amore "Serenade" by Riccardo Eugenio Drigo

Fuyuumi Shouko - Romance Op.94 No.2 - Einfach, innig by Robert Schumann

24 - Haha Koi Yuru Kokoro

La Corda D Oro - Crescendo - 03 - CRESCENDO Tsukimori to Tsuchiura Niyoru Violin & Piano Version

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Crescendo La Corda d'Oro Piano & Violin 金色のコルダ CRESCENDO - Stella Quintet ステラクインテット

Yunoki Azuma - Méditation from "Thaïs" by Jules Émile Frédéric Massenet

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