Ingenius piece of music right there bro thats going straight into my first stream

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YOU MAKE CHINEES THE BOY IS BANGING << >> FORTHCOMING SOON ON PALING TRAX CHEERS

BOY IS BANGIN

Artist: Orson Wells
Track: Slangin Rockx
Label: Die Orakel
Release: 29 January 2016

I do not own any rights to this track.

Orson Wells - Slangin Rockx

Soda Hole

Jimmy Asquith follows up his massive dancefloor-crushing solo debut 'The Conditioning Track' with a four track techno-house-bass EP that shimmers with London-via-West Yorkshire influences. 

Treading further down the path of UK bass, garage and house - whilst incorporating a heaving mid-Germany techno edge and the skippy NY-Jersey sound - this EP sees a breakout in four directions and a smatter of extra colour in the producers pallet. 

Hard Skippin' (Cream Dub) is the huge garage-house A-side. Taking UK house back to it's 90's roots whilst giving a nod to both North & South England garage styles. Title track Never Alone is a techno bomb straight outta Berlin. Channeling a bit of Wax and EQ'd, this is high-tempo, synth stab-heavy stuff with choppy French house undertones. 

On the flip we have Hot Hot, a reimagining of UK funky through a techno club lens. A no frills drum, bass and vocal track that oozes rhythm and lands heavy with each drop. Lastly we have NRG Mix, a stepped rhythmic filtered slab of dub techno that washes and waves from break to break, steeped in rumbling subs.

Never Alone

BUY RELEASE

AMPHIBIAN

Brisbane based ambassadors of genre fusing techno X CLUB. make their anticipated EP debut with ’SCUM’. Shifting between hasty breaks and propulsive 4/4 kicks, the EP focuses upon a definitive neo-futuristic rave sound inspired by a combination of 90s rave, jungle, electro and warehouse techno. Amongst clear hints of nostalgic influence, X CLUB. have involved a quantitive level of abrasive digital and analogue sound design in sculpting their signature techno-grime texture. Featuring four dynamic heaving club cuts, ‘SCUM’ explores tones of darkness while inducing a trance-like sense of euphoria. Blasts of contorted synth tones rage against mechanic percussive rhythms manifesting the scene of a dystopian industrial rave set neither in the past nor future.

‘SCUM’ is officially set for release on July 2nd via Earthed.

earthed-systems.bandcamp.com
Souncloud.com/itsxclub
Facebook.com/itsxclub
Instagram - @xclubmusic

PREMIERE: X CLUB - SCUM 3 -03 [Earthed]

SPND20 001 OUT ON 09.07.2019

Order here:
https://clone.nl//item56954.html

FJAAK - Turn It Up (SPND20 001)

LTFIRE03 - out September 25th.

https://lobstertheremin.bandcamp.com/album/do-my-thing-ep

Do My Thing [LTFIRE03]

@mallgrab

Steel City Dance Discs Volume 13 emits four club-ready contaminants courtesy of @djjasperjames. On the A-side, Jasper breaks protocol with an unregulated meld of house and techno; deep freqs, virulent chords and a toxic vocal cut are detected. And on the flip side, @objectblue and @mallgrab combat ‘Still Trippin’ with a specialised treatment comprising of high-energy, euro-rave solutions.
Dispose of this release properly – volume up.

Clean it up digitally or grab the 12" via our online waste management store → https://steelcitydancediscs.bandcamp.com

Steel City Dance Discs Volume 13

B2. Still Trippin (Mall Grab Remix)

all proceeds to the NSW RFS and the RSPCA’s bushfire appeal

Disconnect

Sunflower serves as a representation of what’s to come for 2020, and how 2019 and every aspect of it influenced my world and the world around me. Recorded in Tokyo and New York, two of my favourite and most inspirational places (to me), Sunflower comprises 4 tracks which are a stand alone project, but an introduction to the debut Mall Grab album slated for a late 2020 release.

Hidden Worlds

BELIEVE (NIGHT MIX)

* Read more: : https://boltingbits.com/asquith-lcd-steppin-asquith/ 
* Watch on YouTube: https://youtu.be/RigO4_TgAgo
* Pre-order: https://asquith.bandcamp.com/album/rave-til-dawn-ep

Asquith returns to his self-titled label following a couple of external EP announcements for Who's Susan and Private Persons. ‘Rave Til Dawn’ EP sees the London-based artist follow up the massive 'Let Me EP' with another clutch of takes on anthemic, big-room techno.

The title track ‘Rave Til Dawn’ does everything a ‘Let Me’ follow-up should do; huge compressed kicks, reverberating piano stabs and epic call-out vocals collide on an absolute monster A-side. Second track, 'Down', traces a more tool-y techno line. Rolling with the percussion and popping with mechanical energy. It's all compiled with elements of the original techno template shot through with a ton of UK bass weight.

‘Crush’ takes Asquith's manic monotone stab template into more techy territory, opening the production up and leading us into a cocoon of pressurised space. Stripped back but still crushing. Final track 'LCD Steppin'' sees us entering back into pacier territory that regularly pops up at the end of Asquith EPs. Shifting pad samples overlay a rickety jungle break and a voice calling at us to "Step!", before we're hoofed into the long grass with a 4/4 kick all the way up at 155bpm. It's not quite 160 but that's what the pitch slider is for ;)

Rave Til Dawn EP

PREMIERE: Asquith - Crush

Built in Newcastle, Australia AKA the Steel City and exported to London, U.K.

NEW MERCH → https://scdd.com

⚠ NO DEMOS
Contact: info@steelcitydancediscs.com

B2. Still Trippin (Mall Grab Remix)

Steel City Dance Discs

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