I went from two square OSC sync'd to the clock, multed those twice.

first line went into a LPF
second line went into (ARC's) artificial neural network where the sync signal was used an the third neuron into an FFB
both came together in a second LPF
>VCA1

HPF out of the first filter different EG
>VCA2

VCA1 > splitted at the patchbay into a tube comp and EQ > parallel mixed at the desk (each channel slighty panned)
VCA2 > into a stereo reverb all wet (you can here some fine noise on top of the signal, that it)

4/4 16th note cv sequence (Dark Time)

clock is divided, rising edge triggers a (Quadra) EG, EOC gate is rectified, attenuated and used for the transpose in the 16th bar.

So all the variation in amplitude and timbre is bascially coming from three signals: CV, gate and clock outputs from the sequencer.
There are five envelopes beside the two for the output VCAs which four of them are in relation to each other. One LFO is used in the patch.

Bass82

live take stereo recording processed with eq & comp.

Newcâstle (Verbtail Cut)

addac fm radio > thyme sefari mk2 + boss dd-7 > vos filter > smr
cv/gate by cirklon / triggers from meadowphysics / qplfo + quadra for modulation, egs + tap tempo (on tyme sefari)
sum goes trough vermona retroverb (Q put it's color to the sound too)

Karplus-Strong patch

qplfo 1 (blue patch) and quarda eg 2 (yellow patch) are triggered by quadra eg 1 in cycling mode. both go into a vca: blue is modulated by a ramp (qplfo2) clocked divided by 2 as the clock of a ramp EG(quarda3) modulating the yellow patch. blue a panned mored to the left and yellow to the right to make the difference more clear. and then some fun stuff in the end with both sources running trough hp-lp combo modulated by qplfo3 and quarda4 as you can see on the picture indicated by red and green cables.

the patch explains how digital and analoque cv sources sound at audiorate.
you can download the file for zooming into the waveform.

recorded at 44.1khz 24 bit

Qplfo vs. Quadra audiorate patch

pointing out a steiner parker diod filter

Bubblesound DiOD

news from my 'm2s_ratio' project.
developing an album interlinked with multimedia content. hopefully ready in summer 2018.

ML - 03

no_gates-No Pussy

kick (sample download)

simple failed l/r patch but nonetheless a mixing lession i took in outboard processing for making things sound fat.

pan wv (exercise)

- 3 rectangular osc 1 noise source 
- all bands go from open to close while under cv control starting from the highest downwards
- reverb is applied in the end
- odd (L) and even (R) are recorded in mono then each is panned 14%
- no eq but very slight compression at 3:1 on the peaks
- first 7 seconds input signal is unaffected

stefan_rudin

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