Great. '...like a soundtrack for each listener's personal inner movie...' Exactly what I felt. And I saw...

disquiet playlist

Nocturne No 5 Hommage a Bartok

tummelplatz

Tummelplatz 14.12.18

Lava noun remix

My second track for this disquiet contest.

This time I picked up randomly the great track https://soundcloud.com/user-711331258/ampfractcellorgdisquiet0430 by K Joule based on Candle Nine's https://soundcloud.com/candle-nine.

https://disquiet.com/2020/04/02/disquiet-junto-project-0431-solitary-ensembles-x-3/

Candle Nine/K Joule/Stefan Strasser - AmpFractCellOrgRandFdbk(disquiet0431)

Disquiet Junto Project 0435: Woodshed Report
The Assignment: Share something you’ve been working on (and respond to what others post).

Step 1: The past six weeks of Disquiet Junto projects have encouraged and rewarded collaboration. This week’s is more insular. There’s no formal constraint. Just share a recent piece of music, or create a new piece for this week.

Step 2: After uploading your track, please take a few minutes to listen to and respond to tracks by other participants.

If you’re interest in background on the concept of the “woodshed,” here’s video of a talk I gave a little over a year ago on how it relates to the Disquiet Junto:

https://www.youtube.com/watch?v=GzHrOpBwhMU

Seven More Important Steps When Your Sample Kit Is Done:

Step 1: Include “disquiet0435” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0435” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0435-woodshed-report/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Droning By Numbers - disquiet0435

Disquiet Junto Project 0445: Aare Tribute
The Assignment: Read maps of a river as a graphic score.

This project is the second of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Look at the three maps below, all of the river Aare, a tributary that circumnavigates the city of Bern. One is from the late 18th century. The other two are modern renditions from Google Maps.

[Click through to disquiet.com/0445 to see the maps.]

Step 2: Use one or more of those images by interpreting them as graphic scores and composing a resulting piece of music.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0445” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0445” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0445-aare-tribute/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, July 13, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, July 9, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0445” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 445th weekly Disquiet Junto project, Disquiet Junto Project 0445: Aare Tribute — The Assignment: Read maps of a river as a graphic score — at:

https://disquiet.com/0445/

This is the second of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0445-aare-tribute/

Here We Aare disquiet0445

Rejectic

Disquiet Junto Project 0450: Texture Analysis
The Assignment: Create a piece of music from sounds related to working with rocks.

Welcome to the 450th consecutive weekly Disquiet Junto project. Thanks to everyone who has participated, supported, and pitched in along the way.

This project is the third of three that are being done over the course of as many months in collaboration with the 2020 Musikfestival Bern, which will be held in Switzerland from September 2 through 6 under the motto “Tektonik” (“Tectonics”). For this reason, a German translation is provided below. We are working at the invitation of Tobias Reber, an early Junto participant, who is in charge of the educational activities of the festival. This is the second year in a row that the Junto has collaborated with Musikfestival Bern. Select recordings resulting from these three Disquiet Junto projects will be played on a listening booth at the Steinatelier on September 5, as well as being aired on Radio RaBe (rabe.ch), an independent local radio station partnering with the festival.

Step 1: Download the field recordings made at Carlo Bernasconi AG, a company that has been working in stone for over a century. The sounds range from machines to manual tools to spatial ambience.

Step 2: Listen for aspects of the recordings that attract your ears. Focus on textures in particular.

Step 3: Create a piece of music combining elements from as few or as many as you chose in Step 2.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0450” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0450” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0450-texture-analysis/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto and #musikfestivalbern so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Additional Details:

Deadline: This project’s deadline is Monday, August 17, 2020, at 11:59pm (that is, just before midnight) wherever you are. It was posted on Thursday, August 13, 2020.

Length: The length is up to you.

Title/Tag: When posting your tracks, please include “disquiet0450” in the title of the tracks, and where applicable (on SoundCloud, for example) as a tag.

Upload: When participating in this project, be sure to include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Download: It is always best to set your track as downloadable and allowing for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution, allowing for derivatives).

For context, when posting the track online, please be sure to include this following information:

More on this 450th weekly Disquiet Junto project (Texture Analysis — The Assignment: Create a piece of music from sounds related to working with rocks) at:

https://disquiet.com/0450/

This is the third of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

The Rocks - disquiet0450

Disquiet Junto Project 0451: Ursula’s Silences
The Assignment: Make music inspired by a line from A Wizard of Earthsea.

Step 1: In the classic fantasy novel A Wizard of Earthsea, its author, Ursula K. Le Guin, writes the following: “For a word to be spoken, there must be silence. Before, and after.” While the words are her own, of course, they are spoken not by the narrator, but by the book’s main character. The statement occurs toward the end of the book. For emphasis, Le Guin informs the reader that the character, whose name is Ged, speaks the words “slowly.”

Step 2: Consider how the statement can be applied to music, to sound, to the linear unfolding of a composition.

Step 3: Record a piece of music inspired by the Le Guin text: one sonic object at a time, with attention paid to the spaces, the silences, between those objects as they are introduced.

Seven More Important Steps When Your Track Is Done:

Step 1: Include “disquiet0451” (no spaces or quotation marks) in the name of your tracks.

Step 2: If your audio-hosting platform allows for tags, be sure to also include the project tag “disquiet0451” (no spaces or quotation marks). If you’re posting on SoundCloud in particular, this is essential to subsequent location of tracks for the creation of a project playlist.

Step 3: Upload your tracks. It is helpful but not essential that you use SoundCloud to host your tracks.

Step 4: Post your tracks in the following discussion thread at llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0451-ursulas-silences/

Step 5: Annotate your tracks with a brief explanation of your approach and process.

Step 6: If posting on social media, please consider using the hashtag #disquietjunto so fellow participants are more likely to locate your communication.

Step 7: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

One Wrong Word - disquiet0451

Boson Spin - Taking refuge in vagueness

Marco Lucchi : piano
Pete Swinton : synthesizers and electronics

a rework by Pete Swinton of 'piano patterns n°8' by Marco Lucchi

for "piano patterns", a project by Marco Lucchi
soundcloud.com/marcolucchi/sets/piano-patterns

ottobre 2020

Marco Lucchi & Pete Swinton - piano patterns No.8

Performed & Recorded by Matteo Mariano in 2019. http://macrogramma.com
Original cover art by Dario Panzeri (2020). http://dariopanzeri.org

"Metafonia" is the Italian word that identifies the phenomenon known in parapsychology as "electronic voices". Metafonia VI is the first track in order of publication, and the last in order of numbering, of a series of compositions inspired by this phenomenon.
Each piece was made starting from vocal samples recorded and processed in real time with a laptop (and with the addition of some synths). The only voice behind these pieces is mine (at least I think, and above all I hope, even if I can never be completely sure), recorded while I was improvising random phrases, as if I were my own medium.
I waited a long time before deciding to finish and release this series of songs, the gloomy atmosphere of this end of October 2020 made me realize that it was time to let them go.
The project is to release all the tracks, one or two at a time, between today and the evening of October 31st (as per pagan tradition), to collect them in a single album that will be available on Bandcamp ...
---
"Metafonia" è la parola italiana che identifica il fenomeno noto in parapsicologia come "voci elettroniche". Metafonia VI è la prima traccia in ordine di pubblicazione, e l'ultima in ordine di numerazione, di una serie di composizioni ispirate a questo fenomeno. 
Ogni brano stato è realizzato a partire da campioni vocali registrati ed elaborati in tempo reale con un laptop(e con l'aggiunta di un po' di synth). L'unica voce alla base di questi brani è la mia (almeno credo, e soprattutto spero, anche se non potrò mai esserne del tutto certo), registrata mentre improvvisavo frasi casuali, come fossi il medium di me stesso. 
Ho aspettato diverso tempo prima di decidere di terminare e pubblicare questa serie di brani, l'atmosfera cupa di questo fine di ottobre 2020 mi ha fatto capire che era arrivato il momento di lasciarli andare. 
Il progetto è di rilasciare tutte le tracce, una o due per volta, tra oggi e la sera del 31 ottobre (come da tradizione pagana), per raccoglierle in un unico album che sarà disponibile su Bandcamp...

Released October 18, 2020

all rights reserved

Metafonie Volume 1

Metafonia VI

This track was created for the Naviar Haiku group.
358 week haiku
naviarlab.tumblr.com/
one line of Roli Seabord (NLS) and several custom sounds of outdoor recordings

2020-11-12

I Close My Eyes ( Naviarhaiku 358 )

LISA M.

Bloody Season

improviser - composer - sound artist

he does solo projects, collaborations and participates in international online improv sessions. his main instruments are piano, guitar and electronics.

inquiries for new collaborations are welcome.

you can contact him at contact@stefanstrassermusician.de

Here We Aare disquiet0445

stefan.strasser

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Petrus Major

halF unusuaL

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