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One of the last track out from 29th july from the last Paul's Ritch single.

Paul Ritch - Run Baby Run (Original Mix)

ONE020 B1 Santos Resiak - A Better Light (The Martinez Brothers Remix)

Patrick Topping - Any Amounts (Original Mix)

SIDEKICK - DEEP FEAR (Phobia Club Mix)

Vinyl OUT 11.11
Digital OUT 2.12
PETS RECORDINGS

Thomas Schumacher - Hush (Catz 'n Dogz 2013 Remix )

We are happy to welcome Maceo Plex to Drumcode with the fourth instalment of his Conjure series, ‘Conjure Infinity’. Featuring two tracks ‘Conjure Dreams’ and ‘Conjure Floyd’, both are peak time monsters that introduce two very different elements. ‘Conjure Dreams’ utilises a groovy, melodic bass that is reinforced using tight thumping drums to shatter any dance floor into the universe. ‘Conjure Floyd’ builds into a more ‘heads down’ techno vibe with a very interesting breakdown. Two sure fire tracks to ignite the floor.

Maceo Plex - Conjure Dreams - Drumcode - DC136

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Solomun - Something We All Adore (Solomun Love Song Mix)

Coyu & Edu Imbernon - El Baile Aleman (Patrick Topping Remix)

OUT NOW VIA: http://bit.ly/DemAPreeBtport

Next up on Emerald City German duo Raumakustik serve up a sonic trip for the senses via ‘Dem A Pree’ with northern talents Patrick Topping and Jey Kurmis onboard to dish out two killer remixes.  
 
Following the huge summer anthem ‘Raider’ which dropped on Hot Creations subsidiary Hot Trax last year, Volker & Seb aka Raumakustik have been gaining an army of fans with releases following on Toolroom, Suara and Formatik. This next release, ‘Dem A Pree’ is a heavy club weapon of the highest order, prompted by dynamic and powerful vocals. “Pree means sticking your nose into someone else’s business,’ they explain. ‘Patrick Topping and Jey Kurmis did just that with our track but in this case it’s a positive thing because their perspectives on sound and vocals made it complete.”
 
Since his first release on Hot Trax back in 2013, Patrick Topping has since become one of the biggest names in the business with an intense touring schedule, a string of successful releases and a prized residency at Jamie’s Paradise night at DC10. Here he spins his signature style into the original with an intoxicating bassline that will shake any dance floor. 
 
Rising star Jey Kurmis has been making a name for himself on labels such as Moon Harbour, VIVa Music and Wow! Recordings since his artist defining EP on Hot Creations last year. Stripping the original back he creates a solid, low slung roller with industrial stabs at the forefront.
 
https://soundcloud.com/raumakustik
https://soundcloud.com/patricktopping
https://soundcloud.com/jeykurmis​

Raumakustik - Dem A Pree (Patrick Topping Remix)

Bassick EP

Detlef x Green Velvet -  Issues

We Do What We Want

BUY BRAVE BANGERS

Alan Fitzpatrick - We Do What We Want

2016 was a standout year for Alan Fitzpatrick, with the Drumcode stalwart racing out of the gates in spectacular fashion with the release of his fabric 87 mix. A substantial amount of high profile shows followed, including appearing at the inaugural Junction 2 festival and closing the car park to a packed-to-the-rafters-crowd at Drumcode Halloween. He returns to Drumcode with ‘Brian’s Proper Dun One’, marking his first appearance on the label since late 2016 when he remixed Moby’s seminal ‘Porcelain’.

The release opens with ‘Brian’s Proper Dun One’, a track which caused a Twitter meltdown on Alan’s profile when he first started playing it at the tail end of 2016. Loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. It’s a no holds barred, certified main room anthem. ‘Wait A Second’ feat. mc r1bbz has been a staple of Adam Beyer’s sets of late and has been getting a lot of air time on Drumcode Radio. This rave inspired track takes a raw, stripped back approach and delivers a real killer blow. Alan sampled the vocals of mc r1bbz from an LTJ Bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the M25. The release closes with ‘Trance, Init?’; A homage to Alan’s days first and foremost as a raver before he became a DJ, with his non-purist attitude when it comes to electronic music shining through. The breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

Alan Fitzpatrick - Brian’s Proper Dun One - Drumcode - DC173

We Are The Brave front man Alan Fitzpatrick provides the labels next release with a typically incendiary two-tracker. Delving deep into his record collection for inspiration, the result is a brace of distinct, ear-catching cuts that tip a hat to by-gone times in rave culture and have returned big reactions from contemporary crowds all summer. 

The aptly titled “They All Called ‘Em Garys” combines droning hardcore hoovers and power piano with Fitzpatrick’s trademark heavy tech funk. While “Rhino” adopts a slung-back groove of resounding bass and tense pads overlaid with a knockout melody that bubbles away before unleashing its full chord progression through an unashamedly epic breakdown.

Rhino

BUY NOW

Alan Fitzpatrick - Rhino

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Solid Grooves Records co-founder Michael Bibi drops a pair of infectious tracks that feature his own vocals this September.

Michael Bibi's perpetual rise over the last two years can be credited to his idiosyncratic style, as heard in his appearances on labels like VIVa MUSiC, Lost Records and Criminal Hype. Having just made his debut at fabric where Solid Grooves took over Room Two, both Bibi and his label continue to raise the bar; cementing their reputation as a driving force behind some of today's most exciting house music.

A twisted intro makes way for raw sounding percussion and rumbling bass in 'Smoke Signals' before Bibi's infectious vocals come into play. A catchy production from the off, 'Playzone' once again features Bibi's voice whilst a moody low-end, crunchy snares and various samples and effects operate throughout.

Michael Bibi - Smoke Signals (Original Mix) SGR020

KiNK - Perth
youtube
https://www.youtube.com/watch?v=2YTg9BmZqwU&t=12s
Toot Toot, Beep Beep, out of the way! KiNK's taster for his up-and coming album on Running Back is here.
“Perth” is a prime-example of the Bulgarian producer's unstoppable good times ware. Taken from “Playground”, the three versions here are dripping with grease. Split between the original, a chord mix and a beat version, it’s all you ever wanted from a single. Perfect house music for techno DJs and techno music for disco DJs. We strongly recommend the use of two copies back and forth...fun, fun, fun!

KiNK - Perth

The Issue

"Closer goes first and is seven spooky minutes of spacious, acid-laced techno. Distant pads bring a cosmic feel and intimate spoken words make the whole thing feel personal yet unsettling as rubbery drums roll on below. Nothing pairs pulsating acid daubs with vocals drenched in reverb as slick drums drive things along. It’s a masterfully sparse yet engaging track that will cast its spell on all who hear it. Lastly, Motion is another absorbing track with deep drums and meandering pads sucking you into a cavernous sound world where alien motifs and acid gurgles work your mind as much as your feet.”

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Stefano Rassu