◢ 7th · SEVENTH
◢ Ζʹ · ΕΒΔΟΜΟ
◢ 7ème · SEPTIÈME
◢ VII · SETTIMO
 
[115 BPM - Rhythm: 4/4]

Written in Attiki (GR) between May and June 2021 

◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/seventh 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/seventh/ 
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2021  Stefano GAMBETTA  ·  All Rights Reserved.

Seventh

ʟ ʏ ʀ ɪ ᴄ s

Τώρα το βασίλειο είναι έτοιμο
Ακόμα δεν ζήτεις ότι ανήκει σου
Φανταστείς πώς θα κυλούσε η ιστορία
Αν δεν ήμουν, αν δεν ήμουν στη θέση μου

Καί εκθαμβωμένος από τον ιώδες ήλιο
Που λάμπει μέσα από σμαραγδένια λύχνοι
Ο παλαιότερος σπόρος πεθαίνει
Να ανθίσει έξω από το αυλάκι
Μόνο για να είναι μαζί σου

Ora il regno è pronto
Eppure non chiedi quel che spetta soltanto a te
Immagina come fluirebbe la storia
Se solo non fossi, se io non fossi al posto mio

E abbagliato dall’indaco sole che splende
Attraverso vetrate di color smeraldo
Il seme più vecchio muore dalla voglia di uscire
Fuori da questa dannata trincea
Soltanto per essere con te 
 
____________________________________________________
 
58 BPM · Rhythm: 4/4
 
Written in Attiki, Greece, between September and October 2021 
  
Released on November 1st, 2021
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/prostasia 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/prostasia/
◢ ʏᴏᴜᴛᴜʙᴇ https://youtu.be/Ug_ktLL5NQ8
 
____________________________________________________ 
 
℗ © 2021 Stefano GAMBETTA · All Rights Reserved

Προστασία · Prostasia

◢ انا لست
◢ Не Я
◢ I Am Not
◢ Je Ne Suis Pas
◢ Non Sono
◢ Δεν Είμαι
◢ No Soy
◢ Ich Bin Nicht
◢ אני לא 
 
[74 BPM - Rhythm: 4/4]
An ecological experiment built around a double harmonic minor scale and using exclusively its notes 
( D · D-sharp · F · G · A · A-sharp · C-sharp ) 
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/i-am-not
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/am-not/ 


℗ © 2016 Stefano GAMBETTA · All Rights Reserved.

انا لست  · • ·  I Am Not  · • ·  Δεν Είμαι

◢ D Major Seventh
◢ Dmaj7
◢ DΔ
◢ DM7
◢ D7+
 
[81–74 BPM - Rhythm: 4/4] 
 

𝄐 𝄐 𝄐 𝄐 𝄐 𝄐 𝄐 𝄐 𝄐 𝄐
 
[ 0:00 ]　| 001-016 | 
« ΑΛΦΑ » 

[ 0:47 ]　| 017-024 | 
« ΒΗΤΑ » 

[ 1:11 ]　| 025-040 | 
« ΓΑΜΜΑ » 

[ 1:58 ]　| 041-074 | 
« ΔΕΛΤΑ » 

[ 3:39 ]　| 075-083 | 
« ΕΨΙΛΟΝ » 

[ 4:05 ]　| 084-091 | 
« ΑΛΦΑ » (Reprise) 

[ 4:29 ]　| 092-107 | 
« ΒΗΤΑ » (Reprise) 

[ 5:17 ]　| 108-127 | 
« ΖΗΤΑ » 

[ 6:16 ]　| 128-135 | 
« ΗΤΑ » 

[ 6:40 ]　| 136-169 | 
« ΘΗΤΑ » 

[ 8:30 ]　| 179-177 | 
ἀμὴν γὰρ λέγω ὑμῖν ἕως ἂν παρέλθῃ ὁ οὐρανὸς καὶ ἡ γῆ 
« ΙΩΤΑ » ἓν ἢ μία κεραία οὐ μὴ παρέλθῃ ἀπὸ τοῦ νόμου 
ἕως ἂν πάντα γένηται (Κατά Ματθαίον 5:18) 

[ 8:56 ]　| 178-196 | 
« ΓΑΜΜΑ » (Reprise) 

[ 9:53 ]　| 197-207 | 
« ΔΕΛΤΑ » (Reprise) 
 
𝄑 𝄑 𝄑 𝄑 𝄑 𝄑 𝄑 𝄑 𝄑 𝄑

◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/d-major-seventh
 ◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/d-major-seventh/ 
◢ ᴠɪᴍᴇᴏ https://vimeo.com/259759471
◢ ʏᴏᴜᴛᴜʙᴇ https://youtu.be/rS0geFR042o
 
℗ © 2016 Stefano GAMBETTA · All Rights Reserved.

D Major Seventh

◢ MAZES of LIGHT
◢ ΛΑΒΥΡΙΝΘΟΙ του ΦΩΤΟΣ 
◢ DÉDALES de LUMIÈRE
◢ DEDALI di LUCE 
 
[52 BPM - Rhythm: 6/8]
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

[ 00:00 ]　| 001-004 |
ᴀ ᴛ ᴍ ᴏ s 

[ 00:14 ]　| 005-036 |
SHINE THYSELF 

[ 02:04 ]　| 037-061 |
UNCHARTED LANDS

[ 03:31 ]　| 062-067 |
THE GOLDEN CRUCIBLE 

[ 03:51 ]　| 068-075 |
LOOKING FOR 

[ 04:19 ]　| 076-076 |
ʀ ᴇ s ᴇ ᴛ 

[ 04:23 ]　| 077-094 |
GEMINI POINT 

[ 05:25 ]　| 095-104 |
EQUINOX 

[ 06:00 ]　| 105-140 |
EASTWARDS 1 

[ 08:04 ]　| 141-168 |
EASTWARDS 2 

[ 09:42 ]　| 169-190 |
PROLOGUE 
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
◢ ᴀᴜᴅɪᴏᴍᴀᴄᴋ https://audiomack.com/song/stefanogambetta/mazes-of-light 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/mazes-of-light 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/mazes-of-light/ 
◢ ᴠɪᴍᴇᴏ https://vimeo.com/277839937
◢ ʏᴏᴜᴛᴜʙᴇ https://youtu.be/bbW9X4cz6HY
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2018  Stefano GAMBETTA  ·  All Rights Reserved.

Mazes Of Light

Sketched in Summer 2015
Completed in Autumn 2018 — up to the ΟΧΙ DAY

· • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · 

ΟΧΙ DAY or OHI DAY (Greek: «Επέτειος του Όχι,» the «Anniversary of the ‘No’») is celebrated each October 28 since 1942 throughout Greece — after WWII by all the Greek Communities in the world. It commemorates: the Rejection by Greek Prime Minister Ioannis Metaxas of the ultimatum made by Italian fascist dictator Benito Mussolini; the Hellenic counterattack against the invading Italian forces at the mountains of Pindus during the Greco-Italian War; and the Greek Resistance during the Axis occupation.

This ultimatum — which was presented to Metaxas shortly after 3.00 ㏂ on October 28, 1940, by Emanuele Grazzi, the Italian ambassador who had just come from a party in the Italian embassy in Athens — demanded Greece to allow Axis forces to enter Greek territory and to occupy certain unspecified «strategic locations,» otherwise to face war. It was allegedly answered with a single laconic word: «Όχι» («No»). However, his actual reply was, «Alors, c’est la guerre!» («So it’s war!»).

In response to Metaxas’ refusal, Italian troops stationed in Albania, which was an Italian protectorate at that time, and attacked the Greek border at 5:30 ㏂ — the beginning of Greece’s participation in World War II. Later in the morning, the Greek Population took to the streets, irrespective of political affiliation, shouting «Όχι!».

(Adaptation from Wikipedia)

· • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · 

«Hᴇɴᴄᴇ, ᴡᴇ ᴡɪʟʟ ɴᴏᴛ sᴀʏ ᴛʜᴀᴛ Gʀᴇᴇᴋs ғɪɢʜᴛ ʟɪᴋᴇ ʜᴇʀᴏᴇs,
ʙᴜᴛ ᴛʜᴀᴛ ʜᴇʀᴏᴇs ғɪɢʜᴛ ʟɪᴋᴇ Gʀᴇᴇᴋs.»
(Winston Churchill)

· • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · 

◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/promised
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/promised/

· • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · • · 

℗ © 2018 Stefano GAMBETTA · All Rights Reserved

Hearts Over Earths

Promised

◢ هواء (HAWA) | LE SIÈGE VACANT 
 
[144 BPM - Rhythm: 19/4]

The Double Harmonic Major Scale is also known as the Arabic, Byzantine Scale, or Bhairav Raag. It is characterised by the augmented step between the 2nd and 3rd degrees: 

I - IIb - III - IV - V - VIb - VII
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/hawa-le-siege-vacant
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/hawa-le-siege-vacant/
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2018  Stefano GAMBETTA  ·  All Rights Reserved.

هواء (Hawa) | Le Siège Vacant

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Ⲟ ⲐⲈⲞⲤ ⲈⲒⲚⲀⲒ Ⲟ ⲔⲢⲒⲦⲎⲤ ⲘⲞⲨ

ἀγαπήσατε δικαιοσύνην οἱ κρίνοντες τὴν γῆν
Love righteousness, you rulers of the earth
Aimez la justice, vous qui jugez la terre
Dɪʟɪɢɪᴛᴇ ɪᴜsᴛɪᴛɪᴀᴍ ǫᴜɪ ɪᴜᴅɪᴄᴀᴛɪs ᴛᴇʀʀᴀM

Σοφία Σολομώντος (Book of Wisdom) 1 : 1
Dante Alighieri, Paradiso 18 : 70-114

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

55 BPM　|　Key: D Major　|　Rhythm: 4/4

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/returning-to-the-king-of-elements
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ hearthis.at/stefanogambetta/returning-to-the-king-of-elements/

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

℗ © 2018 Stefano GAMBETTA · All Rights Reserved.

Returning To The King Of Elements

◢ ELEMENTS 
◢ ΣΤΟΙΧΕΙΑ  
◢ ÉLÉMENTS 
◢ ELEMENTI 
 
[45 BPM - Rhythm: 4/4]
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

[ 00:00 ]　| 001-016 |
← 8 ← 

[ 01:25 ]　| 017-032 |
↑ 8 ↑ 

[ 02:50 ]　| 033-048 |
← 8 ← 

[ 04:16 ]　| 049-064 |
↓ 6 ↓ 

[ 05:41 ]　| 065-080 |
→ 4 → 

[ 07:07 ]　| 081-096 |
↑ 2 ↑ 

[ 08:32 ]　| 097-112 |
← 2 ← 

[ 09:57 ]　| 113-128 |
↑ 2 ↑ 

[ 11:22 ]　| 129-144 |
→ 4 →  

[ 12:48 ]　| 145-160 |
↓ 6 ↓ 

[ 14:12 ]　| 161-180 |
No End And No Beginning 

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/eanasir 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/eanasir/ 
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2019  Stefano GAMBETTA  ·  All Rights Reserved.

عناصر (Eanasir)

◢ VICTORY of the WINGED ONES 
◢ ΝΙΚΗ των ΦΤΕΡΩΤΩΝ  
◢ VICTOIRE des AILÉS 
◢ VITTORIA degli ALATI 
 
[112 BPM - Rhythm: 4/4]
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

[ 00:00 ]　| 001-040 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪ • RISING IN THE SUN 

[ 01:25 ]　| 041-048 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪ • THE STAIRWAY 

[ 01:42 ]　| 049-064 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪ • ON THE THRESHOLD 

[ 02:17 ]　| 065-070 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪ • THE CALLING 

[ 02:30 ]　| 071-086 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪ • SEVEN TRUMPETS 

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

[ 03:04 ]　| 087-102 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪɪ • BEA’S ARMY 

[ 03:38 ]　| 103-118 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪɪ • THE SHARP SEA 

[ 04:12 ]　| 119-126 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪɪ • A SHARPENED MAJOR D 

[ 04:30 ]　| 127-142 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪɪ • SOL MAIOR 

[ 05:04 ]　| 143-160 |　
ᴍᴏᴠᴇᴍᴇɴᴛ ɪɪ • STARLIT DAYLIGHT 

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/victory-of-the-winged-ones 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/victory-of-the-winged-ones/ 
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2019  Stefano GAMBETTA  ·  All Rights Reserved.

Victory Of The Winged Ones

◢ ABSENCE or PRESENCE
◢ ΑΠΟΥΣΙΑ ή ΠΑΡΟΥΣΙΑ
◢ ABSENCE ou PRÉSENCE
◢ ASSENZA o PRESENZA
 
[67-70 BPM - Rhythm: 7/8]

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Is ᴘʀᴇsᴇɴᴄᴇ [παρουσία] that more relevant than ᴀʙsᴇɴᴄᴇ [απουσία]? At the end of the day it is enough to be There at the proper time. 

But here’s a matter of fact: ᴘʀᴇsᴇɴᴄᴇ can also be a mirage. And actually, ᴀʙsᴇɴᴄᴇ does not exist. 

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

Electric Guitars Composition
℗ © 2020 Jorge NATALIN
@jorgenatalin

Original Music and Arrangement 
Written between 20 March and 15 June 2020 
℗ © 2020 Stefano GAMBETTA
@stefanogambetta

◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/apousia-or-parousia 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/apousia-or-parousia/ 
 
₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪
 
℗ © 2020  Stefano GAMBETTA  ·  All Rights Reserved.

Απουσία Ή Παρουσία (S. Gambetta - J. Natalin)

ʟ ʏ ʀ ɪ ᴄ s
· Rather than selling trash I give my salt for free
· Be careful, it is not meant to be stolen by thieves
· So sorry, I can’t forgive myself because you have been entered in such a hall
· Yet I should have cared of you before that pandemic April call
· When the silencing mask raised their envious eye from the photocell
· Boasting the vilest power of using some forbidden spell
· And they tracked you A to Z and detected both name and surname
· Then hit your neck with pins just to put you on tame
· I was lost in a Souther war, yet working to take you North
· Because out of billions of souls you were the only one to worth
· In the aftermath the silencing mask claimed to know your party colour
· And might taught you to make your way by putting me into a deep sorrow
· And the best of the bestest pages was not merely turned
· It was torn off the book, so that with absence it would be yearned
· While they tried to make you take the prize in the dark
· Like resin from the tree, when you slightly cut the bark
 
 
____________________________________________________
 
85 BPM · Rhythm: 4/4
 
Written in Attiki, Greece — thus Souther than my usual — between September 19 and 29, 2020 
 
Piano parts massively inspired by Elisa’s “Luce (Tramonti A Nord Est)” (https://youtu.be/Luw3drdIFA0 Toffoli-Fornaciari, “Lotus” version, 2003), John Grant’s “Grey Tickles, Black Pressure” (https://youtu.be/IV8Z9E3Ciuc Grant, 2015) and — oh, I noticed later — Pink Floyd’s “Remember A Day” (https://youtu.be/nF8iDyMniNg Wright, 1968)
 
Released on December 31st, 2020
 
◢ ʙᴀɴᴅᴄᴀᴍᴘ https://stefanogambetta.bandcamp.com/track/sixteen-lines 
◢ ʜᴇᴀʀᴛʜɪs.ᴀᴛ https://hearthis.at/stefanogambetta/sixteen-lines/
◢ ʏᴏᴜᴛᴜʙᴇ https://youtu.be/qWqhlU4eeUA (main channel) | https://youtu.be/CvnsosAfqnQ 
 
 
____________________________________________________
 
No “Music Premium Membership” required 
No “Patreon” or any other platforms for monetisation 
will ever appear on these channels 

All content is ғʀᴇᴇ for anyone who’d like to listen to it
’cause rather than selling trash I give my salt for free 
 
____________________________________________________ 
 
℗ © 2020 Stefano GAMBETTA · All Rights Reserved

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