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@loiflan

Introduce yourself? Pronouns? Where do you currently reside? 1 fun fact about yourself?

Hi! My name is Declan (he/him), currently residing in Melbourne/Naarm. I’m trying to learn Hungarian at the moment so I can apply for dual citizenship.


How did you get your DJ name? 

I was at a festival a few years ago and while sitting around the campsite talking shit a few friends started coming up with nicknames for me. They eventually went from Declan > Lecdan > Doiflan > Loifdan. Drop the dan and ‘LOIF’ was born.

Dream line-up?

In no particular order:
Objekt
Livwutang
Roza Terenzi
Dregs (LIVE)
Bambounou
Harold
Aphex Twin (LIVE)
CCL
Polar
DJ Sprinkles
Moopie
DJ Stingray

Second pick for your DJ name?

Probably something with the word ‘Tek’ in it.

What is the theme song of your life?

https://www.youtube.com/watch?v=1lyu1KKwC74&ab_channel=TheVerveVEVO

What is your favorite time of day?

4:20

Any advice to upcoming producers/djs?

I think probably the hardest part of getting into either practice is the steep learning curve (especially with producing). What I found most helpful was learning from other people. When I first started playing around with mixing and buying records I was lucky that a large chunk of my mates were all getting into it at the same time. I spent sooooo many days just endlessly mixing with friends and we would constantly share music and ideas and concepts, many of which still inform my style today. I doubt I would’ve stuck with it if it wasn’t for such a passionate and supportive group of people I was lucky to learn with. Similar can be said about producing - I have found collaboration to be endlessly helpful. Every single time I’ve worked with other producers/musicians/mixing engineers etc. I’ve picked up at least one or two techniques or ideas that have been essential in the way I make music going forward. Everyone has a different way of doing things and you can only benefit from getting a wide range of perspectives on how people practice their craft.

Also, don’t be too concerned about buying super fancy top-of-the-line gear - if anything learning on a less than ideal set up can be beneficial going forward. I would probably be a much worse DJ if I hadn’t started mixing records on cheap audio-technica turntables. By the same token, having a limited set up when producing (ie. a shitty laptop, 2 VSTs and a handful of samples) is limiting but allows you to learn the basics without being overwhelmed and will make the transition to more complicated gear and techniques much smoother in the future.

What would you like to see in the future for the dance community?

There’s a lot that would be good to see but I think more emphasis on safer spaces for dancers, performers and artists are incredibly important. Unfortunately in Naarm unwanted attention, sexual abuse and sometimes violence is a regular occurence in a lot of clubs where promoters and venue owners don’t put the necessary work into making sure this type of behaviour is stamped out. When these safe spaces are created it’s an incredibly powerful feeling knowing you are safe to express yourself and that everyone shares the same level of respect for one another. A new club that just opened in the CBD called Miscellania has done an amazing job in fostering this kind of environment, partly due to the fact that they trained friends to work on the door as security and ensure the right kind of people were coming in. Too bad it was only open for two weeks before we went back into lockdown :’(

LOIF - 6° Of Separation

kaisei https://soundcloud.com/kaiseikitada
Eora
Steeplejack 5.06

kaisei

@blue_verveine
@ewo_collectif
@ouroboros-crew
https://www.instagram.com/ver__veine

Artwork: Merciful Stranger
https://www.instagram.com/merciful_stranger

གཤིན་རྗེ་གཤེད་, རྡོ་རྗེ་འཇིགས་བྱེད

In the hidden recesses of the cavern devoted to spiritual transcendence, a venerable holy man was engrossed in profound meditation, teetering on the very threshold of Nirvana...

The tranquility enveloping the sacred space was abruptly shattered as two nefarious thieves stealthily infiltrated its hallowed confines. Cloaked in shadows, they dragged along a stolen Bull, callously desecrating the sanctity of the cave. With ruthless brutality, they slaughtered the innocent creature, severing its head without a moment's regard for the violated sanctity...

The holy man, an unwitting spectator to this sacrilege, locked eyes with the intruders. Astonishingly undisturbed by the gruesome spectacle unfolding before him, he allowed the thieves to sever his own head as well. In a surreal metamorphosis, the severed head of the celestial Bull seamlessly replaced his own, transcending the boundaries of conventional life...
Transformed into the celestial figure of Yama - the god of death...The holy man unleashed a torrent of divine anger. Consuming the intruders with insatiable hunger, the wrath of Yama spilled beyond the cavern's confines, threatening to engulf the entire mountain in its ominous embrace...

Faced with this escalating peril, the disciples turned to Manjusri, the embodiment of wisdom. In a fearful struggle against Yama, Manjusri assumed the fierce bull-headed form of Yamantaka, determined to quell the divine fury that now threatened to devour not only the thieves but also the very essence of the sacred mountain...The spiritual battleground resonated with the clash of celestial forces, as wisdom grappled with divine anger in a struggle that transcended mortal comprehension...

VERVEINE - AMATEUR EXOTIC'S YAMANTAKA DANCE

On gare le Mobile Home chez @jackyjeane pour une journée de radio itinérante rythmée par les sets de ses invité.e.s.

@kick_21

Mobile Home : Kick21 (24.02.24)

Berlin-based Katiusha is known for building hi-energy, intricate stories on the dancefloor. With a background in experimental radio and non-profit parties, her taste has always extended far and wide – but her club selections draw heavily on atmospheric rollers, leftfield techno, and UK impact. Flying from hardcore to jungle, techno to dubstep and some ambient nuances; fearlessly barrels through genres with the utmost care and precision - truly one of the tidiest DJs.

This sound has caught the attention of revered venues like FOLD, Tresor, and Berghain’s SÄULE. On air, she's played for Boiler Room, Rinse FM, and Moxie’s semanal NTS show and Festivals like Dimensions and Cosmic Roots. Last year she made a strong entrance onto the production scene with debuts on Peach Discs and Idle Hands: in 2024 she leaned into a more trippy bass sound, releasing on dubstep imprint SPLOT and, more recently, her own label GRACE. The label is a new project for hazy club sonics, with a DIY ethos and producer equity at its core.

Long story short, you can trust Katiusha to provide the best wubs and cosmic rollers, so you don't want to miss this percussive but surrounding mix.

++++plus, Nice to know that she has created some good memories in Paisa lands! Go listen.

𝙇𝙤𝙤𝙠 𝙄𝙣𝙨𝙞𝙙𝙚 - zizi K invites Katiusha / Internet Public Radio

Streaming from Het Meterhuis @ Westerpark in Amsterdam: this is RRFM.NL w/ @saraberton

Tracklist:
Lo Kindre - Torment of One 
Crypticz - The Guided
Bedouin Sound Clash - Suspicions
Kambo Super Sound - Vanntårnet (Water Tower Dub)
TNT Roots - Mighty In Battle 2
O.B.F - Echo Dub Pt2
Nation of Noise - Xes Noiz - B3 
Smith & Mighty - U Dub
Eden Burns - Harder Than
3WA - SEA WITCH
Alpine Sound - All Bases
Pugilist - Under Cover
DJ Gonz - Horizons
Spherix - Look Back
Beatrice M. - Seek
Maquis Son Sistèm - Iga
Roger Robinson - Forward
Dregs - Underwater (Dub)

RRFM • Dub Special w/ Berton • 08-09-24

soundcloud : https://soundcloud.com/simsaara
instagram : https://www.instagram.com/simsaara/

Rogue Mix Series • GRETA B2B DJ NOT I w/ Greta

Stegi.Radio

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