Una de las mejores que he escuchado en souclod

Hey dawg keep up the good work [via https://sc.repostexchange.com]

The Fall of Saigon asked to add a vocal to our tune and we welcomed him to do so. The original wasn’t written with vocals in mind so we figured it was going to be a tricky thing to do. The Fall of Saigon worked his descriptive lyrics in very well, capturing the spirit of being calm and optimistic in a hurricane. 

Hear more from The Fall of Saigon: https://soundcloud.com/thefallofsaigon

\m/ Love Music and Stay Safe <3

Credits:
Rebecca Williams - bass, percussion, synths, production. 
Andrea Pierantoni - guitars, production. 
Lyrics & Vocals - The Fall of Saigon
Mixing and mastering by Andrea at Never Enough Cowbell Studios. 
Cover art by Rebecca.
SafeCreative Registration code: 2207211626526
————————————————

Lyrics:

Le ciel, assoupi,
Lentement a noirci.
Se lève le vent,
Avant l'ouragan

Tu peux t'affoler.
Lentement perdre pied.
Mais peu importe le temps,
Tu restes sur l'estran.

Les arbres embrasés
S'effondrent à tes pieds.
Garde ton attention.

Les vagues déchainées
Veulent te submerger.
Elles crient même ton nom.

Elles veulent te submerger.
Te submerger.
Elles crient même ton nom.

Voilà, tout est passé.
Tes larmes ont séché.
Serein à présent,
Face à l'ouragan.

Le ciel, obscurci,
Maintenant, s'éclaircit.
Les arbres foudroyés,
Te servent de trophée.

~ 2022 Guillaume Pognon

Sky, asleep,
Slowly blackened.
The wind rises,
Before the hurricane

You can panic.
Slowly losing your footing.
But no matter the weather,
You stay on the foreshore.

Burning trees
Collapse at your feet.
Keep your attention.

The raging waves
Want to overwhelm you.
They even shout your name.

They want to overwhelm you.
Overwhelm you.
They even shout your name.

That's it, everything has passed.
Your tears have dried.
Serene now,
Facing the hurricane.

The sky, darkened,
Now clears up.
Shattered trees,
Serve as a trophy.

An Optimist In A Hurricane (feat. The Fall Of Saigon)

Buy our Music 🔥

Each & every I of us  has been bestowed with gifts & tools that are required II navigate this thing called LIFE.  However, how choose II use, or not  use the gifts is  another matter.  No doubt obstacles, challenges, minefields, uneven terrain & bottlenecks  will present themselves in different guises, & all echoing the same mantra “ it is impossible”.  It is @ that crossroad where giving up is the easy thing II do. But the road less travelled is the I II take. Strap your boots up , look impediment in the eye & face her head on, & walk, run,  swim (or whatever takes your fancy) IIwards your sky.
& no it is not Pie contrary Ii popular belief.                - as always IV H.B

PRESS YOUR  RED BUTTON (now & Get What You  Want).

My Universe 2

Dub Reggae ...that's what I like ...Music Against System !!

FutuRe Dub part 3 Brainstorming Dub (KRT Production)

Receding Replies

Tell Me Now
written by Jasmin M. 
Music arranged & produced by Andy S. 
all rights reserved - 
THX for your support! <3 Cheers, Jazzy <3

Tell Me Now

Tell Me Now - Jasmin M.

relaxing semi-acoustic guitar instrumental

rockon2021

been & gone

FLY TY

Art by [?] 

message me for credit please

a world of dance [prod. by ?]

Echoes of Tranquility Lane

Subtle Serenity

Written: 2018-19
Duration: ca. 25'
Commissioned by J.K. Billman
Premiere: Euclid Quartet, Mostly Modern Festival, Arthur Zankel Music Center, June 25, 2019
Publisher: Bill Holab Music: http://www.billholabmusic.com
For more info.: https://robertpaterson.com/string-quartet-no-2

PROGRAM NOTES
In some ways, String Quartet No. 2 is similar to my String Quartet No. 1: the five movements are stylistically diverse, I use a few snippets of pre-existing music, and the music, while idiomatic, is technically demanding. As with my first quartet, this work explores technical and aesthetic ideas I didn’t have a chance to explore in other works.

The first movement, Colored Fields, is inspired by abstract expressionist painters such as Mark Rothko, Kenneth Noland, and Barnett Newman, but also pointillist painters such as Georges Seurat and Paul Signac. There are textures that emerge and submerge using articulations that gradually shift from soft to loud, or short to long, and there are a few transitions that utilize a technique I call pitch phasing or phase modulation, as opposed to tempo phasing. In these transitions, two or more instruments gradually modulate (raise or lower) notes, motives, or phrases by gradual, very refined, microtonal, non-chromatic increments, settling on new pitch areas that directly reflect the previous areas, just modulated up or town. The movement ends softly with a virtual desaturation of the rhythmic material. I remove notes, one by one, until there’s nothing left.

The second movement, Rigor Mortis, is inspired by a comic strip by David Lynch that newspapers ran for many years. In this strip, Lynch sketched a stressed-out, pitch-black dog, looking very mean and almost buzzing with anger; it looked like it was about to explode. Every strip began with an accompanying paragraph that read, “The dog who is so angry he cannot move. He cannot eat. He cannot sleep. He can just barely growl. Bound so tightly with tension and anger, he approaches the state of rigor mortis.” This made me envision musicians playing with such ferocity and tension that the music seems to eventually cancel itself out, anger imploding in on itself.

The third movement, Dolente, is sad, lush, and mournful. The only request I had when writing this quartet was to incorporate a Norwegian fiddle tune or theme by Edvard Grieg, so I chose themes from Grieg’s String Quartet No. 1. The form of this movement mimics the form of a song by Edvard Grieg’s entitled Spillemaend (Minstrels, or Fiddlers). The poem that Grieg set in 1876 as the first of Six Ibsen Songs (Op. 25) is based on the Norwegian folktale of the fossegrim, a male water spirit who could teach the art of violin-playing, but often at the price of personal happiness. In some versions of the story, the poor violinist drowns in the end. Like the song, and echoing the second movement, this movement beginning with the protagonist’s longing, his desire for the beloved. Next, he encounters the fossegrim, who promises that becoming a master of music will allow the protagonist to become master of his beloved. In the final stanza, the protagonist becomes a master fiddler, but he is now a cursed, wandering musician deprived of earthly love, so he drowns himself.

The humorous fourth movement, Scherzando, capitalizes on effects that at times, often make the string players sound inebriated. I make use of copious glissandi and tempos that fluctuate between 3/4 and 6/8, giving a sense of unease.

The final movement, Collage, is similar to the first movement in that it is inspired by the visual arts, and specifically, collage painting and works by surrealists. Many themes from the first four movements are brought together in this odd-metered movement.

String Quartet No. 2 commissioned by J. K. Billman and is written for and dedicated to the Euclid Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 2 - III. Dolente

Music-Production, Trap, HipHop, Chill-Hop, Lo-Fi etc., All Kinds of HipHop and Subgenres, Soundengeneering, Beatproducing


My Universe 2

XCLUCIFF_BEATS

Recent comments

Big Shoog

KC23

di mon

Related tracks